i only come up with holiday art ideas after the fact
okay i cannot stress this enough Spoilers For Witch Hat Atelier up to chapter 40
in which i posit that olruggio made qifrey’s glasses, forget to actually back that theory up after the first image, and devolve into some bullshit
there are 5 more images below the cut (and that’s where most of the spoilers are)
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Unusual words with beautiful meanings:
Peregrinate (verb) To travel or wander around from place to place.
Serendipity (noun)Â Finding something good without looking for it.
Nemophilist (noun)Â One who is fond of forest; A haunter of the woods.
Eudaimonia (noun)Â The contented happy state you feel when you travel.
Eleutheromania (noun)Â The intense desire for freedom.
Hireath (noun)Â AÂ homesickness for a home to which you cannot return, a home which maybe never was.
Idyllic (adj.) Like an idyll; extremely happy, peaceful, or picturesque.Â
Clinomania (n.)Excessive desire to stay in bed.Â
Seatherny (n.) the serenity one feels when listening to the chirping birds.
Eunoia ( n.) beautiful thinking a balanced mind.
thinking again about TvTropes and how it’s genuinely such an amazing resource for learning the mechanics of storytelling, honestly more so than a lot of formally taught literature classes
reasons for this:
basically TvTropes breaks down stories mechanically, using a perspective that’s not…ABOUT mechanics. Another way I like to put it, is that it’s an inductive, instead of deductive, approach to analyzing storytelling.
like in a literature or writing class you’re learning the elements that are part of the basic functioning of a story, so, character, plot, setting, et cetera. You’re learning the things that make a story a story, and why. Like, you learn what setting is, what defines it, and work from there to what makes it effective, and the range of ways it can be effective.
here’s the thing, though: everyone has some intuitive understanding of how stories work. if we didn’t, we couldn’t…understand stories.
TvTropes’s approach is bottom-up instead of top-down: instead of trying to exhaustively explore the broad, general elements of story, it identifies very small, specific elements, and explores the absolute shit out of how they fit, what they do, where they go, how they work.
Every TvTropes article is basically, “Here is a piece of a story that is part of many different stories. You have probably seen it before, but if not, here is a list of stories that use it, where it is, and what it’s doing in those stories. Here are some things it does. Here is why it is functionally different than other, similar story pieces. Here is some background on its origins and how audiences respond to it.”
all of this is BRILLIANT for a lot of reasons. one of the major ones is that the site has long lists of media that utilizes any given trope, ranging from classic literature to cartoons to video games to advertisements. the Iliad and Adventure Time ARE different things, but they are MADE OF the same stuff. And being able to study dozens of examples of a trope in action teaches you to see the common thread in what the trope does and why its specific characteristics let it do that
I love TvTropes because a great, renowned work of literature and a shitty, derivative YA novel will appear on the same list, because they’re Made Of The Same Stuff. And breaking down that mental barrier between them is good on its own for developing a mechanical understanding of storytelling.
But also? I think one of the biggest blessings of TvTropes’s commitment to cataloguing examples of tropes regardless of their “merit” or literary value or whatever…is that we get to see the full range of effectiveness or ineffectiveness of storytelling tools. Like, this is how you see what makes one book good and another book crappy. Tropes are Tools, and when you observe how a master craftsman uses a tool vs. a novice, you can break down not only what the tool is most effective for but how it is best used.
In fact? There are trope pages devoted to what happens when storytelling tools just unilaterally fail. e.g. Narm is when creators intend something to be frightening, but audiences find it hilarious instead.
On that note, TvTropes is also great in that its analysis of stories is very grounded in authors, audiences, and culture; it’s not solely focused on in-story elements. A lot of the trope pages are categories for audience responses to tropes, or for real-world occurrences that affected the storytelling, or just the human failings that creep into storytelling and affect it, like Early Installment Weirdness. There are categories for censorship-driven storytelling decisions. There are “lineages” of tropes that show how storytelling has changed over time, and how audience responses change as culture changes. Tropes like Draco in Leather Pants or Narm are catalogued because the audience reaction to a story is as much a part of that story—the story of that story?—as the “canon.”
like, storytelling is inextricable from context. it’s inextricable from how big the writers’ budget was, and how accepting of homophobia the audience was, and what was acceptable to be shown on film at the time. Tropes beget other tropes, one trope is exchanged for another, they are all linked. A Dead Horse Trope becomes an Undead Horse Trope, and sometimes it was a Dead Unicorn Trope all along. What was this work responding to? And all works are responding to something, whether they know it or not
autism be damned my boy can make an 8ft tall man in his college dorm
having a blorbo in greek mythology and epics is like the ancient world version of realizing the tv show had a different writer for the one episode your critter was wildly out of character and everyone is like "oh that's so them!" ??? did we watch the same show? helen of troy/sparta is a slut no wait she is a perfect woman no no she is a flawed human being no hold on she's a woman making her way in a man's world wait no she is the archetypal victim no wait-
not coincidentally i am reading madeline miller's the song of achilles for the first time and odysseus just showed up halfway through and odysseus'ed across the page so hard he made me fall in love with him all over again. achilles/patroclus is some foundational tragic queer romance, yeah i respect that, but odysseus. the laughing snake that tricks you into forgetting he is always ready to bite. my man
i bet he is a tricky character to write well but as long as he falls somewhere on the wile e. coyote <--> bugs bunny spectrum he is probably in character. because his character is to be tricksily varied. is he just a dude trying to get home? is he a larger than life hero? a rat bastard nobody can trust? the one male in hellas with a working brain who doesn't listen only to his dick or his overinflated ego? a wifeguy (positive)? a wifeguy (negative)? athena's special boy in this generation (telemachus and orestes wiping their noses on their blankets still)? or her latest mortal hackeysack, legs blurring in a looney tunes run between zany schemes, just a bit faster than the other doomed shmucks? all are intensely valid interpretations and go all the way back to homer 2800 years ago. incredible.
someone in the book is making fun of odysseus for bragging about how much he likes the ship, fresh from ithaca!! penelope modeled for the figurehead!!! he gets to see her while they're apart!!!! and that's why i set the book down for a minute. hgn. hdmahflshsk. odysseus sweetie pie i hope you still like it twenty years from now. the ghosts of my middle school english notes defining "dramatic irony" scream in ecstasy from the great beyond
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