Stinky Man

What Kim Kitsuragi Tells Us About Fandom Ghost

I don't know if this has been said before, but I feel like another reason why Kim Kitsuragi is so wildly popular and beloved is how seamlessly he maps onto the trope of the Fanon Ghost.

Fanon Ghost is a concept that originated on Tumblr, by user wildehack, to describe the phenomenon of fandom elevating certain white male side characters from canon into main characters in fic, using a very specific set of characterization.

(Examples: wildehack focused on Star Wars' Hux's popularity in fic in comparison to characters like Finn/Poe, but others include Q from Craig!Bond verse, Arthur from Inception, Draco Malfoy, etc.)

From wildehack's defining essay:

"... prudish til you get him in bed, whereupon he is The Most Kinky, the charmingly repressed rage, the Love of Research and Order, the way lust/interest/affection is coded into irritation at The Neat and Tidy World being All Roughed Up by the hot mess of the other half of the ship?" "This crowdsourced tight-lipped furious perfectionist with his neat clothes and his scowling defensiveness and his biting sarcasm and his embarrassed desire to have a dude who is both sweaty and emotional take him apart."

Sound familiar?

Well, the terms may be a little different.

Where wildehack uses 'prudish,' 'biting sarcasm,' etc. to describe their fandom's fanon ghost, Disco fans might use 'professional,' 'dry wit,' etc. to describe Kim Kitsuragi.

But, the idea is the same, down to his embarrassing / sweaty / emotional partner. Kim Kitsuragi is Fanon Ghost if fanon ghost weren't a white male side character.

quick detour that'll become relevant later: i feel SO smug about the fact that Kim's characterization is canon to Disco Elysium. You had to make up your own perfect blorbo, but ours came like that! And he's not a white character being used to ignore POC main characters!

wildehack's essay started a conversation on why fandoms gravitate towards "This One Crowdsourced Dude," even when he doesn't exist in canon. And when there are other, often more established, minority main characters to work with.

There are a bunch of responses to this question—the FandomLore article I'm referencing this discussion from has a bunch of the full metas—ranging from exploring why he's often white and what exactly about him appeals to fandom. I think Kim's popularity can be really helpful in sorting my thoughts to these responses.

For instance, there are two general responses as to why the Fandom Ghost is usually a white side character:

Whiteness is considered a a blank slate default, making it easier to write about without fear of misrepresentation/mischaracterization

VS

White men are considered more desirable/more relatable by fandom.

It's probably a mix of the two, but I think a fascinating THIRD take is that these white side characters in canon aren't just blank slates, but also share minor traits that all point to One Trope that causes people to obsess.

certifiedspacetrash postulated that the fandom ghost is actually a reskinning of a much older beloved archetype—the byronic hero: a character notable for being hard to like and hard to know, but usually possessing a rich inner life and a softer side accessible only to a special few. (Sound familiar?)

He theorized that part of the reason we don't see many POC Fandom Ghosts is because mainstream medias don't cast byronic traits onto POC characters.

"I think if Hollywood cast more young, striking actors who happen to be PoC, women etc as villains / byronic heores we would see lots of fanfic of them. But Hollywood is still in some weirdass reaction to being accused of racial stereotyping (which they 100% still do), and almost refuse to cast poc or women as bad guys. If they are, they’re either cast very old; or they’re the mary sue badguys - 100% beautiful, geniuses, incredibly powerful, no flaws whatsoever - and that tends not to inspire a lot of writers."

I find this take fascinating with Disco Elysium in mind because of the way Kim Kitsuragi is the exception that proves the rule.

Kim Kitsuragi is a rare, well-written mixed Asian character with byronic traits. And would you look at that?—Kim Kitsuragi has captured the hearts and minds of basically every Disco Elysium enjoyer ever.

Kim Kitsuragi is notably NOT overshadowed by Jean Vicquemare, who is a white side character with byronic traits that, in an alternate universe, could've been possessed by the Fandom Ghost to overshadow Kim. Jean, in our universe, already has a pretty big fandom in proportion to his screentime.

But, by the grace of moments where Harry can get Kim to "give a smile only you can see," Kim Kitsuragi is the breakout star of Disco Elysium. I find that hopeful, in a time where Asian male characters (outside of Asia, ofc) are often overlooked or boxed in or emasculated.

He got the spirit

Cherik???

his wig reminds me of Elrond

and yes the it looks like crap

I can help you. I can help you so that you never have to break things ever again.

X-MEN: DARK PHOENIX (2019)

do you understand my vision.

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thinking again about TvTropes and how it’s genuinely such an amazing resource for learning the mechanics of storytelling, honestly more so than a lot of formally taught literature classes

reasons for this:

basically TvTropes breaks down stories mechanically, using a perspective that’s not…ABOUT mechanics. Another way I like to put it, is that it’s an inductive, instead of deductive, approach to analyzing storytelling.

like in a literature or writing class you’re learning the elements that are part of the basic functioning of a story, so, character, plot, setting, et cetera. You’re learning the things that make a story a story, and why. Like, you learn what setting is, what defines it, and work from there to what makes it effective, and the range of ways it can be effective.

here’s the thing, though: everyone has some intuitive understanding of how stories work. if we didn’t, we couldn’t…understand stories.

TvTropes’s approach is bottom-up instead of top-down: instead of trying to exhaustively explore the broad, general elements of story, it identifies very small, specific elements, and explores the absolute shit out of how they fit, what they do, where they go, how they work.

Every TvTropes article is basically, “Here is a piece of a story that is part of many different stories. You have probably seen it before, but if not, here is a list of stories that use it, where it is, and what it’s doing in those stories. Here are some things it does. Here is why it is functionally different than other, similar story pieces. Here is some background on its origins and how audiences respond to it.”

all of this is BRILLIANT for a lot of reasons. one of the major ones is that the site has long lists of media that utilizes any given trope, ranging from classic literature to cartoons to video games to advertisements. the Iliad and Adventure Time ARE different things, but they are MADE OF the same stuff. And being able to study dozens of examples of a trope in action teaches you to see the common thread in what the trope does and why its specific characteristics let it do that

I love TvTropes because a great, renowned work of literature and a shitty, derivative YA novel will appear on the same list, because they’re Made Of The Same Stuff. And breaking down that mental barrier between them is good on its own for developing a mechanical understanding of storytelling.

But also? I think one of the biggest blessings of TvTropes’s commitment to cataloguing examples of tropes regardless of their “merit” or literary value or whatever…is that we get to see the full range of effectiveness or ineffectiveness of storytelling tools. Like, this is how you see what makes one book good and another book crappy. Tropes are Tools, and when you observe how a master craftsman uses a tool vs. a novice, you can break down not only what the tool is most effective for but how it is best used.

In fact? There are trope pages devoted to what happens when storytelling tools just unilaterally fail. e.g. Narm is when creators intend something to be frightening, but audiences find it hilarious instead.

On that note, TvTropes is also great in that its analysis of stories is very grounded in authors, audiences, and culture; it’s not solely focused on in-story elements. A lot of the trope pages are categories for audience responses to tropes, or for real-world occurrences that affected the storytelling, or just the human failings that creep into storytelling and affect it, like Early Installment Weirdness. There are categories for censorship-driven storytelling decisions. There are “lineages” of tropes that show how storytelling has changed over time, and how audience responses change as culture changes. Tropes like Draco in Leather Pants or Narm are catalogued because the audience reaction to a story is as much a part of that story—the story of that story?—as the “canon.”

like, storytelling is inextricable from context. it’s inextricable from how big the writers’ budget was, and how accepting of homophobia the audience was, and what was acceptable to be shown on film at the time. Tropes beget other tropes, one trope is exchanged for another, they are all linked. A Dead Horse Trope becomes an Undead Horse Trope, and sometimes it was a Dead Unicorn Trope all along. What was this work responding to? And all works are responding to something, whether they know it or not

«Я безумно устал ото дня,

Расплескавшего наземь белила.

Я устал, пощадите меня

От базаров и уличной пыли,

От промозглой личины утра,

От глухой бесприютности ночи,

От боязни падения; впрочем,

Если я не разбился вчера,

Завтра чья-нибудь лошадь растопчет.»

Hi!! My name is Kay, and I draw! My interests looks real random lmao I know the blog is a mess. I am much more active on twitter but quite awkward and unfamiliar there so please if you can go see me I am @doggosta tysm 🌷