Say, for example, you’re writing a swimming pool scene and you need to plant the fact that Susan is blonde, because in a few chapters, the detective will find a blond hair at the crime scene.
You want the planted information to be memorable, but at the same time not stand out too much. The ideal is to push the information into the reader’s subconscious without a neon light arrow saying, “You might want to remember this, dear reader. This will be relevant!” The planted information needs to feel natural, organic, but memorable enough so when it turns out to be ✨a clue✨, your reader thinks, “I should have seen it!”
Let’s look at some options.
Susan, who is blonde, took a deep breath and dived into the pool.
This feels forced and awkward. The two pieces of information (pool + blonde) are not connected, the fact that she is blonde feels irrelevant and shoved in. If the reader remembers this, it’s because they noticed how the information is forced upon them.
Elegant ⭐
Memorable ⭐⭐
Organic ⭐
The blonde Susan swam across the pool. / The blonde, Susan, swam across the pool.
This feels more natural, but there’s a danger that only the swimming will stick into the reader’s mind because her being blonde is so unnoticeable. There is also a minor danger that the reader will expect an non-blonde Susan to show up in the first variation.
Elegant ⭐⭐
Memorable ⭐
Organic ⭐⭐
Susan was annoyed. She had just washed her hair with that ridiculously expensive Luscious Blonde shampoo and now her friends wanted to go swimming? What a waste of money.
This feels natural and organic, because both elements are conveyed from Susan’s point of view. They are both relevant and connected, and on top of that you get to build Susan’s character.
Elegant ⭐⭐⭐
Memorable ⭐⭐⭐
Organic ⭐⭐⭐
Her friends were already in the pool, but Susan held up her pocket mirror, making absolutely sure that the latex cap wouldn’t let any water in. She just had her hair bleached and after the debacle of 2019, she would never forget what chlorinated water did to bleached hair.
Susan’s POV makes her blond hair relevant to the swimming, as with the example above, but this time you’re presenting a completely different character. It feels organic and personal, and the fact that she is blonde will be lodged into the reader’s mind without screaming “It’s a clue!”.
Elegant ⭐⭐⭐
Memorable ⭐⭐⭐
Organic ⭐⭐⭐
I hope this is helpful! Follow me for more writing tips or browse my entire collection of writing advice now.
Happy writing!
“In general…there’s no point in writing hopeless novels. We all know we’re going to die; what’s important is the kind of men and women we are in the face of this.”
— Anne Lamott
"I simply can't bear another minute without you in my life."
"My love for you consumes me."
"I don't even know how to handle the feelings I have for you."
"Nothing will ever keep us apart anymore."
"This heart belongs to you. You can break it or heal it."
"I love you more than words can ever express."
"You are my forever. My future. My one and only."
"Even if the world was ending, I would be happy to be by your side."
"Without you, I am nothing. I love you more than you could ever understand."
"I didn't believe in soulmates before I met you."
"You are the one. My love of my life."
"I wouldn't want to experience one more day without you."
"Without you, I am incomplete. You are my missing part."
"And I love you more each day and it hurts so much not being able to tell you."
"You made me believe in love."
More: Love Confessions Masterpost
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This is amazing, I wish more creative teachers gave this advice
"Stop saying 15 year olds with weird interests are cringe, they're 15" this is true however you should also stop saying adults with weird interests are cringe because who gives a shit
(Non-authors, please RB to signal boost to your author friends!)
An astute reader informed me this morning that one of my fics (Children of the Future Age) had been pirated and was being sold as a novel on Amazon:
(And they weren't even creative with their cover design. If you're going to pirate something that I spent a full year of my life writing, at least give me a pretty screenshot to brag about later. Seriously.)
I promptly filed a DMCA complaint to have it removed, but I checked out the company that put it up -- Plush Books -- and it looks like A LOT of their books are pirated fic. They are by no means the only ones doing this, either -- the fact that """publishers""" can download stories from AO3 in ebook format and then reupload them to Amazon in just a few clicks makes fic piracy a common problem. There are a whole host of reasons why letting this continue is bad -- including actual legal risk to fanfiction archives -- but basically:
You can search for your fics by title, or by text from the description (which is often just copied wholesale from AO3 as well). If you find that someone has stolen your work and is selling it as their own, you can lodge a DMCA complaint (Amazon.com/USA site; other countries have different systems). If you haven't done this before, it's easy! Here's a tutorial:
First, go to this form. You'll need to be signed into your Amazon account.
Select the radio buttons/dropdown options (shown below) to indicate that you are the legal Rights Owner, you have a copyright concern, and it is about a pirated product.
Enter the name of your story in the Name of Brand field.
In the Link to the Copyrighted Work box, enter a link to the story on AO3 or whatever site your work is posted on.
In the Additional Information box, explain that you are the author of the work and it is being sold without your permission. That's all you really need. If you want, you can include additional information that might be helpful in establishing the validity of your claim, but you don't have to go into great detail. You can simply write something like this:
I am the author of this work, which is being sold by [publisher] without my permission. I originally published this story in [date/year] on [name of site], and have provided a link to the original above. On request, I can provide documentation proving that I am the owner of the account that originally posted this story.
In the ASIN/ISBN-10 field, copy and paste the ID number from the pirated copy's URL. You'll find this ten-digit number in the Amazon URL after the word "product," as in the screenshot below. (If the URL extends beyond this number, you can ignore everything from the question mark on.) Once this number has been added, Amazon will pull the product information automatically and add it to the complaint form, so you can check the listing title and make sure it's correct.
Finally, add your contact information to the relevant fields, check the "I have read and accept the statements" box, and then click Submit. You should receive an email confirmation that Amazon has received the form.
Please share this information with your writer friends, keep an eye out for/report pirated works, and help us keep fanfiction free and legally protected!
NOTE: All of the above also applies to Amazon products featuring stolen artwork, etc., so fan artists should check too!
*opens word doc covered in blood* it doesn’t have to be good. it just has to be done.
Whether you’ve been writing for a long time or want to start, everyone begins in the same place—with a scene.
Not an entire chapter.
A scene.
Here’s how you can make it happen on the page.
Scenes can’t happen without characters. Sometimes you might have a place in mind for a scene, but no characters. Sometimes, it’s the opposite.
Pick at least two characters if you’ll have external conflict (more on that in step 4). One character can carry a scene with internal conflict, but things still have to happen around them to influence their thoughts/emotions.
Short stories combine mini scenes into one plot with a beginning/middle/end. Longform manuscripts combine chapters to do the same thing, but with more detail and subplots.
You don’t need to know which form you’re writing to get started.
All you need are goals.
What should your scene do? What does your character(s) want? It will either use the moment to advance the plot or present a problem that the character solves in the same scene/short story.
If you’re recounting an experience to someone, you don’t say, “I had the worst day. My shoes got wet and I couldn’t get home for 10 hours.”
You’d probably say, “I had the worst day. I stepped in a puddle so my shoes got soaked, which made my socks and feet wet all day. Then I had to wait 10 hours to get home. It was miserable! And now my feet smell terrible.”
Okay, you might not use all of those descriptors, but you get the picture. The story is much more engaging if you’re talking about the feeling of wet socks, soaked shoes, and the smell of stinky feet. The other person in your conversation would probably go ugh, that’s horrible!
Your scene should accomplish the same thing. Use the five senses to make the moment real for the reader.
As a reminder, those senses are: touch, taste, smell, sight, and hearing.
You don’t need to use all of them at once, but include at least two of them to make your stories shine. You also don’t have to constantly use environmental or sensory descriptors. Once you establish the scene for your reader, they’ll place your characters and want to keep the plot moving.
Speaking of plot, scenes and stories can’t move forward without conflict. There are two types:
Internal conflict: happens within a single character (may or may not affect their decisions at any given time; it can also be the reasoning for their goals and dreams)
External conflict: happens outside of a character or between two characters (may or may not have to do with their internal conflict or personal goals; it always advances their character growth, relationship development, or plot development)
A scene could touch on either of these types of conflict or both! It depends on your story/plot/what you want your scene to accomplish.
Sometimes you’ll know you want to write a specific POV because you’ll have a character/plot in mind that requires it. Other times, you might not know.
It’s often easier to pick a POV after thinking through the previous steps. You’ll better understand how much time you want to spend in a character’s head (1st Person) or if you want to touch on multiple characters’ minds through 3rd Person.
Step 1, Have Characters in Mind: Two sisters arrive back home from their first fall semester in different colleges.
Step 2, Give Them Goals: Sister A wants to ask for dating advice, but the sisters have never been that close. Sister B knows that Sister A wants a deeper conversation, but is doing anything to avoid it.
Step 3, Include the Senses: They’re in a living room with shag navy carpet and the worn leather couches have butt-shaped shadows on the cushions. The house smells of vanilla bean, the only scent their dads can agree on. Christmas lights hang on a fake tree that sheds plastic fir leaves on the floor. Their family cat purrs from within the metal branches.
Step 4, Identify the Conflict: Sister B will do anything to avoid talking about feelings. That includes trying to get the cat out of the tree (shaking the branches and reaching into them doesn’t work), checking to make sure the windows are closed against the winter air, and faking an obviously unreal phone call. This makes Sister A go from passively hoping for advice to chasing her through the house.
Step 5, Pick a POV: 3rd Person, so internal thoughts and feelings from both sisters are obvious to the reader and emphasize the scene’s comedy.
-----
These are also useful ways to rethink a scene you’ve already written. If something about it doesn’t seem to be working, consider if it’s missing one or more of these points. You don’t need to include all of them all the time, but weaving more sensory details or conflict into a short story/chapter could solve your problem.
Best of luck with your writing, as always 💛
A list I made just to satisfy my vain cravings for resonating mottos for a secret society I'm working on. Enjoy!
abi in malam crucem: to the devil with you!
ad astra per ardua: to the star by steep paths
ad augusta per angusta: to honors through difficulties
aegis fortissima virtus: virue is the strongest shield
amor vincit amnia: love conquers all things
animo et fide: by courage and faith
arbitrium est judicium: an award is a judgement
aut mors aut victoria: either death or victory
aut vincere aut mori: either victory or death
bello ac pace paratus: prepared in war and peace
bibamus, moriendum est: let us drink, death is certain (Seneca and Elder)
bonis omnia bona: all things are good to the good
cede nullis: yield to no one
cito maturum, cito putridum: soon ripe, soon rotten
consensus facit legem: consent makes law
data fata secutus: following what is decreed by fate (Virgil)
durum telum necessitas: necessity is a hrad weapson
dux vitae ratio: reason is the guide of life
e fungis nati homines: men born of mushrooms
ego sum, ergo omnia sunt: I am, therefore all things are
pulvis et umbra sumus: we are but dust and shadow
quae amissa salva: things lost are safe
timor mortis morte pejor: the fear of death is worse than death
triumpho morte tam vita: I triumph in death as in life
tu vincula frange: break your chains
vel prece vel pretio: for either love or for money
verbera, sed audi: whip me, but hear me
veritas temporis filia: truth is the daughter of time
vero nihil verius: nothing is truer than the truth
vestigia nulla restrorsum: foosteps do not go backward
victus vincimus: conquered, we conquer (Plautus)
sica inimicis: a gger to his enemies
sic vita humana: thus is human life
─── ・ 。゚☆: *.☽ .* . ───
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💎Before you ask, check out my masterpost part 1 and part 2
Reference: <Latin for the Illiterati: a modern guide to an ancient language> by Jon R. Stone, second edition, 2009
do you ever just … picture a whole scene, a whole fanfiction in your head, you know how to place every single word of the english dictionary that you need (or your language dictionary), you know how to structure your sentences, you know just what your characters are going to say to each other and then… and then you just open microsoft word.