Writing Tips

Fanfiction Authors: HEADS UP

(Non-authors, please RB to signal boost to your author friends!)

An astute reader informed me this morning that one of my fics (Children of the Future Age) had been pirated and was being sold as a novel on Amazon:

(And they weren't even creative with their cover design. If you're going to pirate something that I spent a full year of my life writing, at least give me a pretty screenshot to brag about later. Seriously.)

I promptly filed a DMCA complaint to have it removed, but I checked out the company that put it up -- Plush Books -- and it looks like A LOT of their books are pirated fic. They are by no means the only ones doing this, either -- the fact that """publishers""" can download stories from AO3 in ebook format and then reupload them to Amazon in just a few clicks makes fic piracy a common problem. There are a whole host of reasons why letting this continue is bad -- including actual legal risk to fanfiction archives -- but basically:

IF YOU ARE A FANFIC AUTHOR WITH LONG AND/OR POPULAR WORKS, PLEASE CHECK AMAZON TO SEE IF YOUR STORIES HAVE BEEN PIRATED.

You can search for your fics by title, or by text from the description (which is often just copied wholesale from AO3 as well). If you find that someone has stolen your work and is selling it as their own, you can lodge a DMCA complaint (Amazon.com/USA site; other countries have different systems). If you haven't done this before, it's easy! Here's a tutorial:

HOW TO FILE A COPYRIGHT COMPLAINT FOR STOLEN WORK ON AMAZON.COM:

First, go to this form. You'll need to be signed into your Amazon account.

Select the radio buttons/dropdown options (shown below) to indicate that you are the legal Rights Owner, you have a copyright concern, and it is about a pirated product.

Enter the name of your story in the Name of Brand field.

In the Link to the Copyrighted Work box, enter a link to the story on AO3 or whatever site your work is posted on.

In the Additional Information box, explain that you are the author of the work and it is being sold without your permission. That's all you really need. If you want, you can include additional information that might be helpful in establishing the validity of your claim, but you don't have to go into great detail. You can simply write something like this:

I am the author of this work, which is being sold by [publisher] without my permission. I originally published this story in [date/year] on [name of site], and have provided a link to the original above. On request, I can provide documentation proving that I am the owner of the account that originally posted this story.

In the ASIN/ISBN-10 field, copy and paste the ID number from the pirated copy's URL. You'll find this ten-digit number in the Amazon URL after the word "product," as in the screenshot below. (If the URL extends beyond this number, you can ignore everything from the question mark on.) Once this number has been added, Amazon will pull the product information automatically and add it to the complaint form, so you can check the listing title and make sure it's correct.

Finally, add your contact information to the relevant fields, check the "I have read and accept the statements" box, and then click Submit. You should receive an email confirmation that Amazon has received the form.

Please share this information with your writer friends, keep an eye out for/report pirated works, and help us keep fanfiction free and legally protected!

NOTE: All of the above also applies to Amazon products featuring stolen artwork, etc., so fan artists should check too!

If u want to write a story about a character that's just you but hotter with a dark twisted backstory and magical powers and a pet falcon or something, I think u should just go ahead and do that. Who's gonna stop you? The government?? Fuck the police.

look, i'm sorry to say it, but if you really truly want to see more queer representation in media, you're going to need to be okay with seeing representation that you don't relate to at all. you need to be okay with media that has queer characters but none who share your specific identity. you need to be okay with media that has queer characters who do share your identity but who you find completely unrelatable. this is because you are not the only queer person on the planet and queer people who are not you, including queer people who you share no similarities with besides your queerness, deserve to see themselves represented.

you also need to be okay with media that shows a queer experience that you personally find uncomfortable. it's okay if you hate coming out stories, but other people find them valuable, so they need to exist. it's okay if you're a masc trans guy and you feel uncomfortable seeing femme transmasc characters, but femme transmascs do exist in real life and also deserve to see themselves represented. it's okay if you're uncomfortable with queer stories that involve cheating or abusive/toxic relationships or queer characters who are not good people, but other people find a lot of meaning in those stories, so you need to be okay with the fact that they exist.

please stop calling out creators—particularly queer creators—for writing queer representation that you don't personally relate to. if you want every queer person to be able to feel represented in media and if you want every queer creator to be able to make the stories they want to tell, you're going to have to learn to accept that some stories will feel completely unrelatable to you, and that's okay, and it doesn't mean those stories are "problematic" or "bad representation"

Who else loved this movie growing up?

Some sketches of Zak and Crysta from Ferngully <3

Types Of Writer’s Block (And How To Fix Them)

1. High inspiration, low motivation. You have so many ideas to write, but you just don’t have the motivation to actually get them down, and even if you can make yourself start writing it you’ll often find yourself getting distracted or disengaged in favour of imagining everything playing out

Try just bullet pointing the ideas you have instead of writing them properly, especially if you won’t remember it afterwards if you don’t. At least you’ll have the ideas ready to use when you have the motivation later on

2. Low inspiration, high motivation. You’re all prepared, you’re so pumped to write, you open your document aaaaand… three hours later, that cursor is still blinking at the top of a blank page

RIP pantsers but this is where plotting wins out; refer back to your plans and figure out where to go from here. You can also use your bullet points from the last point if this is applicable

3. No inspiration, no motivation. You don’t have any ideas, you don’t feel like writing, all in all everything is just sucky when you think about it

Make a deal with yourself; usually when I’m feeling this way I can tell myself “Okay, just write anyway for ten minutes and after that, if you really want to stop, you can stop” and then once my ten minutes is up I’ve often found my flow. Just remember that, if you still don’t want to keep writing after your ten minutes is up, don’t keep writing anyway and break your deal - it’ll be harder to make deals with yourself in future if your brain knows you don’t honour them

4. Can’t bridge the gap. When you’re stuck on this one sentence/paragraph that you just don’t know how to progress through. Until you figure it out, productivity has slowed to a halt

Mark it up, bullet point what you want to happen here, then move on. A lot of people don’t know how to keep writing after skipping a part because they don’t know exactly what happened to lead up to this moment - but you have a general idea just like you do for everything else you’re writing, and that’s enough. Just keep it generic and know you can go back to edit later, at the same time as when you’re filling in the blank. It’ll give editing you a clear purpose, if nothing else

5. Perfectionism and self-doubt. You don’t think your writing is perfect first time, so you struggle to accept that it’s anything better than a total failure. Whether or not you’re aware of the fact that this is an unrealistic standard makes no difference

Perfection is stagnant. If you write the perfect story, which would require you to turn a good story into something objective rather than subjective, then after that you’d never write again, because nothing will ever meet that standard again. That or you would only ever write the same kind of stories over and over, never growing or developing as a writer. If you’re looking back on your writing and saying “This is so bad, I hate it”, that’s generally a good thing; it means you’ve grown and improved. Maybe your current writing isn’t bad, if just matched your skill level at the time, and since then you’re able to maintain a higher standard since you’ve learned more about your craft as time went on

Go to any town in America, big or small, and the nicest looking building is their public library. Followed by the Post Office.

They are built by the public for the public.

Regressives and conservatives can't fathom helping others without a transaction in return.

The first places fascists attack/destroy are libraries. Connect the dots.

the fact that none of the night at the museum movies were rated over 50% by critics is a reminder that some ppl don’t know how to have fun. the first two movies were flawless. a night watch guard has to babysit museum displays that come to life, complete w old school villains and endless historical crossovers? incredible concept, incredible execution

Some Quick Character Tips

Here are a handful of quick tips to help you write believable characters! 

1. A character’s arc doesn’t need to grow linearly. Your protagonist doesn’t have to go from being weak to strong, shy to confident, or novice to professional in one straight line. It’s more realistic if they mess up their progress on the way and even decline a bit before reaching their goal.

2. Their past affects their present. Make their backstory matter by having their past events shape them into who they are. Growing up with strict parents might lead to a sneaky character, and a bad car accident might leave them fearful of driving.

3. Give reoccurring side characters something that makes them easily recognizable. This could be a scar, a unique hairstyle, an accent, or a location they’re always found at, etc.

4. Make sure their dialogue matches their personality. To make your characters more believable in conversation, give them speech patterns. Does the shy character mumble too low for anyone to ever hear, does the nervous one pace around and make everyone else on edge? 

5. Make your characters unpredictable. Real people do unexpected things all the time, and this can make life more exciting. The strict, straight-A student who decides to drink at a party. The pristine princess who likes to visit the muddy farm animals. When character’s decide to do things spontaneously or in the heat of the moment, it can create amazing twists and turns.

6. Give even your minor character’s a motive. This isn’t to say that all your characters need deep, intricate motives. However, every character should need or want something, and their actions should reflect that. What’s the motive behind a side character who follows your protagonist on their adventure? Perhaps they’ve always had dreams of leaving their small village or they want to protect your protagonist because of secret feelings.

Instagram: coffeebeanwriting  

Academic Rivals to Lovers:

(feel free to use! tag me when yall writee ;] requested by @field-mouse-queen and @indiansapphic )

"i don't agree with you!" "nobody asked you to."

arguments in hushed tones during lectures!!!!

^ "with this level of knowledge, i can probably-" "even with that level of whatever, you're still 5 feet 2." "HEY-"

sitting together to trash talk a professor you both mutually dislike

when they always sit at your spot in library, just so they could see you pissed off

"Are you reading?" "Are you blind?" "Heh, apparently you're. You're reading the book upside down, you moron."

"you like me now or what?" "i've learnt to bear your presence" *mimics them* "i've learnt to bear your presence"

being forced to work on a project together

"You're so stupid." "Yeah, I know."

"Why did you hurt yourself?" "None of your-" "Yeah, then fuck you. My bad for caring."

"hey-" "can you please not rub it in my face and leave?." "i just wanted to ask if you were okay.. "

attempting to comfort them when they're upset

"why do you care, [name]?" ".. you really don't know?"

"never have i ever liked my rival?" you search the room for their eyes, the glass is ALREADY RAISED TO THEIR LIPS.

"that mouth of yours does nothing but talk dumb shit?" "you wanna know what else it does?"

there's tension between them, sitting close while studying, arms grazing, pulling away of hands at the slightest touch :)

^ flustered, one asks, "what-? you're not interested in biomolecules?" the other whispers, "no, but i seem to be interested in you..," they come closer, "what have you done to me?"

"you know, love, I've always liked to win," they pause, "and I'd like to win one more thing--you."

General Advice for Beginner Witches

A brief masterpost of some of my advice posts for beginner witches and the episodes of my podcast dealing with the same. (There is UPG here, particularly where marked, as I base a good deal of my advice on my own experience and observations of other witches.)

Hex Positive Podcast Episodes

Hex Positive, Ep. 04 - Advice for Beginner Witches (July 2020)

Hex Positive, Eps. 6-7 - Come In For A Spell 1 & 2 (Sept 2020)

Hex Positive, Ep. 12 - Witching From The Broom Closet (Jan 2021)

Hex Positive, Ep. 24 - Warding A Witchy Home (Dec 2021)

Hex Positive, Ep. 27 - When Inspo Takes A Holiday (March 2022)

General Tips & Advice

I Feel Like I Might Be A Witch...But I Don't Know

I Have Mental Health Issues - Can I Still Be A Witch?

Can I Still Be A Witch And Use Magic If I Take Medication?

How Do I Teach Myself To Believe In Magic?

How Does Magic Work? (upg ahoy)

Will I Be Possessed Or Haunted If I Try Witchcraft?

What Are Some Things I Can Do To Get Started?

How Can I Start My Practice If I Don't Have Tools Or Books?

How Do I Organize My Study Materials?

How Do I Contact A Deity?

How Do I Worship My Deity If I Can't Have An Altar?

Tips On Working With Deities And Spirits (here be upg)

My Intuitive Spark Feels Low - How Do I Get It Back?

I'm In A Slump - How Do I Get Out Of It?

I've Reached A Stopping Point - What Do I Do Next?

My Candle Is Flickering - Does It Mean Something Bad?

How Do I Make A Magic Circle For Spellcasting?

What Happens If I Get Interrupted While Casting A Spell?

Do I Need To Maintain Positive Vibes For My Spells To Work?

What Should I Do If I REALLY Want To Hex Someone?

How Do I Know / What Do I Do If I've Been Hexed?

How Do I Become More Skilled And More Powerful?

How Do I Know When I'm Ready For The Next Step In My Practice?

Additional Tips For Developing Your Practice

Witchcraft Exercise - Quantifying Your Craft

Witchcraft Exercise - Dig Through The Ditches

Witchcraft Exercise - The Book of Lessons

Witchcraft Exercise - Home Brews

Tips on How to Visualize and Construct Basic Wards

Practicing Your Warding Technique

Cleansing Before Warding / Warding A Shared Space

Refreshing / Patching Existing Wards

Non-Appropriative Herbs for Smoke-Cleansing

Smokeless Cleansing / Other Methods

Recommended Reading & Book Suggestions