Another Thing Too,

One of the loudest things Taylor has ever done.

God, I love Karlie Kloss so much.

Eat my shorts, haaaters.

I bet the antis panic when Karlie dresses boyfriend and they see how androgynous she can truly be.

And she owns it so good. It’s so hot. Ahhh.

nytimes.com

Opinion | Look What We Made Taylor Swift Do

Whether she is conscious of it or not, Ms. Swift signals to queer people — in our language — that she has some affinity for queer identity.

“Argumentative, antithetical, dream girl”

The undeniable disclosure of the forever muse

No proof, one touch She felt enough

It’s happening again. The last time we were here was April 2019 when ME! Was released on Lesbian Visibility Day. Back in 2019, she had Dear Lover billboards up and now she has the billboards up saying “it’s happening again” in the same place, because she wasn’t clear before, but now she’s on her way to making it loud and clear for those who ignored her time and time again. 🥲

https://twitter.com/TheSwiftSociety/status/1781083651976905067

Thank you for this tie-back Anon!!

Sincerely hoping Karlie likes and/or comments on Katy’s IG post , just to further agitate the swifties that can’t seem to stop their deranged hate of her. Sometimes I wish she hadn’t gone to that show, but I hold out hope someday soon they will be seen in the same room.

It’s so funny to me how they see her at Eras and instead of taking .5 seconds to think about how interesting it is that 1) she showed up 2) that she is out in the crowd 2a) that we have photos and video evidence that Taylor could see her quiet clearly and that she was singing to and smiling at her all night 3) Taylor didn’t post about that specific show when she had about all the others 4) Karlie didn’t “go for clout” as we saw no pics or stories—it was just for her 🥹 5) Taylor played a whooole lotta Kaylor coded surprise songs that week

Yeahhhh no I’m gonna need to see these two side by side.

TTPD is such a great song in that I do agree it’s from Karlie’s perspective and it’s all about her bringing Taylor back down to earth. Taylor, as a creative person, feels her emotions strongly, doesn’t forget anything, and seems to fall into fantasy to escape her reality—a defense mechanism many of us who have had difficult childhoods recognize as life saving in many ways

Taylor is now an adult though, and this song seems to give us the perspective that Karlie has to lovingly be like GIRL get it together—“you’re not Dylan Thomas I’m not Patty Smith, this ain’t The Chelsea Hotel we’re modern idiots” is such a gorgeous line that I believe speaks to Karlie trying to get Taylor to stop romanticizing the past / her own trauma and to just work through it

As an artist myself, I absolutely was worried at one point that working through my own traumas would make me less creative, less able to make expressive art—this song made me realize maybe Taylor has some of those fears as well *hence* we are still here in the Land of Bearding in 2024 and Karlie’s like Bitch Please I’m here and I’ll always be here to help

#kaylor

karlie specifically placing & tilting the 🇬🇧❤️ to be right next to the T on her story is so intentional 😭

hahaha i didn’t notice that