as if this game has not been embedded in each of my brain cells
the photos used on the articles are also funny
“Argumentative, antithetical, dream girl”
The undeniable disclosure of the forever muse
Anyway shout out to one of the greatest dates of all time when taylor and karlie were nervous but excited to hold hands with each other😆🥰
Cornelia Street? With Maroon? TODAY?
Bonus Karlie at the Cornelia Street apartment:
RECLAIMING THE MUSE
To anyone who thinks that Karlie Kloss was PR to cover for Diana (or Lily- who like Dianna -has been out of the picture for years.)
What ? Are there 7 photos combined of both of them (and 2 of them aren’t even Lily)
please seek help.
Karlie Kloss has had gay/ bi rumors circulating about her since …forever.
It was kind of known /unspoken knowledge among her inner circle and folks in the industry.
She’s been connected to Toni Garrn, Jourdan Dunn, Leigh Lezark among others before she was involved with Taylor.
She’s never really dated men
Her best friend Derek is gay.
Derek introduced her to Josh
Josh was rumored to be involved with Mikey Hess…it goes on and on
Let me remind you of one of Karlie’s hilarious early slips of the tongue and gay panic that followed…
…”my exxxxxxx, well SHES a top manicurist now”
Now please tell me why Taylor Swift and her PR machine would get a rumored gay woman ( kk) to cover for the fact that Taylor was gay or involved with another woman.
Hiding a secret gay relationship with another secret gay relationship?
ARE YOU FOR REAL?
It makes absolutely zero sense not to mention how in most of Taylor’s discography the songs are clearly about Karlie.
If that was PR they need about 7 Oscars awarded to them.
AND…
New York City wasn’t screaming Diana’s or Lily’s name nor are they “tall and handsome as hell” or” fit like a daydream.” Or the West Village” “Argumentative, antithetical dream girl” “ the one I was dancing with in NY” Gold Rush” etc …
Karlie Elizabeth (Betty) Kloss
Who else besides Karlie Kloss had a garden gate ????
I could go on but you get the point
Seriously whoever “thunk” this one up needs a day or two off.
STOP TRYING TO REWRITE HISTORY BECAUSE YOU DONT LIKE KARLIE.
ITS ALWAYS ANYONE BUT KK WITH THESE PEOPLE WHO I HAVE LITERALLY ACCUSED HER OF MADE UP WAR CRIMES WITH ABSOLUTELY ZERO EVIDENCE.
My money is on “Karlie Kloss is a better human than most …” Taylor actually told us…”Dreams of your hair and your stare and sense of belief in the good in the world”
Flat Earthers move over
Hmmm what if…..
You left your typewriter at my apartment
Straight from the tortured poets department
I think some things I never say
Like, who uses typewriters anyway?
But you're in self-sabotage mode
Throwin' spikes down on the road
But I've seen this episode and still loved the show
Who else decodes you?
And who's gonna hold you like me?
And who's gonna know you if not me?
I laughed in your face and said
You're not Dylan Thomas, I'm not Patti Smith
This ain't the Chelsea Hotel, we're modern idiots
And who's gonna hold you like me?
Nobody, no-fucking-body, nobody
You smoked then ate seven bars of chocolate
We declared Charlie Puth should be a bigger artist
I scratch your head, you fall asleep
Like a tattooed Golden Retriever
But you awaken with dread, pounding nails in your head
But I've read this one where you come undone
I chose this cyclone with you
And who's gonna hold you like me? (Who's gonna hold you, who's gonna hold you?)
And who's gonna know you like me? (Who's gonna know you?)
I laughed in your face and said
You're not Dylan Thomas, I'm not Patti Smith
This ain't the Chelsea Hotel, we're modern idiots
And who's gonna hold you like me?
No-fucking-body, nobody (who's gonna hold you, who's gonna hold you?)
(Who's gonna hold you, gonna know you, won't control you?) Nobody
Sometimes I wonder if you're gonna screw this up with me
But you told Lucy you'd kill yourself if I ever leave
And I had said that to Jack about you so I felt seen
Everyone we know understands why it's meant to be
'Cause we're crazy
So tell me, who else is gonna know me?
At dinner, you take my ring off my middle finger
And put it on the one people put wedding rings on
And that's the closest I've come to my heart exploding
Who's gonna hold you? (Who?) Me
Who's gonna know you? (Who?) Me
And you're not Dylan Thomas, I'm not Patti Smith
This ain't the Chelsea Hotel, we're two idiots
Who's gonna hold you?
You left your typewriter at my apartment
Straight from the tortured poets department
Who else decodes you? (Who? Who?)
Source: LyricFind
Songwriters: Jack Antonoff / Taylor Swift
The Tortured Poets Department lyrics © Sony/ATV Music Publishing LLC
See all
i wanna be LSK but… //
I’m so sorry anon, but I personally find it really funny when people hear the songs where taylor is working through her feelings of being betrayed by Scott B and attribute them to karlie instead.
It’s like finding a man holding a gun standing over a dead body and saying, hang on a minute… what if the real murderer is the victim’s gf… because two of her friends liked a gossipy tweet written by a known shit-stirrer!
that is to say, we know for a fact that taylor felt deeply betrayed by scott b, seeing as he’s verifiably the actual person who sold her masters to scooter, after treating taylor like family since she was very young. it’s pretty self-evident he deserves the level of vitriol in the smallest man who ever lived (besides the other descriptive details that link him to tsmwel, mtr etc).
as for taylor and karlie suddenly never being seen together again (seemingly drifting apart a whole year before the heist even happened, remember?), well she hasn’t spoken on that, so naturally we read between the lines in the songs to find out. some people have taken the masters heist songs to be about karlie, and ran with that. but others see karlie and taylor’s retreat into privacy reflected in songs under the ‘love blackout’ theme (especially around here, you’re on a longtime kaylor blog 🙈)
love blackout = the hints taylor has put out again and again that she intentionally distanced her public image from karlie’s because it was too dangerous to carry on as openly as they had at first. 2016 election sadness themes, secret love themes, all consistent over the years. all while writing new love songs that use callbacks to the rep muse, to yail even 🥺. as if taylor’s been using all the confusion and her masterful quill of misdirection to achieve her priority of protecting karlie. not protecting karlie’s public image and clout with swifties, which she doesn’t need to maintain her success because she was always successful in her own right! no, it’s all for Karlie The Person in their secret bubble of reality. all this showmanship, you know. the great war, hello!!!! too many songs to name where the kaylor chandelier is safely out of sight, but you can still see flickers through the boarded up windows ❣️
so forgive me for having a chuckle. to any anons who sincerely🛸want to believe, I’m just throwing it out there that there are plenty of us that never found the karlie-betrayer theory convincing at all. if you take a closer look at everything, the timeline of events and all the songs since, does it really make sense? (especially when there are so many shitty men in the mix who are more obviously to blame lol)
~ if you post, thank you for facilitating this rant 9wing, I’ll get off my soapbox now xxx
yup yup
i think a lot of people are predisposed to blaming karlie and so everything becomes a sort of confirmation bias.. which partially, i would argue, was by design.. so in a sense i do not fault gaylors or others for falling into this hole. but i do sometimes feel like faulting them a tiny bit for those who never climb out of it. there’s plenty of information and clues needed to figure it out and climb out of it.
one thing i don’t like about the whole “let’s not talk about muses” discourse is while the spirit of it is supposed to be “let’s study why these songs sound gay instead of commenting taylor lyrics on these people’s instagram pages,” in practice the phrasing almost is like giving yourself permission to pass judgement on the people in taylor’s story and then never reevaluate them. people often say ~lets not talk muses that’s invasive and gross~ and conveniently refuse to adjust their perception of karlie (for example) based on what taylor is putting out there, while making convenient exceptions for any interpretation they find that works to reinforce their already negative perception of her. and then after bitching about her they’ll cover their timeline in lisa frank dolphins because apparently that’s what paradise is. i dunno. it all feels dystopian to me atp 😆
Y’ALL care about who she’s dating.
WE care about what she’s saying.
Y’ALL want her to get married and have babies.
WE want to know why she said “Me! Out now!”on lesbian visibility day.
Y’ALL want the Gaylors to burn in hell.
WE have been in hell since this insane blonde person started flagging and y’all were too stupid to read between the fucking lines so we had to do the work for you so that she wouldn’t feel alone if she decided to come out to y’all.
We are not the same.
Omg
At the 3:14 timestamp in dorothea, there's a voice that sounds like Karlie's saying "Yeah, I'm here" quietly in the background vocals, which is particularly amusing/interesting because the area code for St. Louis is 314. Also, the name of Karlie's grandfather Bernard's mother was Ella Dorthea. And funnily enough, Tupelo is where that photoshoot that Karlie kissed Emrata for happened. So dorothea's similarities to The Prophecy are really interesting and is something that should probably be pondered upon
👆Ooohhh-oooh
Of course, I remember it all too well
Sus...
Buckle up veryone, it's Big Sur week 💙