i am the way is am because like a prayer was my favourite song at 5 years old
Leonard Cohen - Book of Mercy
presented without comment
Tippi Hedren having her cigarette lit by a crow on the set of The Birds.
"girl dinner is when you don't eat teehee" "men think about the roman empire women think about their ex best friends and poetry" "✨sapphic love✨ is so pure and innocent and sweet unlike nasty gross Man Lust" "girl math is when you can buy starbucks and makeup because you didn't buy it yesterday so it's free" "I'm going to explain (complex topic) for the girlies! so basically it's like when you go shopping-" "I love women because they're so soft and smooth and feminine and we can talk about girly things and they're not sweaty or hairy or horny like gross men" "women should be unemployed girls don't need jobs men should do all that for us" "ugh girls that don't like pink or being feminine just need to stop being such pick mes and get over their internalized misogyny it's gross"
god save my hairy dyke ass from this hell before I start whacking people's shins with my Girl Baseball Bat. teehee!
for the first time in years I didn't see Alex Turner's letter to Alexa Chung on Valentine's Day. I don't know if I should be scared for culture or thankful.
I love how different forms of art are all obsessed with each other. A book tries to capture the feeling of music, a painting tries to depict a scene in a book, a song tries to paint a picture. And it's always insufficient. No single form of art can encapsulate another form of art and capture the essence of it – but it tries, and its attempts are impossibly compelling. All the forms of art are in love with each other and spend so much time trying to express what makes the other kinds of art so lovely.
Joan Didion photographed in her Corvette Stingray at her ramshackle mansion just at the base of Runyon Canyon in the Hollywood Hills in 1968.
Photographer Julian Wasser was commissioned by Time Magazine to take photos of Didion upon the release of her first book of essays, “Slouching Towards Bethlehem,” that captured some of her experiences living in LA during the 1960s.
Speaking to Vogue magazine in 2014, Wasser described the photoshoot as “a big event in my life” as he was an admirer of Didion’s earlier fiction. “It was very LA. She didn’t miss a thing. She was such a heavyweight person.” In the same Vogue article Didion recalled her own memories of the day. “What do I remember? I had a baby. I was living in a rented house in Hollywood. It was kind of a wonderful period of my life actually. Not because I was in a rented house in Hollywood. But just in general,” she said. Didion didn’t remember why they took photos of her with her car, thinking it must have been “a whim of Julian’s. Wasser however refuted that claim, “You don’t tell a woman like that what to do.”
Didion did however remember the car. “I very definitely remember buying the Stingray because it was a crazy thing to do. I bought it in Hollywood,” she said. “The Stingray was Daytona yellow. Which was a yellow so bright, you could never mistake it for anything other than Daytona yellow.”