Day 10: They put up winter lights at UA heights to boost morale. Kacchan is cold and sleepyđ
reunion after bakugo had tp spend a month in a specialized rehab clinic a few hours away
no idea if I'll ever get to finish them (this is not all of my fts wips) but I'm really happy cause I'm experimenting with composition/background/color palettes that I never use ^^
can you recognize the scenes? haha
>First, weâve discovered that about a quarter of all the internet connection in or out of the house were ad related. In a few hours, thatâs about 10,000 out of 40,000 processed.
>We also discovered that every link on Twitter was blocked. This was solved by whitelisting the https://t.co domain.
>Once out browsing the Web, everything is loading pretty much instantly. It turns out most of that Page Loading malarkey weâve been accustomed to is related to sites running auctions to sell Ad space to show you before the page loads. All gone now.
>We then found that the Samsung TV (which I really like) is very fond of yapping all about itself to Samsung HQ. All stopped now. No sign of any breakages in its function, so Iâm happy enough with that.
>The primary source of distress came from the habitual Lemmings player in the house, who found they could no longer watch ads to build up their in-app gold. A workaround is being considered for this.
>The next ambition is to advance the Ad blocking so that it seamlessly removed YouTube Ads. This is the subject of ongoing research, and tinkering continues. All in all, a very successful experiment.
>Certainly this exceeds my equivalent childhood project of disassembling and assembling our rotary dial telephone. A project whose only utility was finding out how to make the phone ring when nobody was calling.
>Update: All4 on the telly appears not to have any ads any more. Goodbye Arnold Clarke!
>Lemmings problem now solved.
>Can confirm, after small tests, that RTĂ Player ads are now gone and the player on the phone is now just delivering swift, ad free streams at first click.
>Some queries along the lines of âAre you not stealing the internet?â Firstly, this is my network, so I may set it up as I please (or, you know, my son can do it and I can give him a stupid thumbs up in response). But there is a wider question, based on the ads=internet model.
>Iâm afraid I passed the You Wouldnât Download A Car point back when I first installed ad-blocking plug-ins on a browser. But consider my chatty TV. Individual consumer choice is not the method of addressing pervasive commercial surveillance.
>Should I feel morally obliged not to mute the TV when the ads come on? No, this is a standing tension- a clash of interests. But I think my interest in my family not being under intrusive or covert surveillance at home is superior to the ad companyâs wish to profile them.
>Aside: 24 hours of Pi Hole stats suggests that Samsung TVs are very chatty. 14,170 chats a day.
>YouTube blocking seems difficult, as the ads usually come from the same domain as the videos. Havenât tried it, but all of the content can also be delivered from a no-cookies version of the YouTube domain, which doesnât have the ads. I have asked my son to poke at that idea.
Whole-heartedly BEGGING writers to unlearn everything schools taught you about how long a paragraph is. If theres a new subject, INCLUDING ACTIONS, theres a new paragraph. A paragraph can be a single word too btw stop making things unreadable
For the rest of our lives <3
Insufferable Pro Heroes
burning text gif maker
heart locket gif maker
minecraft advancement maker
minecraft logo font text generator w/assorted textures and pride flags
windows error message maker (win1.0-win11)
FromSoftware image macro generator (elden ring Noun Verbed text)
image to 3d effect gif
vaporwave image generator
microsoft wordart maker (REALLY annoying to use on mobile)
you're welcome
please please please please reblog if youâre a writer and have at some point felt like your writing is getting worse. I need to know if Iâm the only one whoâs struggling with these thoughts
Rick Riordan's Writing Tips
Rick Riordan:
Character development is paramount for me. I firmly believe that plot and character development must occur simultaneously. Plot cannot be left to chance. Neither can characters be automatons who carry out actions envisioned in the author's master plan. Below are some things I try to keep in mind when developing my characters:
A character should be primarily defined by the choices he makes, and the actions he takes.
How does he respond to violence?
How does he respond to love?
Secondly, a character must be vividly but deftly describe through his speech, and through the initial view you give the reader.
Never stop to explain who a character is when we can watch him in action and decide for ourselves.
Describe characters as Dickens did â with a single deft stroke.
A laundry list of physical traits is realistic, but it is neither memorable nor compelling.
A jarring metaphor for the character, or a focus on one mannerism or physical trait, can be very compelling.
Example: She was a human tornado.
It is very natural to use parts of ourselves or the people we know when creating characters.
Do not be afraid to do this because someone might get mad at you.
At the same time, let your character develop.
Do not force them to do what the real-life model would do.
Characters seldom end up exactly like the real people they are based on.
It may be critically important to you that your character has blue eyes, or went to Texas A&M.
But if these details have no part in the story, the reader will not care.
Leave them in your subconscious.
If you are having trouble figuring out a character, fill out a character profile, or do some journaling in that character's voice.
We care about characters because we are interested in the choices they make.
We want to boo the villain, cheer the hero, and cry with frustration when the tragic figure makes the wrong move.
A character who does not act, but simply receives information and is acted upon by outside forces, is not a character who will compel the reader.
Remember, plot is what the characters do next.
If the characters do not create the plot, the plot is hollow.
Here's a character profile worksheet I sometimes fill out if I'm having trouble understanding a particular character I've created:
Name:
Height:
Age in story:
Birthplace:
Hair color, length, style:
Race/nationality:
Regional influences:
Accent: (include voice, style of speech, slang, signature phrases or words)
Religion:
Marital status:
Scars or other notable physical attributes:
Handicaps: (emotional, physical, mental)
Athletic? Inactive? Overall health?
Style of dress:
Favorite colors:
How does the character feel about his/her appearance?
Brothers/sisters:
Relationship with parents:
Memories about childhood:
Educational background: (street smart? Formal? Does he/she read?)
Work experience:
Occupation:
Where does the character live now? Describe home (emotional atmosphere as well as physical)
Neat or messy?
Sexual preferences/morals/activities:
Women friends/men friends:
Pets?
Enemies? Why?
Basic nature:
Personality traits (shy, outgoing, domineering, doormat, honest, kind, sense of humor):
Strongest trait:
Weakest trait:
What does the character fear?
What is the character proud of?
What is the character ashamed of?
Outlook on life (optimistic, pessimistic, cynic, idealist)
Ambitions:
Politics:
How does the character see himself/herself?
How is the character seen by others?
Do you like this person? Why or why not?
Will readers like or dislike?
Most important thing to know about this character:
Present problem:
How it will get worse:
What is the character's goal in the story?
What traits will help/hurt the character in achieving this goal?
What makes the character different from similar characters?
Why will readers remember this character vividly?
Source
surviving the current age of internet means saying no to subscriptions and premiums for basic features. you must endure the inconvenience of not being able to use every server emoji in discord. you must build the patience to find alternatives like NewPipe so you can listen to music on youtube while your phone screen sleeps. do Not give these corporations your limited disposable income. tiktok not letting me view videos on my phone without downloading the app? i will outlast tiktok and the execs will be remembered as dull,disgusting capitalists. listen to me, listen to me. if you do not know how to pirate shows from hulu, learn. if you can't pirate it, it is not worth the money to rent it. please i'm on my hands and knees. do not accept this form of internet.
What? What are you talking about, âdonât use the passive voiceâ? Are you feeling okay? Who told you that? Come on, letâs you and me go to their house and beat them with golf clubs. Itâs just grammar. English is full of grammar: you should go ahead and use all of it whenever you want, on account of English is the language youâre writing in.
Now hang on. What are you even saying to me? Donât use adverbs? My guy, that is an entire part of speech. Thatâs, likeâthatâs gotta be at least 20% of the dictionary. I donât know who told you not to use adverbs, but you should definitely throw them into the Columbia river.
Buddy, âfillerâ is what we called the episodes of Dragon Ball Z where Goku wasnât blasting Frieza because the anime was in production before Akira Toriyama had written the part where Goku blasts Frieza. Outside of this extremely specific context, âfillerâ does not exist. Just because a scene wouldnât make it into the Wikipedia synopsis of your storyâs plot doesnât mean it isnât important to your story. This is why âplotâ and âstoryâ are different words!
First of all, a lot of what you think of as âgrammarâ is actually orthography. Should I put a comma here? How do I spell this word in this context? These are questions of orthography (which is a fancy Greek word meaning âcorrect-writingâ). In fact, most of the âgrammar questionsâ youâll see posted online pertain to orthography; this number probably doubles in spaces for writers specifically.
If youâre a native speaker of English, your grammar is probably flawless and unremarkable for the purposes of writing prose. Instead, orthography refers to the set rules governing spelling, punctuation, and whitespace. There are a few things you should know about orthography:
English has no single orthography. You already know spelling and punctuation differ from country to country, but did you know it can even differ from publisher to publisher? Some newspapers will set parenthetical statements apart with em dashesâlike this, with no spacesâwhile others will use slightly shorter dashes â like this, with spaces â to name just one example.
Orthography is boring, and nobody cares about it or knows what it is. For most readers, orthography is âinvisibleâ. Readers pay attention to the words on a page, not the paper itself; in much the same way, readers pay attention to the meaning of a text and not the orthography, which exists only to convey that meaning.
That doesnât mean itâs not important. Actually, that means itâs of the utmost importance. Because orthography can only be invisible if it meets the readerâs expectations.
You need to learn how to format dialogue into paragraphs. You need to learn when to end a quote with a comma versus a period. You need to learn how to use apostrophes, colons and semicolons. You need to learn these things not so you can win meaningless brownie points from your English teacher for having âGood Grammarâ, but so that your prose looks like other prose the reader has consumed.
If you printed a novel on purple paper, youâd have the reader wondering: why purple? Then theyâd be focusing on the paper and not the words on it. And you probably donât want that! So it goes with orthography: whenever you deviate from standard practices, you force the reader to work out in their head whether that deviation was intentional or a mistake. Too much of that can destroy the flow of reading and prevent the reader from getting immersed.
You may chafe at this idea. You may think these ârulesâ are confusing and arbitrary. Youâre correct to think that. Theyâre made the fuck up! What matters is that they were made the fuck up collaboratively, by thousands of writers over hundreds of years. Whether you like it or not, you are part of that collaboration: youâre not the first person to write prose, and you canât expect yours to be the first prose your readers have ever read.
That doesnât mean ânever break the rulesâ, mind you. Once youâve gotten comfortable with English orthography, then you are free to break it as you please. Knowing whatâs expected gives you the power to do unexpected things on purpose. And thatâs the really cool shit.
Nobody is saying this. Only I am brave enough to say it.
Well, bye!
Here with you
+ bonus danganronpa blood version
do your best, deku-sensei!!!
He hates the rain :(
happy birthday deku I wish you a very PLEASE TELL US WHATS GOING ON INSIDE YOUR HEAD THEREâS THREE CHAPTERS LEFT AND YOU HAVENT SMILED SINCE TALKING TO KATSUKI AND YOUâRE CLEARLY DISTRAUGHT AND CONTEMPLATIVE ABOUT SOMETHING MOST LIKELY SHIGARAKIâS DEMISE AND THE UNDERLYING WIN TO SAVE SAVE TO WIN ASPECT BUT YOU WON AND DIDNT SAVE AND THOSE WHO ALSO DEALT WITH VILLAINS ON A PERSONAL LEVEL WERE UNAVAILABLE TO TALK SO MAYBE THE ONE PERSON WHO MADE YOU SMILE CAN HELP SINCE HEâS CALLED YOU OUT BEFORE?????
*white knuckling the bathroom sink* do NOT infodump ppl about the fact that the first spn fic was a wincest one and that it was posted mere hours after the pilot and that the founder of ao3 was a wincestie and that the first fic on ao3 was wincest too and that the omegaverse as we know it was created by wincest shippers for jared/jensen fics *pointing at myself in the mirror with a shaky hand* ppl will think you're weird and off-putting you need to control yourselfâ
I definitely get the feeling that izuku has compartmentalized his gay thoughts by locking it away like âok well sure Iâm gay, but Iâm only gay for kacchan and pffft THATS never happening so yay gay crisis advertedâ and now kacchan is coming to him with big wet heart eyes like âhey Izuku Iâm DEFINITELY in love with you btwâ and cuts to Izuku shrieking and scrambling for the door
theyâve been through it together
Izuku, the naive son of a corrupt politician, helps a charming detective bring his dad's labyrinthine empire down, only to be cast aside and denied witness protection in the end.
Abandoned by the government and hunted by his father and his allies, Izuku finds safety in the arms of a more dangerous man.
---
A modern-day retelling of the myth of Dionysus and Ariadne, ft. Izuku as Ariadne and Katsuki as Dionysus.
Art of Bk!Dionysus coming soon!
screen cap redraws
He's struggling
feel free to add context to this image
HI!!!!
I FINALLY FINISHED IT
Mermay is really fun u know
Me writing a scene with two or more people of the same gender and trying not to get the readers confused, while also trying not to overuse the characters' names or epithets
kacchan you are the last person on earth who should be calling him out for remembering things and being sentimental mr âI will always regret not taking your hand when I was fourâ and âIâve carried around this all might card I got with izuku around for over a decadeâ
Ugh, was having a great time mocking my recently imprisoned rival when I noticed the camera positioning makes it so that I appear behind the bars, thus framing me as trapped in a metaphorical prison of the narrative, now my whole day is ruined. Fuck.