the sky unclenches a mouth or two — water trips out of the night with the same sort of muscle your mother unbuckled to drop the bread knife on the tile. it all goes streaking past the long grey howl of window.
tonight, the house is a sound, the edges where the rain dies into water. the roof is a flat noise painted awake by a thousand needle-wide of shots in the dark.
the shrapnel catches in the ears, stays to make a soreness, and replicates a cloud’s shaking by jostling an eardrum.
no wounds wake up from dreams to populate your skin. the dog is scared like the world’s already been done and undone at least seven times
and it has but tonight this house is a sound and the tips of bodies shaking here only mean that it is being heard and there is an architecture to the thunder.
- c. essington
I wake up in my wetsuit as the dark wakes up in its cold— some things are like this, as unavoidable as a body swept across a brain.
I start early and hungry, all my cells feeling new and round but crushed: the shapes a church bell makes when it halves the air.
the pond sits in the morning like an ache pooling across an old joint, a leg unbends, the water throws one sore and jagged gleam up the hill side.
I follow the path of glow down to where it throbs, the leaf-patched shoreline gone blue like snow in a long evening or veins trailing home.
it’s steep, the oxygen tank is heavy with metal and wind pressed on itself like a dried flower compacted to paper. I tap the tank it rings its dull voice, full of pages where my breath will write me down.
I step in and secure the mask to my mouth, the light kiss of other air bleeds in and I walk until the ground is gone and the water asks for my body to melt into strokes; a church bell.
the middle is not far and I get there, cold and like the light: tracing the air for home. the below is dark. the above only has its one moon.
the dive involves going headfirst, breathing. the black is around me like an eyelid closing, I turn on a flashlight, scrape the dreamed landscape for an iris and pupil.
I rove and slip and feel my skin starting to become the same cold as the cold. I hug my name into my ribs and try to keep my body inside sensation.
and then I catch it, the white gathered haze of my flashlight wakes up across the desk chair which, last week, you sunk to the bottom with rocks tied to its legs. you’ve always been like that— lovely, impossible, inexplicable— I sit and read the morning’s paper as it flowers out to snow inside the numb water; my body does the same.
- c.essington
I want to do a thing where people can send me asks of five objects someone is carrying with them, a little personal inventory, and I’ll write a little flash fiction piece developing a person around the things.
Please maybe?
What are some of your favorite things about Kenyon?
- Class sizes: the largest class I’ve been in, as a freshman, was about 25 students. This is seriously such a big deal for me, it makes the class relations much easier and peer conversation much more possible. The professors know your name, recognize your participation, and are much more likely to empathize if you have a sick day/ need to take a mental health day.
- The people: Everyone is interesting in one way or another. I’ve gotten to meet a lot of people and gotten to know several of them in a fairly significant way. It’s a small school so running in to people you know is not hard to do. This is a bit of a personal preference, but I’d rather really know five people than know the names of fifty.
- Professors: So far I’ve had no TAs teaching courses and all my professors have held office hours that are accessible to me and or have been willing to schedule time outside of them to meet. The professors I’ve had are invested and interesting and encourage students to come to their hours just to discuss the subject they’re teaching. I had a friend go in to speak to a professor about multiple-worlds theory in literature just for kicks and he responded by giving her more resources and ideas.
I hope that helps! All of this is of course purely based on my experiences so far and certainly does not reflect everyone’s opinion of the institution. But I love it!
Please feel free to send in any more college/ kenyon/ writing/ publishing questions! I have a lot of time today.
- c. essington
Here’s a poetry book review I wrote published by Cleaver magazine.
ok. good answer. one more. how about l'engle's a wrinkle in time?
It’s water. It’s a glass of water that the person across the table keeps telling you is a meal, which you know is wrong, but believe them because you love them.
(Send me a book and, if I know it, I’ll reply with food I think “goes” with it)
- C. Essington
~I have a flash fiction piece published in Newfound Journal~
it’s here: http://newfoundjournal.org/current-issue/flash-claire-oleson/
took a neuro exam, early-voted, found out I’m getting a publication that’s going to pay me for poems, and painted todayp
agh my finger slipped and I’ve
changed my icon againsosorry
Queer Writer, Repd by Janklow & Nesbit, 2020 Center for Fiction Fellow, Brooklyn
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