AhH Crap

AhH Crap
AhH Crap
AhH Crap

ahH crap

More Posts from Cherrycloy and Others

4 months ago
When I Feel Down, Drawing Him Makes Me A Little Bit Happy.

When I feel down, drawing him makes me a little bit happy.

3 months ago

side note more people should make characters schizospec. just for shits and also because everybody loves us forever


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3 months ago
Horikoshi Better Let The Purple Boi Join The Hero Curriculum And Be That One Awful Theatre Kid™
Horikoshi Better Let The Purple Boi Join The Hero Curriculum And Be That One Awful Theatre Kid™

Horikoshi better let the purple boi join the hero curriculum and be that one awful Theatre Kid™

3 months ago

I'm not really an MHA guy, most of my exposure to it is from fanfic, but would I be right in assuming its setting is one of those things where the status quo is genuinely fucked, but everyone who's against it or up for changing it is either painted as wrong or is conveniently over-the-top evil?

With MHA it’s weird. On one hand you have people constantly calling out the status quo and being portrayed as sympathetic/right. Izuku, Class 1-A, and the future heroes are constantly portrayed as learning how to be better than the past heroes. You got the LoV, who despite being mass murderers, are given sympathetic backstories that showcase the suffering caused by the status quo. You also got Endeavor, who understands that he’s shitty and plans on retiring once he’s no longer needed in the war against the LoV. You also have Stain, a guy whose message is that there are a lot of fake heroes, and his message is one that is framed as being correct and one that sticks around throughout the series, even when he’s defeated.

On the other hand, Hori will outright contradict his own messages. Katsuki, a direct benefactor of the status quo, is coddled by the narrative, never meaningfully called out, constantly praised, and gets everything handed to him on a silver platter. Endeavor’s abuse is brushed aside by everyone. Now someone might mention that it’s because Dabi’s murdering people and they need Endeavor to stop him and the LoV, so they’re just tolerating him for now. This would be true and perfectly valid, if not for the fact that Hori has actual characters not care about any of the revelations. You have Inasa admit to Dabi’s face that he doesn’t care about what Endeavor did and you have Endeavor’s sidekicks ignore the allegations just because he does his job well.

Then there’s the fact that anyone with valid criticisms about the status quo and how things are done are immediately demonized. When people were booing Katsuki for savagely wailing on Ochako rather than ending the fight quickly (something he could’ve easily done if not for the fact he thought Izuku gave her a strategy), Hori has Shota talk to them as if they were misogynistic pigs. When the journalists rightfully point out Katsuki’s horrible attitude and U.A’s incompetence, Hori frames them as being vultures and not really understanding Katsuki (Shota literally says that Katsuki deserves to be a hero cause he works hard). Endeavor’s critics are treated as nuisances rather than people who understandably don’t want an abuser to be the new #1 hero. The angry mob that forms as Izuku’s being brought back to U.A is framed as horrible people willing to let a kid die. While it’s true that they were willing to let Izuku die, they literally saw no other option as the heroes have failed them numerous times. The last war was a disaster even though they managed to drive the villains away and both Endeavor and the HPSC, two centerpieces of hero society, were exposed for their crimes. Finally, there’s the fact that the LoV, the biggest source of criticism about heroes, are mass murderers for absolutely no reason, which limits how effective their message is to the audience. Even Stain falls for this trap cause he kills heroes that aren’t All Might indiscriminately, even good heroes like Tensei, a hero who is framed by the narrative as a charitable and true hero.

Ultimately, I think Hori’s genuinely trying to criticize the status quo, but the problem is he doesn’t quite understand how to do so and he lacks the writing skills to do so. Hori does this thing where he creates all the moving pieces but is afraid to make them come together because of his inexperience and because he’s too afraid to criticize his favorite characters too harshly, characters who benefit from the status quo.

Lol that kinda turned into a rant but hopefully it answered your question 😂

4 months ago
the first half of a poem called "a colony of maggots building a fox through careful effort", by max lavergne. it reads: i am a toddler drifting to the edge and climbing backwards out of the pool

i am a charred building revealing its stunning reinvention with a flamboyant burst of flames

i am a colony of maggots building a fox through careful effort

i am a 2013 toyota corolla bashfully inflating its hood as it releases the power pole

i am a troubling and unwelcome admission being inhaled and stored in the brain of the breather until it can be dissolved into formative experiences and disappear gently into childhood

i am a rag wiping blood onto a clean blade and the blade transfusing the blood to its new owner

i am the blue light that kisses a soul into the moth's tiny body

the full text can be found at infinitegossip.substack.com
the second half of "a colony of maggots building a fox through careful effort", by max lavergne. it reads:

i am the deer leaping from the grass verge and bouncing off the front of the truck into a warm evening in the forest

i am the bubbles sinking downwards into the underwater colony until the submerged domes are full of enough air to return the shattered glass panels to their frames and the depth charge to the hold of warship on the surface, which sails away, never to be seen again

i am gathering trays and suitcases and stewardesses towards me as i fly towards the open door of the aeroplane and close the door behind me, repressurizing the cabin as i do so

i am being helped out of my deathbed

i am floating inexorably towards the safety of the pontoon

i am the serene ignorance following the gnawing dread that follows the disaster

the text continues in the full piece on infinitegossip.substack.com

"a colony of maggots building a fox through careful effort". on substack now please like and subscribe


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3 months ago
My Hero…

My Hero…


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4 months ago
These Are My Kids

These are my kids

4 months ago

Hi please PLEASE talk to me abt the socioeconomic state of japan in bnh verse I am SO interested to hear ur thoughts? I'm a poli theory major and let me tell u im a SLUT for fic that deal w the political/social repercussions of fictional happenings

sure thing! 

disclaimer: i only just graduated high school so i’m pulling all of this out of my ass one semester of macroeconomics i took in senior year. feel free to add onto or correct any of this 

edit: if anyone wants to use this for reference when writing boku no hero japan, feel free! i’d appreciate any credit, but it’s not necessary. 

what really got me thinking about the socioeconomic state of boku no hero japan was probably the difference between orudera junior high (bakugou and izuku’s school) vs. yuuei, both of which are in the same city, musutafu. orudera junior high gives off the feeling of a school that’s a bit run down; not terrible enough that it obstructs the kids’ education, but enough that you think the school probably can’t afford to keep it in good repair. 

here’s a screenshot of bakugou and izuku’s classroom:

image

and then here’s izuku’s desk, which has details indicating that it’s in slight disrepair: 

image

if you go back through the chapters and look at the setting at yuuei, it’s spic-n-span. just super clean and well-kept. it’s an entire world of difference… so already there is this huge disparity between the junior high school in izuku’s neighborhood, and yuuei, which is a 40 minute subway ride away (chapter 3).

makes sense that yuuei would be so nice and expensive if it’s the most prestigious hero academy in the country, right? but there’s more details too, like this brief exchange between bakugou & iida right at the very beginning: 

image

bakugou’s resentful comment about iida being an “elite” really only makes sense to me in the context of economic disparity. let’s infer that soumei junior high is better funded, better equipped, better everything in general. of course bakugou will resent iida for that, especially coming from the more ill-maintained orudera junior high. the difference in their economic status is already apparent. 

this isn’t even going into the difference between yaoyorozu’s incredibly rich status vs the rest of the class vs uraraka, who has decided to become a hero because she wants the financial security, and who also lives in an apartment by herself and skips meals to save on money. so even within the class itself there’s a huuuge difference in economic status. 

you could just think of it as the individual circumstances of the characters, but i think it’s more of a systematic problem – see, again, the difference in infrastructure quality between the different schools (the public school is not doing so great but yuuei is doing fantastic). maybe the city is poor, or maybe all of its funds go towards repairing the constant property damage from villain attacks, or maybe there’s just some areas they don’t care to maintain. either way: just by traversing different parts of the city you’ll probably see big differences in how well the neighborhoods are kept. 

and now, for a different question: if this is the golden age of peace, why are there still so many villain fights? 

Keep reading

3 months ago
Help Im Rewatching Season 3 And This Is So Funny

help im rewatching season 3 and this is so funny


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tado 23 it/its bnha

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