On The Same Planet But In Different Worlds: Gazans Are Humans Too!

Well if you insist

That shadow and the way Matakara reacted makes me think it's the blue Honki (that one that we see in the OP). Either he's reaching out to Matakara or spying on him or maybe he's already merged with Matakara but I feel it's unlikely

Matakara doesn't look spooked or pleased (even holding the stone for protection). I'm looking forward to see this mystery resolved..

we're getting farther and farther apart

you're drifting farther and farther away i think of you all the time

no matter what i try

you're within reach,

but i can't grasp for you.

happy valentines day

@m4squ3raid ask and u shall receive

soooo minnie mouse of her

Damon Maitsu and Kai Monteago Art by Seraph; Posted September 1st, 2022.

sweet orange marmelade, it's you

i love love bullet. u should love love bullet too

Questions Of Love In Bucchigiri!?

Hiroko Utsumi is no stranger to distilling homoeroticism into their works, but Bucchigiri!? is able to take it a step further as it intertwines with the hypermasculine idea of fighting and gangs. Because of that, Bucchigiri!? poses two questions to the definition of love and how people experience it.

"What is love versus lust?"

Truthfully, it's a rather simple question to answer (at least to someone outside of high school). The point being the depth of feeling. Lust is strong but shallow, while love moves much deeper.

And the second episode in particular expresses this very strongly through the two gang leaders, Marito and Ken.

They don't feel any way in particular about Arajin until they feel their punch. After that, like Marito says, they just can't forget about it. That's all they know about this kid, "his" punch. And that's all they want from him as well.

The point is to express superficial lust towards Arajin because of something they only experience one single time. They believe that they want the strength behind the person no matter what because of a single moment.

And it's a great comparison to make against Matakara's feelings for Arajin.

Matakara doesn't need to feel "Arajin's" strength to know how he feels about him. On the contrary, he only ever needed to fight (really train) beside him to come to understand that emotion. Even more than that is Matakara's understanding of Arajin outside of fights, and he focuses in specifically on Arajin's passivity and carefulness.

Because of that, you can begin to draw the conclusion that "Lust" is represented by actions involving violence and action, while "Love" stems more from passivity and aversion in this context. Which I think is really really great. It's sort a sort of symbolic explanation of the whole point of violence being boorish and shallow while other communication is deeper and more valuable.

"How much is love worth if they don't love you for who you are?"

Super easy example here with this one. Just look at the Love Forever stone Arajin gives Mahoro vs the friendship one that he gave Matakara.

The whole point is that Arajin's love in the hands of someone who doesn't love him isn't valuable at all, nor is it valuable in the hands of someone that doesn't love him for who he is.

Marito and Ken can only feel something for Arajin because of the strength channeled through him by Senya. It's something entirely foreign to Arajin as a person, and represents both how shallow the gang leaders are, but also how shallow Arajin is.

Loving yourself is something that's tricky to do, and obviously especially so for high school kids. I think it's well understood at this point that Arajin struggles to love himself in a meaningful way, and that's expressed by his willingness to take on Senya.

Case and point being that he intentionally used Senya's strength to try and make himself look good in front of Mahoro, and in the same way used it against Ken to the same effect.

He's afraid of being and accepting himself, so he's allowed something else to speak for him. And while that catches the eye of many, including Matakara, Arajin himself already knows that it's nothing more than a farce to save face.

It's just... really great work in terms of narrative as it bundles so many different aspects of love together to create this complicated web that all stems from Arajin's inability to love himself. Matakara loves the current Arajin, but that Arajin is unable to face himself so he runs from the reflection that Matakara offers and buries himself in lust and unrequited romance.

And that all just comes from high school kids duking it out for fun alongside mystical fighting people that can merge with humans.

It's definitely a step up the symbolic ladder in comparison to Sk8 The Infinity, but I think it's allowed Utsumi to express much more in terms of romance through implicit narratives.

These first two episodes have been incredible, and I'm loving every moment and want to share every bit, but the overall production effort Mappa's been putting in leaves me in an awkward spot for sharing stuff like this.

I really love to, and I want to celebrate the efforts of the staff behind the series, but Mappa rains on that parade with its terrible scheduling and work ethic. The credits are a veritable mess that make episodes like this an incredible feat. And I'll celebrate that and share what I want to, but I do also want to call out Mappa for their terrible work as a studio.

two sides of the same stone: in defense of arajin as an mc & his parallels with matakara in bucchigiri?!

honestly, everytime i see someone say "matakara should've been the mc" in response to them not liking bucchigiri i kind of laugh because like. i really don't think it would've changed your mind. if matakara was actually the mc, people would've gotten mad that he still wants to reconnect with arajin because of the way arajin distances himself from him, or that he gets corrupted, or that zabu is the one who should've stepped in.

i think when people say that bucchigiri sucks because matakara forgave arajin, they fail to understand that arajin was matakara's first friend other than his brother. komao and zabu, while matakara's friends are not as close to him as arajin was (i.e. how they get matakara's favourite gyoza lunch from the convenience store, but arajin teaches matakara how to make gyoza.)

people dismiss arajin because he's an unlikeable, cowardly protagonist, but he and matakara are two sides of the same coin: matakara wants to become strong because he believes he is weak. everyone's left him. he wants to become strong, so he doesn't have to rely on anyone, because he doesn't want to burden them. he pushes the people who care about him away. the biggest hater arajin has IS himself. arajin runs away from his problems because he believes he is weak, so he doesn't try. he thinks he doesn't deserve (in this case) matakara's forgiveness, so he pushes him away because he doesn't believe in himself. he doesn he also doesn't reach out to the people who care about him, and pushes them away. both are flawed people who idealize and project onto others in order to cope: matakara with arajin, as a reminder of his past, and arajin with mahoro, as what an "ideal" and "normal" relationship should be like. and when the illusion is broken, they double down. and, in order to help matakara, arajin has to forgive himself in order to help others. does bucchigiri have flaws when it comes to writing? yes, absolutely. i think there are issues when it comes to pacing, i think certain characters could've been tied into the plot better thematically, and i think scenes could've been added to push the relationships and themes more. however, i want to stress: when you dismiss arajin as a character, you also dismiss matakara as a character as well, and the parallels between them. you ignore what makes their relationship, and in turn, their characters, by extension- the show- so interesting.