You Can Count On Reki To Land Himself In The Hospital On Christmas Eve Haha Whoops 🏥🎄❤️‍🩹

You Can Count On Reki To Land Himself In The Hospital On Christmas Eve Haha Whoops 🏥🎄❤️‍🩹

You can count on Reki to land himself in the hospital on Christmas Eve haha whoops 🏥🎄❤️‍🩹

More Posts from Certifiedlesbianvampire and Others

The Ova Announcement Brought Back My Obsession With This Anime And With Them >:)
The Ova Announcement Brought Back My Obsession With This Anime And With Them >:)
The Ova Announcement Brought Back My Obsession With This Anime And With Them >:)

The ova announcement brought back my obsession with this anime and with them >:)


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Guess I'll just check in, have a redesign I made for Mahoro

she was the start of my downfall, my trojan horse you could say

Guess I'll Just Check In, Have A Redesign I Made For Mahoro
Guess I'll Just Check In, Have A Redesign I Made For Mahoro
Guess I'll Just Check In, Have A Redesign I Made For Mahoro

now I got invested in making an AU/rewrite to suit my tastes mostly because there is a lot of potential but a lot of things fall flat, also some orientalist elements are uuuuuh... so I'm just doing my thing now ig

Guess I'll Just Check In, Have A Redesign I Made For Mahoro
Guess I'll Just Check In, Have A Redesign I Made For Mahoro
Guess I'll Just Check In, Have A Redesign I Made For Mahoro

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Just like before, but not as same

I read recently about how some feel the end of Bucchigiri?! was a return to the status quo, and while I don't entirely disagree, is that really so? I think part of the problem comes from how compressed the episode was, so it's very easy for some things to go unnoticed. Because yes, we are back to "normal." But at least in the case of Arajin and Matakara we can notice (very briefly) that something has changed.

Let's go in order…

First let's talk about Arajin, I understand that as a character he can be frustrating for many, especially seeing him go after Mahoro again, even though it seemed like he had finally learned something from everything that happened, but there is something that we must highlight and that is the scene in front of the mirror while trying to imitate Marito.

Arajin always appeared as someone simple and content with his mediocrity, because as many here have already said, it was not only a way to escape from his guilt, but also because he surely felt unworthy of something better than being a "common" boy

It's easy to believe that he's just trying to imitate Marito because he knows that Mahoro has him on a pedestal, but… wouldn't it also mean that he's finally willing to aspire for more? Marito is someone strong, charismatic, casual and who never hesitates in the face of any challenge that catches his attention, qualities that if we think carefully, can be attractive to someone like Arajin, contrasting with the more disciplinary and traditional principles of Minato kai, much more in line for someone like Matakara.

Imitating Marito means recognizing him as superior, and therefore, a goal to achieve, and perhaps even surpass, something that until now, Arajin had never dared to consider.

And regarding insisting on Mahoro again… We remember that Arajin is a teenager, right? I understand that his approach to her has never been the most appropriate, but… is it so strange that he wants to try again now that he has rediscovered his own courage?(again, it's obvious that his way is not the right one)

In Matakara's case, although the fact that everyone forgives him so easily after what happened still seems convenient, I prefer to believe that it has more to do with the reputation he had and the high esteem in which he was held even if he was not capable to notice it, once again reinforcing the idea that he is no longer alone.

His changes, like Arajin's, are very subtle, but deep down they say a lot. The first thing is at the party to celebrate Marito and Kenichiro, where we see him making gyoza with Arajin. I had already said it in a previous analysis, about how cooking is connected to affection and bonds. Here I will take the opportunity to complement it with a couple of things.

Something I mentioned was how the ability to cook could be interpreted as the provision of tools to deal with life, although now that I think about it, also how they were in an unequal relationship. But returning to the party, we see Matakara managing to make his first gyoza well, making visible the fact that the gap between them has fallen, but not only that, I also mentioned how cooking as an activity is closely related to the people Matakara loves. It's more than evident that Arajin has been teaching him, again reinforcing not only their reconciliation, but also the fact that from now on he will be there for him.

Here we also add that he is cooking, not only for his close circle, but for everyone, letting us know that he is finally willing to open his heart to others, which we can also appreciate by how he affectionately hugs his friends after being accepted into Minato kai again.

I had already said this, but I think it is worth returning to it. Remember since Mitsukuni's incident Matakara didn't go to see him even once? Surely because seeing his brother in that state would have been more than he could have endured. You don't have to be a genius to understand what a shock it's for someone like him and at that age. It was a reality that he was fleeing from, because most likely deep down he knew that there was no way to rationalize what had happened with his weakness.

Now, however, knowing that he is no longer alone, that there are people who, despite not knowing him thoroughly, care about him, he finally feels that he can face the situation without his own darkness tormenting him, in one way or another, he has accepted his vulnerability and that he has no control over what will happen, which is certainly a difficult and sometimes very painful lesson.

It's obvious that such a hasty ending in one way or another still hinders the experience and doesn't justify other problems, but I do think that perhaps we shouldn't say that our boys didn't learn anything from all this, plus, again, they are teenagers, This is not the only thing they will have to learn, but there is no doubt that the seed of change has sprouted in both, whether to a greater or lesser extent.


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certifiedlesbianvampire - you're a styling star!

I really love that this show's intense mlm homoeroticism extends to the fact that when the people making it try to come up with a character design that scans as "sexy woman" they can't do it.

certifiedlesbianvampire - you're a styling star!

I'm sorry but these are the most "gay guy tries to reverse-engineer what straight dudes like in women" designs of all time.

as for Bucchigiri itself, I respect what it's doing and I enjoy watching it for the craftsmanship basically. It's very fun to look at, I love the character designs (other than these girls who are bit characters to be clear, it's possible that their nondescriptness is actually intentional now that I think of it), and the fights are cool. I have yet to truly click with any of the characters and I sort of suspect I won't since this show is clearly made for a different audience than myself, but it's a fun watch regardless.

Oh also there's a bunch of scenes in this episode where Glasses Guy literally whips the protagonist. So that's something for those of you into sadistic guy / goofy dude fujobait dynamics I suppose.


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Don’t Separate Them. They’re A Set.
Don’t Separate Them. They’re A Set.
Don’t Separate Them. They’re A Set.
Don’t Separate Them. They’re A Set.
Don’t Separate Them. They’re A Set.

Don’t separate them. They’re a set.


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certifiedlesbianvampire - you're a styling star!
you're a styling star!

it/they- real nyanbinary madness- hey! i'm mew. i ramble a lot about my interests. welcome to headcanon hell- doodle dump galore- multifandom

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