I Have To Admit That I'm Kinda Disappointed In Bucchigiri So Far, But At The Same Time I Want To See

this is really dumb but ANYWAYS happy pride month

cassidy nation. how we feeling.

Bucchigiri?! and 'being Honki' - a Show about Identity and Human Connection

With Hiroko Utsumi's newest work as a director now completed, I want to take a moment to discuss the thematic through-lines of Bucchigiri?! and explain why I think that the story was very coherent even if it first seemed erratic.

At the heart of the series is the concept of the Honki Person(TM) - and that's where the confusion starts. Leaving the word 'Honki' in Japanese for the subs suggests a lore-heavy emphasis on some kind of supernatural mechanic in-story. It caused many viewers expected a well-defined shounen-typical power system - but that isn't what Honki is nor what it was ever meant to be.

"Honki" is the Japanese word 本気, which means Seriousness, Earnestness (or doing something 'in earnest, for real' if used as an adverb). 'Honki People' literally just means 'Earnest People'

And thus "Honki" is doing double duty as a red herring Lore Concept and a regular word - an intentional ambiguity that is inevitably lost by translation.

In the show, the characters do initially think of the 'Honki Person' as a literal thing to become (a supernaturally powerful master martial artist) rather than as a state of being in which one is earnest - but the thing is that the narrative proves them wrong.

But before we get to that, we need to dig a little bit deeper into what a Honki Person is thought to be in-universe:

"Historically", those thought of as Honki were fighters who participated in conflicts 300 years ago - a bit after the end of the Sengoku Period, the continuously warring states that had defined Japan for two centuries. With the advent of the rigidly structured Edo Period, honorable fighters with no clear systemic alliance were no longer needed and the aspiring Honki People(TM) were mercilessly gunned down. This feels out of left field for an anime like Bucchigiri?! to focus on, so I propose a second more allegorical layer to impose over the literal pseudo-historical read.

Even beyond the historical fact that gun imports changed warfare, the usage of guns here is deliberate to represent something. Guns are associated with authorities, and contrasted against the Honki People(TM) shunning weapons and fighting only with their own bodies.

To be Honki(TM) means to be true to yourself and secure in your own identity - this is something that is a hindrance to a social system that relies on rules and groupthink to sustain itself. Supporting this assumption, the theme of 'death' by weapon/authority is mirrored in the show several times:

On the one hand, we have the NG Boys, a gang set apart from the other gangs in the story by their even more rigid hierarchical structure and their willingness to use weaponry. They all follow one leader, have one uniform look, and appear basically brainwashed into blind obedience.

The association of weapons=structure and authority is made pretty clearly through that alone, but is also enhanced by all the members of the NG Boys living under constant threat of being fed to the real authorities of society: the police. Fear keeps everyone in line.

And further, the idea of society as an oppressive force (especially to the lower class) is put into direct focus through Mitsukuni and Matakara. Poverty is brought up briefly before through Senya (our main Honki Person(TM) was a nameless orphan after all) and brought back with the Asamine brothers:

Mitsukuni wishes to escape his social status in order to offer a better life to his brother - and he's forcibly held down by the oppressive system around him.

The cop that causes Mitsukuni to go to jail is equivalent to the guns that shot Senya and Ichiya.

(Utsumi has explored this underlying socially critical current before. Not for nothing, her previous series SK8 opens with the memorable bridge of the title song reading: "before society can kill us".)

But Bucchigiri?! isn't about overthrowing the system. It's about the individual. Understanding the context about authority just helps setting the real theme into focus.

And that theme is to hold on steadfast to who you are and allow yourself to connect with others, even in various kinds of adversity.

After this long, long preamble, let's get to the actual main characters!!

Matakara and Arajin are people who are ruled by fear and who spend 11 episodes running from others and themselves in two very different ways.

Arajin is pretty hated as a protagonist, which amuses me a little, because nobody hates Arajin more than Arajin hates Arajin.

His past cowardice in failing to protect Matakara has clearly shown him that he is a pathetic person and he's spent his whole life since then trying to avoid being reminded of this. He avoids Matakara, the strongest reminder of his failure, but further than that he avoids connection with anybody that he could see as a peer.

Arajin is solely focused on finding love and romance because he feels inherently inferior to every person he would be invited to contrast himself against. He avoids other guys because he hates himself. He shuns connection and pursues only people (girls) he views as different enough to not invite any comparison.

Matakara meanwhile has major abandonment issues - he's lost his parents, Arajin, and his brother. Everyone important to him keeps vanishing from his life and in order to keep himself from feeling powerless about this he decides to blame himself.

If it's his own fault that people leave him (because he's weak) then there is something in his power that he can do in order to avoid being hurt again (becoming stronger). In order to maintain this state of motivational self-hatred, he puts others on a pedestal.

Matakara needs Arajin to be strong, powerful, honest and admirable... because that is the image he holds himself up by. In Mitsukuni and Arajin, Matakara creates god-like icons to chase after. And by doing so, he also shuns genuine connection.

Being confronted with Arajin as a flawed person gives Matakara a breakdown because it makes it harder to run from his own loneliness by focusing on chasing after Arajin.

Arajin is always running, but Matakara is always chasing... because he can't stand to look behind and face his monster.

In a lot of ways, Arajin and Matakara can't connect because they care about each other. Arajin can't stand what he allowed to happen to Matakara because he cared about Matakara. Matakara clings to Arajin because he loves him.

This theme of love hindering connection is again mirrored in two other characters - Senya and Ichiya, of course.

Ichiya, unwilling to confront his own terminal illness head-on, wishes to avoid it by goading Senya into killing him. By doing this, he can run from his own weakness and put Senya on a pedestal instead.

Meanwhile Senya is attached to their connection as-is and wishes to maintain this master-disciple dynamic forever - going so far as to deny his own strength in order to avoid acknowledging their changing dynamic.

Both of them are denying something about themselves.

It is their self-denial that makes their communication and thus connection break down.

Ichiya can't make Senya go Honki(TM) (which should have definitely been translated as an adverb here, e.g. 'failing to make him get serious') because he is also not HONEST with him or himself.

In the finale, Senya finally admits his motivations (his illness, his perceived weakness) and he is rewarded with the honest fight he'd been craving. They both stopped running.

This theme becomes even clearer through the two leads, of course, but even earlier than that it exists in Mahoro.

Mahoro's scene in episode 6 is the thematic linchpin that carried the whole show on its shoulders. Through Mahoro, everyone in the cast gets their first glimpse at true unrelenting Honki(tm) - and it is something totally unrelated to fighting prowess.

Mahoro is physically powerless against Akutaro, but she won't run. She has a heart that won't run away, the key quality of the Honki Person(TM), because she has an unshakable sense of self-identity.

It would be easy to dismiss her cutesy design as a contrivance to give Arajin a conventional-looking love interest despite going to Delinquent Academy - but it also says something about HER. Mahoro marches to the beat of her own drum. She does not care that she does not fit in, she does not mind being alone - she'll stick right to her own aesthetic and priorities.

So it's easy for her to call out Akutaro - and in doing so, call out the whole cast along with him:

You're empty. You are nothing but a shell, shaped by how you relate to those around you. You have nothing to offer.

And how are you supposed to connect with anybody, when you don't even know who you are?

(Notably, Mahoro is also a character who refuses to compromise on her self even for love - she knows she does not appeal to Marito, but she's not changing herself to be more his type. Her Honki does not budge, even for him.)

And lest you think I am exaggerating by connecting the theme of identity and emptiness back to all of the cast instead of just Akutaro: it does come back with Matakara.

Matakara can't believe anybody would know him and care for him, because he doesn't know himself.

For Matakara, facing himself means acknowledging his fear of abandonment rather than externalizing it as a hallucination of a literal monster.

But facing yourself doesn't just mean facing your demons, it also means facing your own positive qualities. And that is Arajin's story.

Even as Arajin turned into a scummy, evasive and selfish guy, there is a part of him that has a throughline to who he always was. He's someone who can get invested in others with reckless abandon.

Whether as a child with Matakara, or in the present with Mahoro... Arajin wants to connect.

Bucchigiri?! is a show full of innuendo and sexual gags. Merging with a genie gets equated to sex, fighting gets equated to sex... and of course this is for laughs, but it's also thematic.

Because all these things are about connection. About facing someone else with your whole self.

On a literal level, yes, Arajin absolutely wants to get laid. This is his sincere desire, and good for him.

But at the same time, his battle cry of 'I want to lose my virginity!' is him crying out for a real connection, even at a time when he shunned the idea thereof.

In the end, being a Honki Person(TM) has nothing to do with fighting. Fighting is the way a lot of the rough and tumble guys on the show like to connect, but it is not the only way to do so and not the only way to be Honki(TM).

Arajin never learns to love brawling - he did it out of circumstance and necessity, but it's not his hobby. He does not need to discover some hidden love of fighting, because this show fundamentally isn't about how 'fighting is inherently good' or anything.

It's a show about how even when you hate yourself and think you're as low as it can get, acknowledging your own self in full is the first step to finding a real bond with somebody else.

It just also happens to feature a bunch of delinquents who love to punch a lot.

✨🩵✨

also I've been obsessed with Senya lately (reworking him as well)

THEY REALLY SHOULD HAVE LEANED MORE INTO THE FIRE INSPIRATION

nyam 🍽

reference image is rie and kyubin of onlyoneof 🫶 💯

Confession~Love and Youth at Ichizu High School~

A special short story included with the 4th Bucchigiri?! DVD/Blu-ray

Description from the official site:

Worried about how to "confess his love," Arajin asks his best friend Matakara for advice on how to convey his feelings to Mahoro, but...?!

Story by Kishimoto Taku/ Supervision by Utsumi Hiroko

(NOTE: I'm an amateur when it comes to translation so there's unfortunately going to be mistakes here and there. I do plan on uploading clean scans of the original material sometime in the future for those who are more capable. I just wanted to share my own take on this little story.)

"Hmm~~, mmmmm~...ahh~...What on earth should I do...how can I convey my passionate feelings to Mahoro-chan!"

One young man is groaning loudly while holding his head in agony. This is Tomoshibi Arajin.

"Hey, Matakara! How do you confess to someone!?"

"Eh? Confessing? Hmmm...just be serious and tell them how you really feel, isn't that enough?"

The one who gives such an honest answer is Asamine Matakara. He has known Arajin since childhood, when they'd been best friends who aimed to become Honki People together.

"Just expressing my feelings seriously huh...Hmmm...I'm the type of guy who believes actions speak louder than words..."

Arajin is muttering something like that before he says,

"Matakara, show me how you'd do it."

"Ehh!? Me!? But confessing..."

"Just try it, try it! Okay!"

"Um...wait a minute...a confession huh..."

Matakara is flustered for a moment, but finally, as if he's made up his mind, he lets out a sigh, clears his throat, and says,

"P-Please, let me make miso soup for you every day!"

"Why are you the one making it!?"

"I see...it's more fun to make it together than by yourself! As expected of you, Ara-chan!"

"That's not the point! In fact, what you're saying is basically a proposal!"

Arajin holds his head in his hands, realizing that he has consulted the wrong person.

"Yo~"

"What are you doing?"

"Ah, Zabu and Komao."

The people who call out are Zabu Kakeru and Sakigake Komao, the usual lineup.

"Hello! What are you guys talking about?"

Komao doesn't care what the topic is and just gets into it.

"Ara-chan was wondering how to confess."

"If you're so keen to confess, then just tell the other person, right Zabu?"

When asked about it, Zabu grins.

"Yeah you should, if you really are that popular."

"But...I don't like Ara-chan being too popular."

Seeing Matakara's indecisive attitude makes Arajin confused.

"Hey what's all that about!?!? There's no such thing as being too popular!"

"No, it's not like that..."

"Matakara is Minato Kai's second best after all! Of course he's super popular."

Komao speaks without any ill intent, not knowing what the person in question is actually thinking.

"Stop it..."

"Grrr...I guess this guy's popular after all!"

Arajin grits his teeth as Zabu presses on.

"Weren't they waiting in line for you the other day?"

"Wh-What did you say!? Girls were waiting for him?"

"Grrrrr!"

Arajin growls with rage.

"It was just because that place was small! It's really not that great. They're girls, so I can't hurt them...but I can't just ignore someone who's coming at me with all their might..."

"Pyuu~" Zabu and Komao whistle as they turn away, ignoring Arajin.

"What is it? Tell me quickly! Tell me!!"

Zabu puts his hand on Arajin's shoulder in an attempt to calm him and continues with a serious look on his face.

"Listen here, Ichizu High has a time-honored tradition of matchmaking."

"Matchmaking!? Isn't matchmaking when a man and a woman who want to get married are introduced to each other at some arranged dinner??"

"In our case, the person who falls in love first comes forward and says 'Let's make a match!' and the other person accepts by saying 'Sure, I'd be happy to make a match!' and that's how it begins. If you fight seriously and defeat your crush, the two of you can have a special relationship."

"Huh!? Isn't that more like a wrestling match!? What does wrestling have to do with matchmaking?"

"That's just how it is, a match is a match, that's all there is to it!"

Komao says, showing off his skills as he grabs Zabu in a headlock.

"By the way, guys can ask out other guys."

"A lover of men I am not!"

Arajin watches with dead eyes as Zabu is taken down by Komao's suplex.

"Ara-chan, if you'd like, wanna practice together? I mean, I could try being your matchmaking partner? By the way, my specialty is hoisting people up, so it's a technique that won't hurt girls..."

Arajin interrupts Matakara who was making a misguided proposal and glares at him.

"No way! The confession I want to make doesn't involve hoisting, or headlocks, or finishing moves! Isn't there a more normal way to confess your love?"

"That is normal..."

"Zabu, how would you confess?"

"Wh-What do you mean...just the normal way. I'd ask the other person to go out with me, like normal."

Zabu stammers nervously after Matakara suddenly turns the conversation toward him.

"Is it okay to just do that without thinking too deeply about it? What do you think Ara-chan?"

"Hmmm...but you know 'going out' just doesn't feel right..."

"What do you mean?"

Arajin tilts his head, searching for the right words as Komao looks at him confused.

"Going out, 'dating' that is, it's more like a contract, right? 'I won't date other people so you shouldn't either'."

Perhaps caught off guard by the word "contract," Shinpo mutters, "Well, you could say that, but..." He seems a bit dissatisfied.

"Aren't you overthinking it? I'm just saying 'let's go out' because I'm too embarrassed to say 'I like you'."

As Zabu looks on in disbelief, Arajin continues.

"But you know, I still don't feel comfortable with just 'I like you' and 'Me too'. For example, even if you find your partner on a date with someone else, if they say they like that person too, you won't be able to say anything."

"That's true, dating implies that 'neither of us will like anyone else' but that's only one possible meaning."

Matakara, who had been listening to Arajin's story, nods in agreement.

"Right? You don't want to get married, but you still want to date, it's kind of half-hearted, even unfair...If you really love the other person, you should just propose and get married!"

"I see...that's right!"

"Eh? Don't just go along with whatever he says! It's way too much responsibility. You can't just get married!"

"Propro~pose, pro~po~se~~!"

Maho readily agrees, but Zabu retorts, and Komao does a little dance.

"In that case, the 'miso soup' thing Matakara mentioned before might actually be on the right track..."

"What I said earlier, 'Let me make you miso soup every day'?"

"Yeah. There's that vague feeling of wanting to spend the rest of your life together...I guess a man is only as good as his sense of responsibility. That's a true companion."

Arahito pushes his hair back to look cool.

"Ha, stop trying to look cool when you've never even dated."

Zabu looks at Arajin with an expression of amazement, wondering what he was talking about.

"Eh, perhaps..."

"Have you ever dated, Zabu?"

Startled by Arajin and Matakara's words, Zabu lowers his head. He then speaks in a small voice.

His answer:

"No...not yet, for now..."

As time passes quietly by, Maho suddenly blurts out something.

"I wonder what it would be like, to date someone..."

"Ah..."

"That's right..."

The three of them look off into the distance, thinking about the relationship they have yet to realize.

"It's nothing that special."

It is Komao who says this so nonchalantly.

"You have no idea, you've never even gone out with anyone."

"There is someone."

"Ehh!?" Three boys shout in unison.

"No way..." Zabu mutters while Arajin and Matakara are speechless. None of them can hide their surprise.

Komao!?!? Experienced!?!? And nobody's heard anything about it!?

"I mean, we're going out right now."

"Ehhhh!?"

"Seriously...."

Zabu is unable to hide his shock and can't even look Komao in the eye.

"What's it like? Going out..."

Matakara asks a straightforward question.

"Hmm? Usually we stay together overnight."

"Overnight!?"

"Yeah."

Looking defeated and timid as he raises his hand, Arajin asks,

"Um, well~...Excuse me for asking, but when you say staying the night, does that mean you'll be going to bed together...?"

"'Going to bed'?"

"Well...he means if you're going to sleep in the same room together."

Matakara kindly explains.

"You mean, in the same futon?"

Zabu asks, finally joining in.

"Of course. We always take baths together."

"Baths!?"

"Yeah. But he doesn't like the heat."

Beside the group, who are frozen in place, Komao laughs heartily.

"I see... that's it..."

Matakara manages to squeeze out a reply.

"Do your parents know about this?"

Arahito can only use polite language now.

"Hm? Of course! I mean, they heard his voice the other day too."

"My parents!"

"His voice!??"

"That guy has such a loud voice~, so I quickly covered his mouth but that just made him go crazy..."

"Stop it already! Stop it, Komao!!"

Unable to bear it any longer, Zabu screams out loud enough to drown out Komao's voice.

Zabu's mind is in turmoil, like a small boat in a storm. They had been talking about what it meant to be in a relationship...but this was too sudden.

Only one of them was going too fast! Where are you going, Komao? No, does that mean the Komao he knew wasn't really Komao after all!?!?

It's no good, Zabu doesn't know what's going on anymore...

"What's up with you Zabu~, don't just scream so suddenly~. Now my ears are ringing."

Komao pouts in dissatisfaction. Zabu looks down and clenches his fists.

"That's not the Komao I know... the Komao I know... isn't like that..." His clenched fists tremble.

"What do you mean? You're joking, aren't you? It's just a game."

"!!!"

"Just a game...that's all? You're seriously calling it that?"

Matakara looks at Komao with a stern expression that he rarely shows to his friends.

"I'm disappointed in you, Komao."

Zabu states, clenching his fists so hard he was close to drawing blood.

"Eh~? Aren't you guys being too serious?"

Immediately afterwards, Zabu grabs Komao by the collar.

"What, what are you talking about! I can't believe you were that kind of guy!"

"Huh!? You guys should just go along with it instead of whining about it."

"What do you think, Ara-chan? Listening to Komao's story."

Matakara's usually soft voice hardens and his expression turns serious as he asks Arajin.

"Me too..."

Arajin quietly bows his head.

"You're right, this kind of thing can't be tolerated, right? Not being serious about the person you love..."

Arajin clenches his fist.

"Me too..."

"That's definitely not okay, Ara-chan..."

"I want to lose my virginity!!!!!"

。。。

The roar blends into the wind that rustles the leaves.

No one speaks.

All that can be heard is the rustling of leaves and the cries of crows...

In the silence, one person speaks up.

"Oh, it's him!"

Komao looks up towards the sound of the crow.

"What? He's...?"

"That's who I'm going out with right now, Caw-chan the crow!"

"Caw! Caw!"

A crow with round eyes, large wings and a lustrous black body flutters down near Komao.

"...A...crow...?"

Komao and this crow? They're going out? They're staying the night together? They were heard by his parents? While Zabu and the others stand there confused, Komao speaks to the crow in a friendly manner.

"Let's take a bath together again today~"

"Caw!"

"If Caw-chan is going to cry, I guess I should go home~,then~,see you tomorrow~!”

"Caw! Caw!"

"So... you're saying... you take baths with a crow?"

As Arajin stands there in a daze, watching Komao leave, Matakara replies, gazing up at the crimson sky where Caw-chan has flown away.

"Well, they do say that crows like a quick bath..."

(The End)

Bucchigiri Ep 7 Title

As I just said in my last post the episode titles are based on song titles.

I was trying to figure out what the song for next week is and it appears to be a classical song called The Sea, the Tears, and I

I've never heard it before but that's the only thing that I see when I try to search things similar to the title.

My bigger concern is why they translated マジバブ as "Maji Croquette".... WTF do they think a Croquette is?

The majibab has been featured so many times in the series already they should know what it is. That is NOT a croquette.

(I'm also laughing because the mappa subs did okay in that screenshot but crunchyroll can't even get the episode title right)

mama tomoshibi continues to be an enormous mood

posting this image again because i just looove how. it's like

it's not just that outa went to fight ken-san, knowing he would lose, so that marito and ken-san would have a reason to fight, so that marito would get to break out of his slump

because that's just like, proof of one-way loyalty/devotion which is very delicious but it's the "i can see right through you" that does it for me!!

there's that loyalty/devotion from outa but also this deep and instant understanding from marito that i'm gonna be chewing on forever. first it shows marito isn't just dumb as shit (and i love me a guy who's dumb as shit, but also love a guy who understands their people, Their Person)

like there's no doubt whatsoever in marito's mind that outa did this for him, he just Gets It, because he Gets outa, and that paints it as a two-way street for me. i'm so on board. choo choo fucking ka choo or whatever sound ships make (that's a train)

also kicking him when he's down in an affectionate way my beloved 🥰🥰🥰