God damn it I was slowly moving on from Lockwood and co. The pain is back again 😭😭
One of the things I love most about Lockwood is that he is the textbook example of the "one who is scared to love" but instead of being extremely cold and callous all the time like your normal tragic backstory male mc, he can't stop himself from loving.
The thing is, we know he tries. (See THB). He tries to keep everyone at a distance, tries to be cold and calculating, but he can't do it. He wants to be Sherlock Holmes, highly functioning sociopath, but he can't do it.
And it shows up in the smallest ways: how immediately understanding he is of Lucy when she doesn't want to explain what happened at Jacobs' even though he is interviewing her for a job. How he stood up for the bratty nightwatch kid when Ned was bullying him, simply because he didn't like watching someone smaller get picked on. Or when he mercifully changed the bet with Kipps, because at the end of the day it was a petty bet to begin with, and they had just been through so much together, and honestly it didn't matter anymore. There was no reason to humilate anyone. How he will always protect another agent, even if they are Fittes. Heck, he even stands up for the Fittes' agents, saying "they're just kids like us." It's the adults he has beef with.
Lucy mentions that any news of a death by ghost-touch weighs on Lockwood. He is incredibly patient with Danny Skinner and perturbed that a kid this young is in his living room alone.
All three of them think of Lucy as the one with the bleeding heart. She's a Listener, a feeler, the one who is most affected by the past suffering of the ghosts. But that's for the dead.
Lockwood is a bleeding heart for the living. He tries not to be. He hates it. Because caring means risking hurt. Caring means you can lose what you care about. But for as hard as he tries to pretend he doesn't, for as good as he is at acting like nothing can phase him, it does.
Lockwood is scared of loving. But he can't stop.
Rewatching Narnia has made me realize two things:
all of them, in those first few scenes especially, are just so young. like they are children children. when you watch Narnia as a kid yourself, you don't really notice but wow theyre really all infants in that first film???
The Pevensies without a doubt are the most accurate representation of siblings in any movie ever
Eliot: I stay close to protect Hardison and Parker. I suppose I’m third wheeling but if that’s what it takes to keep them safe then so be it
Hardison: Eliot is our boyfriend. We take him on dates all the time
Parker: he hasn’t figured it out yet
Hardison: I suggested we tell him
Parker: but this is more fun
Hardison: yeah it is
So I think Gabe's portrayal was really intelligently done in the show and I'm pretty dismayed at the negative reactions. I'd argue that TV needs more portrayals of abusers that seem harmless and victims that make efforts to advocate for their own agency because that is what abuse often looks like in the real world. Yes, sometimes abuse is as in your face as with Gabe's introduction in the book version (which the show was still pretty true to, I'll discuss that below) and the other portrayals we've seen on TV, abusers being explicitly threatening or violent, victims cowering and showing visible distress, all that usual, tropey stuff. However, I think more education is needed on all the ways abuse is subtle, because this misunderstanding and this view of abuse as this black and white thing is often the reason so few victims get help, so many abusers get away with it and so many of the people around the victim and abuser, at best, are surprised when the find out what's really been happening, and at worst, defend the abuser because they're so harmless, nice, upstanding, pick your adjective and there's no way they're capable of that.
Source: https://www.domesticshelters.org/articles/identifying-abuse/the-silent-ways-abusers-control
I feel like a lot of the fandom has already fallen into this trap somewhat. Gabe from the TV show is too nonthreatening, bumbling, pathetic, silly, idiotic, nowhere near scary enough to warrant getting petrified by Medusa's head. He doesn't look like an ABUSER. And yet we're confronted with so many markers of abuse in that scene.
Gabe is harmless…
And yet he's verbally abusive to outsiders. The guy that leaves as Percy is arriving has experienced an interaction with Gabe that warrants Percy apologizing for Gabe's actions only for him to apologize back because he gets to leave, Percy doesn't. He's concerned. Sure, Gabe is fat shaming and yelling about eating fruit at the moment. The absurdity of the topic doesn't make it any less inappropriate or abusive btw, because its about the abuser having any excuse to display their dominance and power over you even if the subject matter is batshit. Ever see cases where one person in the relationship (usually a man) will police the other's clothing (usually a woman) because it's too revealing, too tacky, too whatever. That's abuse.
Gabe is harmless…
And yet he's verbally abusive towards Percy. He sarcastically greets him with the cruel nickname "genius" and immediately picks a fight with him. Percy refuses to engage because he knows, from experience, what being goaded looks like. Wrap your head around that. Kids older than him are out there having catfights and making stupid "your mom" jokes, but this infant has so much experience facing conflict, he already knows what steps to take to steer away from that kind of drama and stay in safe territory. He only engages a bit when he hears about Gabe answering Sally's phone. Anyone who's answered a friend or partner's phone before will probably consider Percy's anger and indignation a little bratty and unwarranted. The issue here is that Gabe is someone who ignores boundaries. The issue isn't that he answered Sally's phone, the issue is that he very likely did it without permission. Based on Percy and Sally's reactions (Percy is angry, Sally is resigned), he's someone who's regularly done stuff like look through Sally's phone or purse without her permission. Percy makes it clear that this is not okay, and he gets dismissed. Gabe just answers "whatever's ringin'" and Percy is made to look like the one overreacting. This is what abusers do. They're never in the wrong. And then, the cherry on top of the blue icing, he blames the victim. "What're we doing Percy, every time." Gabe's the one who picked the fight, but by the end of it, Percy's the one being blamed. This is so commonplace and anyone who's been through this knows how maddening it can be. This is such a short interaction but they pack so much into it.
Gabe is harmless…
And yet we find Sally sitting outside in the rain on the balcony, as if she's trying to ground herself after a traumatic experience. As if she's trying to bring herself into the present and not dissociate because when Percy arrives she needs to be there for him. She can deal with the Gabe stuff AFTER Percy is safe. I'll get more into Sally's interaction with Gabe in Part 2 because a lot of people were confused by the fact that she was so firm with him. There's an explanation, I promise.
A lot of people also expressed concern that we wouldn't see Gabe's truly monstrous side before he gets petrified but from what I can see, the shows been making great use of flashbacks and exposition, so I'm pretty sure this will be addressed. Percy and Sally are the heroes. It would be counterintuitive for the show to establish that and then not give them a blatant cause for turning Gabe into stone.
I love them 🥹
ot3parallels:→(parker & eliot’s cute handshakes with hardison) 11/∞
Disclaimer: contains major spoilers from House of Earth and Blood and House of Sky and Breath.
“Be all the beautiful things you are, and be them without apology”
the fuck netflix tag
Lockwood & Co fans 🤝 Shadow and Bone fans
it's probably not healthy how often i imagine portland row years into the future, after the trio's talents have faded, where they no longer hunt ghosts together but they find other ways to pay the bills and never move out because they just love the little home they've made here, and lucy and lockwood are an actual couple and george simply tolerates it because he loves them individually so much and can't imagine life away from either of them, which is good because lucy and lockwood wouldn't have it any other way
i don't know if this is compatible with book canon in the long run, but thinking about it just. soothes my soul. it is everything i want for them
My favourite Eliot Spencer character trait is Friend-shaped To Children. Nate can't look at children without crying. Sophie is politely baffled at the concept of Humans Who Don't Understand Complicated Psychological Concepts Because They Are Literally 6 Years Old. Hardison has older brother energy, which is to say children are comfortable in his presence but they don't actively seek him out, unless of course to play an epic prank akin to the great tradition of Ring and Ditch or Spell ICUP. Parker will try to protect any child she can, but under-12s without autistic criminal intent don't really connect with her, unless of course they are Traumatized™.
Eliot Spencer is continuously sought out by children of all ages. Traumatized or not? Does not matter. Literally baby or cool teen? Does not matter. They will come up to him while he is glaring daggers or actively planning to murder someone and ask him to hold their hands through the security check at the airport. And you know what? He does. He holds their hand every single time.
Random stuff I love. Currently obsessed with Lockwood and co. Pls go stream it on Netflix we need season 2!!
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