The best night scenes I’ve watched
I've seen a lot of praise for the Netflix Lockwood and co. adaptation. I haven't read the books, enjoyed the show. Lots of people already said a lot of positive things about this series concerning plot, characters, and so on that I largely agree with
You know what hasn't really been talked about?
How BRIGHT and WELL LIT everything is. Like, this show mostly happens at night, with characters running around with torches to see anything, because their job has to be done during the night.
But I can still SEE EVERYTHING.
I noticed that in the graveyard scenes especially. The sky is pitch black, we know it's the middle of the night. But the grass in green and I can SEE IT.
Love them for not going down the path of GOT, DC, and so many more. Of saying "well, it's the middle of the night, so nobody can see anything, and neither can the audience".
Instead they went "we told our audience it's the middle of the night, we're showing it to them, but we're also giving them the opportunity to see what actually happens on screen".
Amazing.
Inspired by this post by @lemissingmask
The team holding Eliot back from violence, either with a simple gesture or by putting themselves in front of him.
And the time the violence was encouraged:
listen, no matter how you feel about the leverage OT3, I think we can all agree that Eliot needs to engage in some handholding (platonic or otherwise) with Parker and Hardison. It’d be good for his blood pressure.
My favourite Eliot Spencer character trait is Friend-shaped To Children. Nate can't look at children without crying. Sophie is politely baffled at the concept of Humans Who Don't Understand Complicated Psychological Concepts Because They Are Literally 6 Years Old. Hardison has older brother energy, which is to say children are comfortable in his presence but they don't actively seek him out, unless of course to play an epic prank akin to the great tradition of Ring and Ditch or Spell ICUP. Parker will try to protect any child she can, but under-12s without autistic criminal intent don't really connect with her, unless of course they are Traumatized™.
Eliot Spencer is continuously sought out by children of all ages. Traumatized or not? Does not matter. Literally baby or cool teen? Does not matter. They will come up to him while he is glaring daggers or actively planning to murder someone and ask him to hold their hands through the security check at the airport. And you know what? He does. He holds their hand every single time.
I saw a comment on tiktok before watching todays episode of Wolfpack and someone was like “I used to really like Harlan but what he did was inexcusable” and I was worried because I really like Harlan (love the entire pack) and then I watched and I burst out laughing when I realized the “inexcusable” thing he did was have sex with some random girls boyfriend in her house. He’s funny, mean, and gay and you think I’m gonna root against him? 🤨
i love how in leverage nate ford doesn't get monologued to by villains. he gives a monologue, with genuine pleasure and complete unconcern for what's going to happen to him. you sort of get the sense that if he could whip out a powerpoint and a long stick to point with, he would. along with graphs and charts that he made hardison make.
you ever just think about how the leverage writers gave us a canon polyamorous relationship confirmation in the long goodbye job?
like, they didn’t have to go that hard
but they did
parker, hardison and eliot are seen as a unit, working together in sync. there are callbacks to the pilot episode multiple times that are centered around their interactions.
and then there’s the “death” scene: aka, the scene that proves just how ride or die they are for each other. they die in each other’s arms. they die holding hands. what’s even more- the two in a canon established relationship are not the ones holding hands. no- instead, it is eliot who is in the middle. eliot, their hitter, their protector, their best friend. he was the one that was in the middle, holding hands with hardison and then parker. he is the one that reaches out and grabs hardison’s hand, reassuring him one last time and referencing an inside joke. parker then makes a point to move and grab eliot’s hand in her own- her literal last act before dying. you CANNOT tell me that is anything but pure, unadulterated love. they lived together. they breathed together. they died together.
AND THEN, as if that wasn’t enough, we had this scene in the final minutes of the show:
sophie: promise me, (looks at parker and hardison) you'll keep them safe.
eliot: till my dying day.
let's take a minute to acknowledge that literally a minute after nate proposes to sophie eliot says THIS??? something reminiscent of marriage vows about parker and hardison? he will protect them until his dying day and not a second before.
and then we have this:
nate: you know, eliot, I'd say call if you need anything, but you never... never need anything.
eliot: yeah, I did. (looks at parker and hardison) and thanks to you, I don't have to search anymore.
parker never had a family, not really, but it's been established that she knows she's not alone, that she has people that care about her, that she is loved (the white rabbit job). hardison had his nana and his family, but we saw at the beginning of the show he was eager to slide into this new found family of his. he cares deeply, loves deeply. and now, at the end of eliot's arc, he admits that all that time, he was missing something. he looks at parker and hardison and states with conviction that he doesn't have to search anymore.
they all have what they were missing at the beginning of the show- each other.
I like how leverage has a genius character and an autistic character but the autistic character isn't the genius character. the genius is a 22 year old black man with adhd who becomes an expert in anything you give him within 24 hours and the autistic character is a white woman who jumps off buildings for fun and once stabbed a man with a fork because he encroached on her personal space and sense of moral conduct
Sometimes a family is a sassy half fae princess, a lightning powered angel of death, a soft emo frat boy princeling, his jock and nerd best friends, a himbo merman and a totally confused wolf pup
Please god someone save Lockwood and co
My favorite part of the Lockwood and Co. series bad to be Lucy and Lockwood’s second fight. The dialogue and the cinematography is the some of the best i’ve ever seen.
The scene where Lockwood is approaching Jessica’s door while we hear Marissa’s voiceover :-
“Denial is a very human reaction when faced with new ideas. Especially such frightening ones.”
Just the parallelism. Marissa being 100% sure that type threes exist and lucy being a 100% that she can hear type threes.
It’s implied that people called Marissa a liar when she mentioned the type three, and Lockwood didn’t believe Lucy at first when she told him.
Not because he honestly doesn’t believe her but because he’s scared of what that would mean about Jessica😭.
Also before that when they were arguing:
“You’re not Marissa Fittes”
“Why? Afraid of being Tom Rotwell? My second best”
(Book Lucy would never go that far😂)
Like it’s such an obvious set up to future seasons where we’d get more Fittes-Lucy and Rotwell-Lockwood parallels.
It makes me so sad because the first season was an amazing building block for the rest of the show and we might have gotten so many more heart wrenching and dynamic scenes like this, but instead Netflex screwed crap up. Again.
Random stuff I love. Currently obsessed with Lockwood and co. Pls go stream it on Netflix we need season 2!!
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