Well That Hurts

"I'm glad you found a family." -Amiee

"W-what... those guys?" -Eliot sputtering

Yes, Eliot. Those guys. The very same guys who you couldn't walk away from. The same guys who get on your nerves- but for some reason you protect. Those guys who have you wrapped around their fingers. Who remind you that your smarter than you think.

Those guys as in;

Nate who needs protecting from himself.

Sophie who needs protecting from her past.

Hardison who needs protecting from his mind.

Parker who needs protecting from the monsters she's lived through but are still around.

You, Eliot- you big teddy bear- decided they were worth it. So you stayed for them. You sir, stayed because they needed you.

Those guys are your family.

Man, Fear Street always makes me emotional. The killers being remembered as monsters by everyone when they all were innocent, good people being forced to kill people—many times, their loved ones—. And we know that they at least have some level of consciousness when they do it because of Ruby Lane; she killed herself, which means that at some point she managed to snap out at least for a moment and took herself out before she could hurt someone else. Nurse Lane, who spent her life investigating and trying to get to the truth about her daughter. Ziggy, who lost her sister and spent her entire adulthood thinking it'd all been for nothing and wishing she'd stayed dead (and then at the end when Ziggy visits Nurse Lane and they both finally get their peace? Sobbing).

And most of all, Sarah's story always gets me the most. Betrayed by someone she trusted and accused and killed by people who'd known her all her life for something she didn't do and because she was a lesbian and loved another woman in 1666, and was remembered as a monster too, as the witch who cursed the town when all she ever tried was getting people to the truth. Always hurts to see her story, but it makes it all the more satisfying when she finally gets her vengeance and finally has people who know the truth about her and respect her. That "Sarah Fier, the first Shadysider" at the end and Sam and Deena kissing in broad daylight just like Sarah wanted to do with Hannah always fucking gets me too.

Like fuck.

I suddenly woke up stupid early on my day off with multiple weird random aches and pains and a revelation about the Leverage chess metaphors.

They’re all wrong.

Look, I obviously adore the white knight/black king motif, and it works really well for that very specific discussion of Nate’s shift in morality and position at the opening of the series. But the show as well as I and other fans have then tried to take that equation and apply it to other jobs and to the crew as a whole. This is fun and awesome, but I believe you’re going to get it wrong every time if you start from the white knight/black king line. 

Because in all other situations, Nate is not the king.

Couple important things about kings in chess: 1. They don’t move much. They can only move one space at a time, and for most of the game they stay in their own little box, well guarded by other pieces. This is because 2. When the king is checkmated (threatened with capture and no possible escape), it’s game over. There is no more hope. This is the sole requirement for losing the game. No matter who else is in play, if the king is down, you lose.

This is NOT how Nate operates. Yeah, he makes the plans, but he doesn’t just hide in the office while everybody else carries them out. He’s almost always right up in there playing the most obnoxious guy you’ve ever met or smashing windows or something. And if Nate gets captured, it’s not game over, in fact, it often isn’t even a PROBLEM. Let’s look at a few times that happens, just for fun: - In The King George Job, Nate’s getting beat up and Eliot slightly panics and is about to run to help, when Sophie says “NOPE, don’t do that, I can fix this without blowing our cover” and saunters in at her leisure. The jig isn’t up and she’s not even particularly concerned about him getting punched. I love it. - In the Maltese Falcon Job, Nate sacrifices himself to save the team. This is a classic thing to do in chess and chess metaphors, but, I cannot stress this enough, you cannot sacrifice your king. That’s just called LOSING. -In The Long Goodbye Job of course the whole con is structured around Nate getting caught. I guess this one kind of makes sense because the whole point is to look like they HAVE completely lost, but then at the end it appears that Nate’s going to secret prison and everyone else is escaping WITH the black book, so they STILL would be losing Nate but winning the job. 

So if Nate isn’t the king, who is?

Hardison.

Let’s look at our points about kings again:

1. Doesn’t move as far or as quickly: Yes, Hardison ALSO gets out there and participates in the cons, everybody does. But Hardison does stay in the background more often, because that’s where his power is. He does the behind the scenes tech stuff and the remote stuff, he can wreck your shop without showing up through the power of the internet. He also does the forgeries of identities and objects, which are also done in his own space. At the same time, he has less physical power and less range – you don’t want him in a fistfight, or a gunfight, and his grifts are notorious for being a little… uh… interesting. So he has limited physical range and power but at the same time… .

2. The game is over if you lose him. That far-reaching behind the scenes power is absolutely vital for 90% of the jobs. He does the massive amounts of research and hacking legwork needed just to START a job, even before you get to actually completing the job. You are pretty much dead in the water without Hardison. But that’s just from a practical standpoint. Losing Hardison is also a crisis from an emotional standpoint. He’s our moral compass and our sweet baby brother and when Hardison gets in trouble there is no “well he’ll be fine for a few minutes” and no “well he kinda had it coming.” No, when Hardison is in trouble everything else grinds to a halt and everyone comes running. (See: The Experimental Job, The Grave Danger Job, The Long Goodbye Job.)

So like, yes Nate is in charge. But the king isn’t in charge on a chessboard, the king is just a piece with a very unique role, which Hardison fills much better than Nate does. So, now that we have our real king, who are our other pieces?

Queen: Parker. This has nothing to do with her dating Hardison. The thing about the queen is she can do a little bit of everything – she can move in any direction, making her the most dangerous piece on the board. Parker’s whole character arc is about learning all the different roles and how to access the whole playing field. She’s the only one who plans and executes an entire episode-length job by herself (okay, with a little help from her girlfriend). Plus, the other cool thing about a queen is she has a built-in transformation story – a pawn that crosses the board can become a queen, which Parker mimics by initially being dismissed as “the crazy one” and ultimately becoming the mastermind.

Knight: Sophie. I know, I wanted Eliot to be the horsie too, but this makes more sense. The knight’s deal is that it’s sneaky – it’s the only piece that can turn corners – and it can jump over obstacles. Sophie’s whole philosophy of grifting is that she shouldn’t need to know about safes or security systems, she should be able to bypass (jump over) all that by insinuating herself with the mark (being sneaky by playing a character to get behind enemy lines)

Rook: Eliot. This is the straightforward one – it goes in a straight line. It also literally represents the castle walls. It’s also so, so fucking helpful to have around, I fucking hate losing my rooks. It’s your solid right hand man, basically. Is this a little reductive of Eliot? Absolutely, but I’m jamming five complex characters into five predetermined boxes, it’s not all gonna be nuanced. And I think Mr. Punchy would like being seen as the fortress that everybody depends on, and to let all the nuance go under the radar. That’s where he likes it. 

Bishop: Finally, here’s where Nate is hiding. While the rook can only go straight (lol), the bishop can only go diagonally. Nothing can be straightforward for the bishop, he always has to come at things from an angle. Like, you know, constantly looking at all the different angles of a situation and finding the right angle to come at a mark from. Also, the bishops sit right in the middle right next to the king and queen. I don’t know that this is historically accurate, but when my dad taught me to play he told me that was because the bishops were important councilors to the rulers, they were the ones who had important wisdom that would tell them the best plan of attack. So the king here isn’t necessarily the one making the plans – that’s the bishop. And finally, apparently the bishop is called lots of different things in other languages, but we’re operating in English, which means it makes Nate a priest, and that makes me happy.

Reblog if reading someone else’s fanfiction has helped you get through a hard day

I couldn’t put into words why that scene left such an impact on me but you just did perfectly and might I say OUCH.

THIS SCENE IS SO MULTI-FACETED AND I LOVE IT SO MUCH AND I HAVE TO TALK ABOUT IT!

Anthony being touch starved and Lucy touching him so tenderly like that affects him so much from the get-go obviously cuz it fulfills that need. It also highlights their quickly burgeoning feelings/connection with each other but in the CRUELEST way cuz the reason she's touching him is not because she wants to but because she's possessed.

But, its not only just that she is acting in love with him (making the connection between them so hard to ignore) when its not really her that hurts but she's acting as if she loves him while he (his role) is HURTING her. With Anthony's past being so traumatic, you just KNOW he internalizes that shit even though its not really even Lucy talking and its not even him she's talking about. It hurts him to have Lucy act in love with him but also she's acting as if she has to FIGHT to believe he's not hurting her. She's acting as if loving him is causing her physical pain and that's horrifying for him cuz the one thing Anthony absolutely believes is that he hurts the people he loves. So to be slapped in the face with his growing feelings for Lucy but in a way that pulls at all of his trauma strings in the harshest soul twisting way?

Right after that you have Lucy reliving how Annabel choked to death to seal the traumatic incident with a cherry on top, finalizing Lockwood's internal fear that he kills the people he loves and is left alone.

Not to mention as the series goes on we see that Anything absolutely cannot STAND the idea of having hurt Lucy or her being unhappy with him even though he makes stupid decisions. Almost as if this incident triggered in him a crippling desire to never hurt her... So she'd never look at him like that again. Like he's everything... But also as if he destroyed everything in her to the point she fears him.

So in quick summation we have:

Lucy acting in love with Anthony under possession of a ghost while he very much does have growing feelings for her; and the love the ghost in her playing out being an abusive kind, the kind you have to convince yourself isn't harmful, forcing Anthony to relive his trauma and self-depreciate even more about the fact that it's hard to love him because all he can leave behind for his loved ones is hurt. Combine that with the traumatic way she relives Annabel's death and Anthony's genuine worry of Lucy's possession being... well... dangerous as is.

This scene is so beautifully acted. Ruby and Cameron's chemistry is insane. The way they portrayed that much range of emotion in such a short but impactful scene early on.

EDITED TO ADD: I also forgot to talk about the costuming cuz its the softest we've seen Lockwood in the whole series. All three characters are in their pajamas but Lockwood specifically is in a simple gray hoodie. Something that invokes comfort and relaxation. He's tense during the scene because of the situation but he's completely vulnerable as well. There's absolutely nothing for him to hide behind. No witty quips will work when Lucy can't hear him and he's fearing for her life, no physical force can be used to fight her either... And his emotional barriers are all down too. Not only because of the unexpectedness from the multi-targeted assault on his emotions but because he didn't exactly have time to prepare for such a thing occurring either. @locklyleiscanon pointed this out i think but Lockwood uses his suit as an armor. And he's not wearing it. There's no weapons near him. He's completely defenseless when it comes to Lucy in this moment as well as all the warring emotions that are overtaking him.

The first time I watched the scene my first thought was literally how soft and vulnerable Anthony looks. I didn't even have reference for the rest of the show (that he wears suits almost always) but it was a striking detail. Not just the vulnerability on Lockwood's face but in his body language and clothing as well.

Here's an edit I saw that made it all easiest to visualize and word for me:

Props to the person who made the edit cuz the close up scene and the slow motion at Just the right moment makes this so plainly visible to see.

This incident is simultaneously the best and worst thing to happen to Lockwood regarding his feelings for Lucy. It shows him early on just how much he needs her, but reminds him of all the reasons why he can't have her.

The most important thing about characterization of the Doctor is that they simultaneously be an awe-inspiring ancient eldritch of incomprehensible intellect and power, and also the biggest dork you have ever met.

They walk in eternity, they're made of fire and ice and forever, and it is so embarrassing to be seen with them in public.

“Be all the beautiful things you are, and be them without apology”

Love her!!

A funny thing about the Greta Thunberg and Andrew Tate is the level of effort each put in. Greta probably spent less than a minute thinking up then writing that post whilst Andrew clearly spent hours on his video, getting his big cigars, putting on his silk robe and ordering a pizza all to prove how he, a 36 year old adult, was unfazed and totally not owned by a 19 year old. And it got him arrested.

This’ll go down in internet history, Greta ruined a sex trafficker life with a tweet.

Criminal Minds Incorrect Quotes

~Reader Insert~

Reid: *Screams* Reader: *Screams louder to assert dominance*

Hotch: Should we do something?

Rossi, observing: No, I want to see who wins this.

Rossi: I think we’re missing something.

JJ: Teamwork?

Reid: Concentration?

Prentiss and Morgan: A general sense of what we’re doing?

Prentiss, setting down a card: Ace of spades.

Morgan, pulling out an Uno card: +4

Garcia, pulling out a pokémon card: Jolteon I choose you!

Reid, Trembling: What are we playing?!

I posted this while watching NCIS :)