I think part of the problem of modern storytelling is there has been a shift from character focus to message focus.
It's Doctor Who saying "look the evil alt right podcaster has trapped everyone in a weird heteronormative wish world that's baaaaaad uhb we don't know how to resolve it satisfyingly" vs "Rose dragged along a guy she thought cute and he turned out to be a jerk and used time travel to gain access to future secrets and we see her and the Doctor react to that in a way thar shows us more about their character." It's "the Beatles are here kind of as a backdrop to our drag queen villain isn't that fun woo musical number" vs "let's tell a touching story about Vincent van Gogh's depression and relate that to what our characters are currently going through."
And its not just Doctor Who--it's pervasive. It's "let's tell a character focused story of Anakin Skywalker's fall to the darkness and the love around him that wasn't enough" vs "Star Wars is GAY and look at her BLEED her LIGHTSABER." It's "Here's a 19 year old who lost her parents and has to raise her difficult sister, let's see her motivations and love for her sister" vs "Nani is doing the Right Thing for Herself because going to College is Girlboss!"
And this isn't the first time the focus of storytelling has shifted--before it was character focused, we had concept focus. Doctor Who exploring Roman times or a realm made of stories, where characters carry the plot, but aren't the focus of episodes. Episode IV of star wars was certainly a conceptual idea more than character focused, exploring the world and building it as you go. Old Disney like Snow White explored the concept of retelling a fairytale in animation.
I just think that unfortunately the focus of mainstream stories is not to explore a concept, or interesting characters, but to push a message.
“i see a man who makes it home alive but its no longer you” jack-ianto in children of earth - or whatever
#Suffering forever
whenever ppl are like "what did tosh/gwen/suzie see in owen?? hes such a twat" and im like 'burn gorman's face, thats what they saw'
Here's the thing though right. What if Crowley didn't actually realize he was in love? He projects his very own "fall in love" scenario (sheltering from the rain) onto Maggie and Nina, but when Nina suggests that they're an item he looks quietly dumbstruck. He doesn't even think to say anything until the others tell him he needs to. We all know he fell in love on the walls of Eden, but I don't think he *does*.
And then Aziraphale, who takes longer to get there, gets his revelation when Crowley saves his books. He's known how he feels since 1941, with all the fear and quiet devastation that goes with it. And now, now that they're free, he's ready. He wants to move on with Crowley, he touches and flirts and dances and says "our car". He's *ready*. And he's trying to show it the best way he knows how.
But Crowley doesn't know. Crowley who's loved him so well from the very beginning, DOESN'T EVEN KNOW IT'S LOVE HE'S FEELING, and he doesn't understand what Aziraphale's been trying to tell him. And now he's alone.
in guarani there's a standard greeting that literally translates to "are you happy" (ndevy'apa) and the natural reply is "i'm happy" (avy'a) and as americans learning the language we were so distressed like "but what if we're not happy....." and our teachers were like "that's so not the fucking point"
we kept trying to think of any other way to reply but our teachers kept trying to get it into our brains that it's an idiomatic greeting, it literally is not the time or place to traumadump, and as usamerican english speakers we are not some special exception for saying "what's up" with the reply being "not much" instead of "the ceiling"
but anyway while i was working in paraguay -- the country with the largest population of guarani speakers -- i got sent an article by some friends back home like "look! they're saying that paraguay is the happiest country in the world!"
and the methodology was "we went around and asked paraguayans if they're happy and recorded their responses" and i was like. oh. of course you did. and of course you got a 100% positive response rate.
Objectively, violin or cello. Funny answer:
band au time: what classic orchestra instrument does gwen play (but she hates it)
Time to make everyone else read this sentence too <3
He deserves it.
Carmelita (19, she/they): Professional Language & Literature Nerd, Queer Entity, and Recovering Workaholic
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