hey i have a fucking bone to pick with sapphic fandoms
like, i get it okay. i've been on tumblr since 2011, i was in the trenches during the bury your gays nightmare, i grew up on buffy, i watched the 100, i've been through the furious and devastating queerbaits, and i've watched helplessly as the boom of proper progress with sapphic rep has burned and disappeared with the faults of the industry as it is rn and the resurgence of bury your gays in the form of tv cancellations
i even did a fucking guest lecture for a film & tv university course a couple years ago on all of this
we joke about the fact that queer (specifically sapphic) fans flock to any show with the barest hint of rep in it because we're so starved for it, and we talk about the fact that if nothing else, that proves that there's a market and an audience and it usually creates a huge wave of viewership and attention for the show
but i need to fucking point out: acting as though a show exists for the sole purpose of the sapphic relationship you've started watching it for is fucking detrimental to how you'll perceive the show, how it'll get talked about in fandom spaces and then beyond that (bc the line between fandom spaces and wider online discussion of media is a lot thinner than it was ten years ago) and isn't actually going to do any good for sapphic rep! like, at all! because guess what! unless you're watching a show where the entire storyline revolves around romance, this couple you're watching for ISN'T going to be the centre of the story! it's a part of it! and there's such a weird fucking entitled toxicity to how fans act around brilliant storytelling and worldbuilding and writing and characters throwing tantrums about not getting more screentime for the relationship they like because they don't actually care about any other part of the story. and the thing about people who watch something solely for a ship rather than the wider story it exists in, is that a lot of the time, you'll fundamentally misinterpret the characters and their dynamic because you're not taking any of the wider context of the world and story into account at all.
and yes, of course i'm talking about agatha all along in the immediacy. because we knew a long, long time ago that billy maximoff was gonna be an integral part of this story, long before we knew anything about what the vibe of this show was gonna be, long before anyone even had the tiniest whisper of rio's existence. the same way wandavision was monica rambeau's origin story even though the show was wanda's, we suspected that agatha all along would be billy's/wiccan's origin story even if the show focused on agatha. and you know fucking what. that's good fucking storytelling. this show is smart, it's funny, it's curious, it's campy, it's queer, and it's ensemble. that's always been the point. agatha and rio were a delightfully unexpected part of it that added such delicious tension and phenomenal sapphic rep, but you know what else! the point of that dynamic is to flesh out agatha's character! this show isn't about agatha and rio! it's about agatha and billy, who they are, how their pasts and their magic are connected, their traumas and their power and how the road shapes their futures! rio is a part of exploring agatha's past, and it's phenomenal, but i am so fucking bewildered by the ridiculousness of people's reactions to billy now having a bigger part in the story and there being less focus on agatha and rio. you do know that you write scenes and characters and stories in a way that makes sense right? that because of the nature of this show, even if we don't get more than a handful agatha and rio scenes for the rest of the episodes, they're both still sapphic characters, this is still wonderful sapphic rep, and this show is still very, very queer?
like, it's obviously not fair that we have to beg for scraps to have queer shows to watch. but that doesn't mean that any of us get to do such a fucking disservice to the people who make amazing shows and fight to put sapphic rep in them within the contexts of the stories they're telling by whining that it's not enough. what we're getting with agatha all along, what kathryn han and aubrey plaza and jac schaeffer have said with such grace and nuance and intrigue and depth about agatha and rio's relationship, is so fucking rare! and it's nestled within a story that's got so much other intricate storytelling that makes agatha and rio richer characters when you actually pay some fucking attention and care about who they are outside of their sexual tension!
and i'm saying this because this is an issue i see with So many other shows, where the worth of a show gets boiled down to fandoms wanting content of their ship and nothing else and then poisoning the conversation and reception around what else it is that show is doing with its story. idk get some fucking media literacy, grow up and respect artists and creatives.
just watched shang chi
when wenwu said “我吃的盐比你吃的米多(wo chi de yan bi ni chi de mi duo)” everyone in the (mostly chinese) audience went insane
ocean vuong on writing metaphors
pedro pascal you are so real for this
i need oscar isaac as poseidon rn…
IF I MAY ALERT THE FALSETTOS FANDOM TO THIS VIDEO’S EXISTENCE. i have no idea WHO these guys are or where this is but this is so fcking cute i have to scream about it
the clothes (whizzer actually. looks stylish, god + marvin’s ugly tie…)
how melodic whizzer’s voice is !! so pretty
they talk over each other SO MUCH it’s adorable
(flips ugly tie into marvin’s face)
“men in france can cancel a debt–” “never been to france”
the blocking during + after “when he pushes…” holy shit
WHIZZER GETTING ON A CHAIR TO YELL AT MARVIN
literally everything about “we like fighting most”
the chairs!! we’re standing on chairs again i see
“what i covet… i keep” what a soft fucking line & what fantastic blocking
“i was trained in karate” FINALLY GETS THE BLOCKING IT DESERVES
“we’ve almost survived a year” “aw!”
“we’re too busy mounting–” (climbs into marvin’s lap) (gets shoved out of marvin’s lap)
WALTZ CHOREOGRAPHY
END NOTE
augh overall this just accentuate’s whizzer’s simultaneous need for love and complete inability to accept love normally and his unreasonably intense control over how much is too much and marvin is just a mess please watch this it’s so cute
The cast of Disney’s Frozen 2 recording their voice lines for their characters
there’s been so much acephobia in response to yasmin benoit’s tweet… please help
so that trailer huh
how do you write narrative and reflective essays i need help
cal (any pronouns)music theory nerd // theo if you’re seeing this you’re an idiot and ily
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