im noticing that for a lot of americans “free palestine” has been an ideological motto and symbol rather than them actually believing in their heart that freedom is attainable and necessary
To make a prairie it takes a clover and one bee,
One clover, and a bee.
And revery.
The revery alone will do,
If bees are few.
when i leave this tight fit of an exoskeleton
i wonder what will be found from those times
when something was lost to the tide
rather than gathered and disposed of
there are some things
you just cannot rid the world of
corn cob husks
used-up push-pop tabs
empty of disinfection tablets
all the library books i could never return
paperbacks so worn down
with indentations and water damage
you can barely decipher the original text
neon orange, made to eat
inside-out wrappers, forgotten sweets
saved for never, piano sheets
shucking
prying
always denying
hoarding away contrabands
collecting what’s left for the next finding in the sand-
but even hermit crabs
in their ever adapting, tenacious habits
leave behind something worth remembering
From Caleb Nichols' chapbook, Chan Says & Other Songs, a companion piece to Caleb's Kill Rock Stars EP of the same name!
dandelions are magic. literally tiny suns in the grass that turn into the moon and then the stars when you blow on them. fucking insane.
blistered fingertips scratch against constricting linen
i lay in a bed of moss
underneath my grandmothers afghan
and woke surrounded in mold
the clay beneath
tugs, tearing open old gashes
revealing layers of decay
interlocking rigid muscle tissue
every motion scattering spores
i find myself coughing, clenching
crawling through the colonies
for
i am not
your
host
i am only
flesh
and
blood
and yet
that flesh is powdered in mildew
that blood is blooming
i will not yield
i swear
i will taste fresh air
alongside a mushroom omelette
without an inkling of a sour memory
but i fear
i am
rotting
# 31
My chest feels like a big red balloon.
Switching between over-swelled, Bulging, Tight.
To deflated and limp.
Again and again and again.
In. Out. In. Out.
The breaths come faster.
The balloons limitations heighten, only so much air can pass through at a time.
I grasp at the stings that dangle from my shirt. Who is sending all this so fast?
They need to slow down.
But I don't hate it and I can't stop it.
In. Out. In. Out.
The strings are wrapped three times around my wrists.
When did I do that?
In out. In out. In out.
The air is whooshing over and over.
I can’t-
Inoutinoutinoutinoutinoutinoutinoutinoutinoutinoutin
I force myself to focus on the softness of my sweater buttoned around my taut chest.
I fold my hands and feel the roughness of my palms, the smoothness of my nails, the surety of my string around my finger.
I focus on the lights above me and count the tiles on the ceiling.
The balloon miraculous slows a bit and I can feel my head again.
In out. In out. In out.
It didn't float away.
I didn't fly away on an overwhelming air currant.
I am still here.
I plant my feet in the ground and feel fresh roots make a home below me, anchoring me to reality, to the world.
The air gets slower and slower until I feel flowers bloom between my toes.
Until I feel the strength return me to a slow and steady flow of air in and out of my lungs.
In. Out. In. Out.
From amelia nason's chapbook, poems i shouldn't have written, available from Bottlecap Press!
Closing shifts.