Bullwinkel - Syd

David Bowie, photographed by Mick Rock, 1973.

Meiko Kaji (梶芽衣子) and Tatsuo Umemiya (梅宮辰夫) on the set of Wandering Ginza Butterfly (銀蝶渡り鳥), 1972, directed by Kazuhiko Yamaguchi (山口和彦).

Scanned from a loose clipping.

http://fuckyeahmeikokaji.tumblr.com

Rehearsing Angel: David Lynch, Sheryl Lee and Lorna MacMillan on the film set of Twin Peaks: Fire Walk with Me (1992)

Artist: paulreidartist (Instagram)

Art: Cyclops, Oil on canvas.

An angel.

George Costanza: Thinks Holistic is the way to go.

me rewinding every single scene for hours when the blu-ray comes out tbh

Land of The Giants Project for Iceland

This design transforms mundane electrical pylons into statues on the Icelandic landscape.Choi + Shine,is the US architecture practice behind the proposal

Making only minor alterations to well established steel-framed tower design, we have created a series of towers that are powerful, solemn and variable. These iconic pylon-figures will become monuments in the landscape. Seeing the pylon-figures will become an unforgettable experience, elevating the towers to something more than merely a functional design of necessity.

The pylon-figures can be configured to respond to their environment with appropriate gestures.   As the carried electrical lines ascend a hill, the pylon-figures change posture, imitating a climbing person. Over long spans, the pylon-figure stretches to gain increased height, crouches for increased strength or strains under the weight of the wires.

The pylon-figures can also be arranged to create a sense of place through deliberate expression. Subtle alterations in the hands and head combined with repositioning of the main body parts in the x, y and z-axis, allow for a rich variety of expressions. The pylon-figures can be placed in pairs, walking in the same direction or opposite directions, glancing at each other as they pass by or kneeling respectively, head bowed at a town.

Like the statues of Easter Island, it is envisioned that these one hundred and fifty foot tall, modern caryatids will take on a quiet authority, belonging to their landscape yet serving the people, silently transporting electricity across all terrain, day and night, sunshine or snow.

“Koubu” was published by Soetsu Yanagi from Jurakusha in 1931, and later changed to the Japan Folk Art Association, and continued until the final issue of issue 120 in 1951. Many of the bindings, which are said to be crafts because of their beauty, are made by decorating the designs of Serizawa Serizawa with hand-woven cloth or urushi-e, and there are also those bound with Munakata Shiko ’s prints. The text was written by Soetsu Yanagi, Kanjiro Kawai , Kenkichi Tomimoto , Shoji Hamada and others using various Japanese papers, and played an important role as a bulletin for the Mingei movement to enlighten the “beauty of life”.

The Responsive Eye, 1966

Brian De Palma