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I think some of them get Bruce Wayne more than they get Batman, and some of them get Batman more than they get Bruce Wayne. I think Ben Affleck has probably gotten the best balance of the two. He’s a really good Bruce Wayne and a really good Batman.

Ben Affleck photographed by Kurt Iswarienko

Got a spam message

Got a spam tumblr message inviting me to some dating app.

Even tumblr knows I’ve been single for way too long.

Chapters: 1/1 Fandom: Batman v Superman: Dawn of Justice RPF Rating: Explicit Warnings: No Archive Warnings Apply Relationships: Ben Affleck/Henry Cavill Characters: Ben Affleck, Henry Cavill Additional Tags: Not Beta Read, Beta Wanted Summary:

Henry Cavill and Ben Affleck have been playing a certain dance for weeks. Perhaps it's time to have a go.

That time I decided to indulge a bit.. #MaleFashionMagazine

I feel I need to write my understanding of their characterization. There’s always so much that comes up and out and it’s like sand pieces that turn into a castle eventually. They’re beautiful

Also I believe @f1-stuff is the Charlos historian and she keeps feeding my Charlos reference library

Did carlos also used the friend word? Do you know when?

Hi, so I actually compiled some links mostly for myself, but also for you and anyone else interested. See below the cut!

Times Charles has referred to Carlos as a "friend":

The most recent instance: 'He has obviously become a friend.'

‘We were already good friends before we joined Ferrari.'

'We have a very special relationship. I mean, we are obviously friends outside the track as well. We are sharing good moments. We spend so much time - I mean, I see Carlos more than my own family...'

Times Carlos has referred to Charles as a "friend":

'My teammate and I are friends off the track, we get along very well and we have a very good relationship. And we make a very good team. I think that if there is something that worked and works in Ferrari, it is the two drivers...' (translated from Spanish)

This is just what I could track down, but if anyone knows of others let me know!

Carlos has spoken about how he and charles get along very well, but that it's hard for him (and other drivers) to truly be friends with their teammates bc they're always so competitive with each other, and there's so much pressure to beat one another. ("Friend is a strong word that I don’t like using for anything or anyone.") And combine that with what we know about how, as a kid, he was surprised by other kids he thought were his friends running him off track and out of the race, we can see how much weight he applies to the 'friend' label.

To Carlos, I think a 'friend' is someone that a part of his brain would hesitate to race too hard against, and he can't let that happen with his teammate, who he wants and needs to beat more than anyone. He can afford to maybe leave Lando or Alonso a little more space on track bc he values his relationship with them as friends, and they're not currently his teammates. But he can't let himself have that relationship with Charles, or, for that matter, Alex next season.

Will he be able to say that he and Charles are friends more readily next year when they aren't teammates any longer? I think so. That was certainly the case with Lando. But I also think his relationship with Lando was a bit different - Lando was almost like a little brother to him. With Charles, he's more firmly a peer, and I think that hyper-competitiveness between them may always linger, right up until they aren't racing eo anymore, maybe especially bc their partnership was cut short before either could win a championship as teammates.

Time will tell, but it's clear that they already view their time together very fondly. They've spoken plainly about 'hating each other' inside the helmet when they've battled and disagreed, but that they always make up after two minutes. It's beautiful that they can always come back to the respect they have for one another. It's a unique relationship, and I look forward to seeing how it evolves in the years to come. ❤️

Ways to un-stick a stuck story

Do an outline, whatever way works best. Get yourself out of the word soup and know where the story is headed.

Conflicts and obstacles. Hurt the protagonist, put things in their way, this keeps the story interesting. An easy journey makes the story boring and boring is hard to write.

Change the POV. Sometimes all it takes to untangle a knotted story is to look at it through different eyes, be it through the sidekick, the antagonist, a minor character, whatever.

Know the characters. You can’t write a story if the characters are strangers to you. Know their likes, dislikes, fears, and most importantly, their motivation. This makes the path clearer.

Fill in holes. Writing doesn’t have to be linear; you can always go back and fill in plotholes, and add content and context.

Have flashbacks, hallucinations, dream sequences or foreshadowing events. These stir the story up, deviations from the expected course add a feeling of urgency and uncertainty to the narrative.

Introduce a new mystery. If there’s something that just doesn’t add up, a big question mark, the story becomes more compelling. Beware: this can also cause you to sink further into the mire.

Take something from your protagonist. A weapon, asset, ally or loved one. Force him to operate without it, it can reinvigorate a stale story.

Twists and betrayal. Maybe someone isn’t who they say they are or the protagonist is betrayed by someone he thought he could trust. This can shake the story up and get it rolling again.

Secrets. If someone has a deep, dark secret that they’re forced to lie about, it’s a good way to stir up some fresh conflict. New lies to cover up the old ones, the secret being revealed, and all the resulting chaos.

Kill someone. Make a character death that is productive to the plot, but not “just because”. If done well, it affects all the characters, stirs up the story and gets it moving.

Ill-advised character actions. Tension is created when a character we love does something we hate. Identify the thing the readers don’t want to happen, then engineer it so it happens worse than they imagined.

Create cliff-hangers. Keep the readers’ attention by putting the characters into new problems and make them wait for you to write your way out of it. This challenge can really bring out your creativity.

Raise the stakes. Make the consequences of failure worse, make the journey harder. Suddenly the protagonist’s goal is more than he expected, or he has to make an important choice.

Make the hero active. You can’t always wait for external influences on the characters, sometimes you have to make the hero take actions himself. Not necessarily to be successful, but active and complicit in the narrative.

Different threat levels. Make the conflicts on a physical level (“I’m about to be killed by a demon”), an emotional level (“But that demon was my true love”) and a philosophical level (“If I’m forced to kill my true love before they kill me, how can love ever succeed in the face of evil?”).

Figure out an ending. If you know where the story is going to end, it helps get the ball rolling towards that end, even if it’s not the same ending that you actually end up writing.

What if? What if the hero kills the antagonist now, gets captured, or goes insane? When you write down different questions like these, the answer to how to continue the story will present itself.

Start fresh or skip ahead. Delete the last five thousand words and try again. It’s terrifying at first, but frees you up for a fresh start to find a proper path. Or you can skip the part that’s putting you on edge – forget about that fidgety crap, you can do it later – and write the next scene. Whatever was in-between will come with time.

The way he’s looking from side to side trying to get some help 🥺

Jeddah GP '25 // Carlos got stuck in his cockpit post-race and a Stake mechanic came to his rescue 😭

Thank you, thank you, thank you, @terhenetar!! I love all of Yoneda-sensei's couples, but up there with Domeki and Yashiro, there is definitely (maybe a bit more even), Karashima and Masaki!!!

Sensei wrote a couple of messages for the Valentine’s post:

① Doumeki and Yashiro are having a date at the aquarium. Doumeki looks at an animal there and thinks that Yashiro is similar to him. The conversation would be: “Kashira resembles a jellyfish”. Yashiro would say: “Are you praising me?”

② It seems Karashima has given Masaki some chocolates. Masaki would say:  “Don’t throw them to me as if this was the Setsubun. Cries”.*

[*This refers to the mamemaki 豆撒き ritual. For those interested, read more here]

(Source)

Carlos: Can someone put an umbrella over me, please? Charles: And me I just suffer in the rain or what? "Yeah you suffer"

Ferrari Fan Forum Silverstone Part 2 📹 ejmissio

Transformers: The Last Bay Movie

(This is my rough draft, correct me please if you see mistake. College essay here).

  On June, 20, 2017, Michael Bay had the privilege of directing and releasing to the world the fifth installment of the Transformers’ live-action franchise films, or what fans refer to as the “Bay-Verse”. Much to the Transformers-community’s, the viewers’, Hasbro’s, and all the companies associated with Transformers: The Last Knight disappointment, the movie was an utter catastrophe that should have stayed a thought with only its fantastic execution of visual detail and sound saving it, receiving a 15% from Rotten Tomatoes instead of a well-deserved 0%. Although there are (few) people that may argue that the film was enjoyable, there are many aspects of the film that led to its failure and dislike, particularly two aspects: the lack of a plot and the lack of accuracy of the Transformers’ (or better referred to as Cybertronians’) Universe.

  To summarize the plot, Quintessa (a Cybertronian deity and queen) who is attempting to save a dying Cybertron (which was supposedly lifeless by the first movie and is the reason why cybertronians are trying to find sanctuary on earth) by sucking the life out of the earth. A great portion of the film dumbfounded viewers because it jumped from character to character with constant plot and scene changes that were meaningless, and one moment in particular bothers fans the most. It is very unclear if Megatron simply damaged Bumblebee’s voice box or ripped it out entirely in the Bayverse, but the latter is implied. In the previous films, Bumblebee seems to be able to choke a few words once in a while. However, right when Nemesis Prime (evil Optimus Prime) is about to strike the final blow during their fight, Bumblebee speaks in his normal voice out of the blue, saying “I-I’m Bumblebee! You’re oldest friend”. Suddenly Optimus Prime breaks free of his seemingly unbreakable spell. Earlier, Bumblebee had been attempting to find a replacement part for his missing organ, so how did he get his voice back? Did Optimus punch his throat so hard that it began to function? Again, one of many parts of the film that made no sense. One very common comment I received of the film was, “I didn’t understand it at all because I didn’t know what was going on.” There are plenty more essential characters involved in this movie, and even though there is much more left to say in summary, the point is clear: there is no plot, and if there was supposed to be, it did not work.

The sole purpose of the creation of these films began, not only to modernize old ideas for profit, but to bring to life a childhood fantasy to feed the inner fan. In the Transformers’ universe, many continuities create unique backstories for Optimus Prime, the AllSpark, Megatron, and the war to name a few. However, the most memorable series and films have great plots as well as a general accuracy of the Transformers’ history, characters, vocabulary, and biology founded by past series and films. TLK as well as the other Bayverse films were intentionally created to reflect the first generation series, The Transformers, the father of the entire Transformers-Universe, as their base. Yet Hound, a robot, has a dad? Humans are the main protagonists of Transformers? The film even implies the Dinobots procreating offspring, which many ask, how? Optimus Prime, the leader of the Autobots, is now a knight? With the exception of Transformers: Animated and other continuities, a Prime is the highest rank distinction and can be used as an identification for Autobot leaders; a Prime is a combination of a military, political, and even partially a “religious” leader (with some American WW2 leanings), earning great respect from society since only certain are chosen to become a Prime by the higher ranking, wiser characters (usually Primus, the Cybertronian god of goodness and creator of Cybertronians). Optimus Prime universally symbolizes a leader, a father, and a friend in times great distress. By revealing his origins as the human equivalent to a knight, TLK completely transforms Optimus Prime’s identity. Optimus Prime takes on an entire new design featuring metallic abs, tassets, a medieval sword, and gauntlets. The humble Autobot is portrayed (in a sound state) as a bloodthirsty killing machine, horrifically ripping, stabbing, and threatening all creatures in his way. Yes, Optimus Prime is mind controlled throughout most of the movie, but when I watch Optimus Prime as a sane Autobot, I shiver. He is a completely different person; Optimus Prime is not a knight in shining armor.

  There are many aspects that could be discussed further such as the film’s general inappropriateness, lack of character development, the less than two-minute fight scene between Optimus and Bumblebee, the length, the lack of balance between humans and Cybertronians, the money lost in the making of the film, and the horrific legacy it left for future Transformers continuities which will most likely end in the death of the universe as a whole. On the bright side, there were wonderful voice actors, including Optimus Prime’s original voice actor Peter Cullen, the 4K quality of the film, and the soundtrack was beautiful and exemplary, aspects of the film that were especially outstanding. However, not even Peter Cullen’s great voice acting could keep the film from Michael Bay ruining the sanctity of many people’s childhood. Transformers: The Last Knight deserves to be known as number six of the 2017’s worst films according to Rotten Tomatoes.