The clothes, kitchen linens and towels I washed 2 months ago and from which I wanted to remove the pet hairs before putting it away.
Never happened
From the book Organizing Solutions for People with ADHD:
Putting a coat on the back of a chair by the door is fine, but if you prefer, use coat hooks and a large catch-all basket for dropping keys, hats, gloves.
Small bookcase end-table next to the couch to store craft projects, books, and other things being worked on for easy access.
Add a storage unit near the dining room table to transition between eating and working there.
Daily toiletry items should be stored in a basket that you can move easily
Extra toiletries and medicine cabinet items go in open shelf/basket storage so they can be seen and used easily. If items no longer fit, purge the excess. Don’t obscure the view!
If you disrobe in the bathroom, place a tall hamper in there.
Keep a set of cleaning supplies in each bathroom
Nico was so clueless. I swear I can hear him wondering if this is the real deal or just the one he keeps. F1, please explain to clueless Nico
BRITISH GP 2025 | NICODIUM
Wait.. if Nico was a teen, Max was probably a preteen.
Anyhow, max is such an old soul at heart
this friendship 💚
I think I geeked out a bit there >.>
As a nurse, it’s hard to shut off my brain. Here is report on Will after Season 2.
This is Will Graham, he’s a Do Not Announce patient, full code, moderate fall risk, stand by assist. He’s on the heart monitor, and had a few PVC’s, but the Doctor is aware and just wants to monitor. Hospitalist, General Surgery and Colorectal Surgery are on his case. His ex boyfriend stabbed him and tried to kill his friends at a dinner party. History of Asperger’s, PTSD, anxiety, depression and seizures, but he’s had no seizures for me. He has a Dilaudid PCA of 0.5 every 10 minutes with a lockout of 10. He’s got a new colostomy bag placed two days ago, and an abdominal binder. He empties it himself and doesn’t ever put his light on. He’s super hot, and I wish all of my patients were like him.
If there was a way to run SUPER MEGA AD BLOCKER on this website I fucking would
Carlos: Can someone put an umbrella over me, please? Charles: And me I just suffer in the rain or what? "Yeah you suffer"
Ferrari Fan Forum Silverstone Part 2 📹 ejmissio
site that you can type in the definition of a word and get the word
site for when you can only remember part of a word/its definition
site that gives you words that rhyme with a word
site that gives you synonyms and antonyms
operation i forgot that i had FLAMMABLE paint right before i had to go through security for a flight home
i had 1 hour to use as much as i could and these photos are some of the results
i was devastated thinking i had to use everything quickly and then throw out the originals (takes around 2+ hours to dry and 10 for it to be truly dry) but a security guard liked them so much he decided he wanted to keep them
i still had paint left so i very quickly taught him how to use it so he could take the remaining paint home for his son to try
so i guess this story ends well after all
here’s some of the other (old) paint pours peppered between illustrations: https://www.instagram.com/dora.wednesday
have a nice day xoxox
@f1-stuff you’re so good
I miss them so much 😢
"I could eat that girl for lunch Yeah, she dances on my tongue Tastes like she might be the one"
(Happy 5k followers -> Have some ✨LUNCH✨)
Reblogging because this is so entirely true. Also I need to try that verbatim Google because all my skills have been very annoyingly not leading to fruitful results the way it used to
Do an outline, whatever way works best. Get yourself out of the word soup and know where the story is headed.
Conflicts and obstacles. Hurt the protagonist, put things in their way, this keeps the story interesting. An easy journey makes the story boring and boring is hard to write.
Change the POV. Sometimes all it takes to untangle a knotted story is to look at it through different eyes, be it through the sidekick, the antagonist, a minor character, whatever.
Know the characters. You can’t write a story if the characters are strangers to you. Know their likes, dislikes, fears, and most importantly, their motivation. This makes the path clearer.
Fill in holes. Writing doesn’t have to be linear; you can always go back and fill in plotholes, and add content and context.
Have flashbacks, hallucinations, dream sequences or foreshadowing events. These stir the story up, deviations from the expected course add a feeling of urgency and uncertainty to the narrative.
Introduce a new mystery. If there’s something that just doesn’t add up, a big question mark, the story becomes more compelling. Beware: this can also cause you to sink further into the mire.
Take something from your protagonist. A weapon, asset, ally or loved one. Force him to operate without it, it can reinvigorate a stale story.
Twists and betrayal. Maybe someone isn’t who they say they are or the protagonist is betrayed by someone he thought he could trust. This can shake the story up and get it rolling again.
Secrets. If someone has a deep, dark secret that they’re forced to lie about, it’s a good way to stir up some fresh conflict. New lies to cover up the old ones, the secret being revealed, and all the resulting chaos.
Kill someone. Make a character death that is productive to the plot, but not “just because”. If done well, it affects all the characters, stirs up the story and gets it moving.
Ill-advised character actions. Tension is created when a character we love does something we hate. Identify the thing the readers don’t want to happen, then engineer it so it happens worse than they imagined.
Create cliff-hangers. Keep the readers’ attention by putting the characters into new problems and make them wait for you to write your way out of it. This challenge can really bring out your creativity.
Raise the stakes. Make the consequences of failure worse, make the journey harder. Suddenly the protagonist’s goal is more than he expected, or he has to make an important choice.
Make the hero active. You can’t always wait for external influences on the characters, sometimes you have to make the hero take actions himself. Not necessarily to be successful, but active and complicit in the narrative.
Different threat levels. Make the conflicts on a physical level (“I’m about to be killed by a demon”), an emotional level (“But that demon was my true love”) and a philosophical level (“If I’m forced to kill my true love before they kill me, how can love ever succeed in the face of evil?”).
Figure out an ending. If you know where the story is going to end, it helps get the ball rolling towards that end, even if it’s not the same ending that you actually end up writing.
What if? What if the hero kills the antagonist now, gets captured, or goes insane? When you write down different questions like these, the answer to how to continue the story will present itself.
Start fresh or skip ahead. Delete the last five thousand words and try again. It’s terrifying at first, but frees you up for a fresh start to find a proper path. Or you can skip the part that’s putting you on edge – forget about that fidgety crap, you can do it later – and write the next scene. Whatever was in-between will come with time.