If cliff has 100,000 fans, I'm one of them. If cliff has 10,000 fans, I'm one of them. If cliff has 1,000 fans, I'm one of them. If cliff has 1 fan, I'm that 1 fan. If the world is against cliff I'm against the world, if cliff has 0 fans IM DEAD đ”.
I don't see no smut for goose or Cyclone like come on people... this is an SOS for any of my top gun smut writers who see this.. PLEASE I NEED GOOSE SO BAD HES SO FUCKING FINE
DW me too im so mad theres ZERO fics for him..i might have to take matters into my own hands..
idk if going through the bob floyd smut tag and finding out that iâve already read almost everything is embarrassing or not đ
Me.
Rooster has a tight grip around your mouth, making sure that no obscene sounds can be heard by anyone, no matter how much he loves the pathetic and completely embarassing whimpers only he can coax out of you. Your nails are digging into the mattress and bedsheets, probably ruining your manicure but you can worry about in the morning. With each rough thrust of his hips, you can feel your pelvis hitting the bedframe - no doubt leaving very unambiguous bruises.
"Be a good girl and keep quiet," he whispers into your ear. His raspy, authoritative voice makes it even more difficult for you to comply. "Or do you want everyone to know whoâs ruining your tiny cunt?"
Even your most unsavoury of fantasies couldnât compare with the sheer eroticism of Rooster. Little did you know, that you, too, outperformed his wet dreams. After all those early morning when he woke up with cum staining his underwear, now that he has the real thing, Bradley really canât control himself. Not that you mind.
Itâs difficult to keep your eyes open. No coherent thoughts exist in your headspace, only Bradley Bradshaw and the way his dick is deliciously stretching your vagina. You can feel his swollen tip hitting all the right spots and tears begin to stream down your face. Maybe itâs a good thing he is keeping your mouth shut - the lewd screams of unimaginable pleasure would surely wake up everyone on the base.
"Go on, pretty thing." His big hand slaps your ass and you yelp, feeling how your legs are shaking. Bradleyâs fingers sneak around your waist only to sensually rub your clit in circles. "Cum on me."
And who were you to disobey Lieutenant Bradshaw? He sticks out his tongue slightly feeling you scream in his palm. Your body withers and squirms underneath him and Rooster revels in the tight clench of your vagina around his cock.
Heâs still thrusting into your cunt until you stop shaking. Then you feel him pull out and, although youâre tired, you canât help but whimper in displeasure at the sudden lack of his dick inside you. Bradley chuckles, proud of the effect he has on you. It drives him tirelessly insane that the main star of his sexual fantasies, of all the obscene scenarios he played out in his mind while jacking off, canât get enough of him.
Just when you think that fun timeâs over, Rooster grabs your waist and tosses you farther onto the bed. He wastes no time climbing on top of you and kissing up your legs. Bradleyâs much bigger than you are, instilling a certain feeling of powerlessness in you - the same sensation of defenselessness against his prowess that made you ride your pillow on so many lonely nights.
His hand gently squeezes your neck, forcing you to look at Bradleyâs face. In his eyes you saw a loving devotion, now clouded with primitive desire, primal lust.
"Iâm not done with your sweet pussy."
And you canât decide which one is more true: is Rooster pussydrunk or are you cockdrunk?
A girl can dream
Lars was fr so cute
i want my happy ending w bob đđ
PART ONE : he's so pretty (when he goes down on me)
pairing ; bob floyd x female!reader
synopsis ; things between you and Bob are strictly business: heâs your backseater, and thatâs all there is. Until he offers to help you let off some steam and you find out just how pretty he looks between your thighsâŠ
wc ; 6k
warnings ; 18+ only; explicit language, angst, panic attack, reader definitely has PTSD, mentions of past character death
note: this has no smut which might be a surprise after the first part, sorry. but this needed off my chest, so... idk. i hope you enjoy it anyway, please don't be disappointed
desertsagecelestial aka sol i STILL owe you my life
Your life is a downward spiral, a maelstrom that pulls you ever deeper towards rock bottom, a rollercoaster on an eternal decline, a plane mid-crash, aâŠ
âI swear to god, Spec, youâre the most dramatic person Iâve ever met,â Phoenix says, squinting at you over the rims of her sunglasses. âAnd I know Hangman personally.â
You canât answer because youâre staring at those Ray Bans, and itâs making you think of Bobâs glasses in that bathroom, lenses fogged up, metal pressing against your naked skin, makes you think of sliding them up his nose, and then youâre thinking of his fingers and his tongue and his voice against you, andâŠ
âBro, are you dissociating?â Phoenix has tilted her head sideways. âDo I need to get you a doctor? What the hell is going on?â
Itâs a sunny day, but thatâs not surprising in California. Youâre in the common room, lounging on nondescript beige couches. Outside the glass front, somewhere in the sky, Rooster and Hangman try and fail to shoot down Maverick. The radio crackles with the static of their comms, spitting out their taunts in endless circles nobody listens to anyway.
The other pilots are on standby in the hangar, and Bob is⊠god knows where. You hate that youâre so attuned to his every move now you notice even when you donât know where he is. Part of you wants to write it off as the blind loyalty that comes with flying a two-seater, but you know thatâs not true.
For a moment, you just look at Phoenix. Then you say, âDo you think Bob is good in bed?â
She blinks at you. A moment passes, then another, thenâŠ
âSpecter, what the fuck?!â
You shrug. âIâm just asking.â
âJesus.â Phoenix rubs the balls of her hands across her eyes like her head is about to split apart. âWhy would you ever ask that?â
Because he ate me out in the Hard Deckâs handicapped bathroom, and I think it broke my brain, permanently altered my body chemistry, changed my actual lifeâŠ
âJust⊠I donât know. I was wondering.â
âWell, stop wondering,â she suggests. Then she gives you a suspicious look. âDid something happen between you two?â
You turn your gaze to the window, to the contrails like smoke signals on the canvas of the skies, to the roaring of engines thatâs become your lullaby, to the sight of Bob crossing the airfield. Something in your chest hurts. Everywhere you look, heâs already there.
âNo,â you say. âNothing happened.â
+
The first time you met Bob, you looked right past him. There were bigger fish to fry here and bigger things to look out for, and Hangman was grinning at you and saying something stupid, so you walked by him without even realizing he was there.Â
Heâs got a habit of that - flying under the radar.
âYo, Specter.â Phoenix draped herself around you, pulled you against her chest. You were both giddy to see each other again, to fly together once more. âThis is Bob. Heâs your new backseater.â
You donât remember much. Remember only that he wore glasses and was smiling at you with something eager, something hopeful about his face. Remember looking away immediately, nodding once.
âDonât try to get in my way up there,â you told him, and then you turned away to beat Hangman at darts.
Ignoring the way his face fell. Ignoring Phoenix nudging you. Ignoring the sinking, tumbling, crashing feeling in your chest.
It was the beginning of the end, and you knew even then.
+
Sometimes you think Rooster knows.
Heâs always been kind to you, kind enough to keep you hoping at the same time it tells you not to dream too much. Heâs kind to everyone, anyway.
âWhyâd you wanna be a pilot?â he asks, waving down a bartender and putting both your drinks on his tab.
For a moment, you think about telling him the truth. All my life, Iâve been dreaming of flying away. All my life, Iâve been dreaming of escape.
It seems too much. Youâve never told anyone.
So you just shrug, take a swig of your beer, and say, âI like the thrill.â
Rooster laughs. âI know what you mean,â he agrees, winks, knocks his bottle against yours.
And just like that, the door is opened again. You dream the dream a little longer.
Part of the Rooster appeal, part of why you suspect your crush is so persistent, is that thereâs no way itâll ever happen. All of the thrill of the fall, with none of the fear of the impact.
+
âWe need to talk about it.â
Youâre fastening your helmet as you stride across the runway towards your plane. Maybe if you walk fast enough, youâll be able to shake him.
âNo,â you growl, but itâs diminished by the fact that youâve been struggling with your clasp for a good minute. Your fingers are shaking too hard for you to get a steady grip.
Bob hastens his steps and catches up with you easily. His shoulder rubs against your own, and your breath catches in your throat.
âSpecter,â he begins, but you cut him off.
âThereâs nothing to talk about, Floyd.â It doesnât matter how angry you sound. It doesnât matter how the irritation boils and burns in you. Inevitably, inexplicably, your mouth always begins to form the Big Boy anyway, and then youâre back in that bathroom, back with him, and in your head, you pull him closer instead of pushing him away, and something about it makes you feel like crying. âIt doesnât matter.â
You stop by the plane. Bobâs lips purse, and he looks down at his feet, shoulders pulled almost all the way up to his ears.
âI just thinkâŠâ he begins, then stops himself.
Payback and Fanboy walk past, getting to their own aircraft, and theyâre laughing and chattingâjovial, easy, light-hearted. You envy them. You canât remember the last time things didnât feel heavy to you.
Only thatâs a lie too. You do remember. It was with Bob Floydâs face buried in your pussy and your mind somewhere off in the stratosphere.
âShit,â you curse, frustration coursing through you, fingers still fumbling with the damned clasp, and fuck it all, you just want to fly, you donât want to think, you donât want to feel, you justâŠ
Bob knocks your fingers out of the way and closes the clasp for you. Suddenly, heâs so close you can smell him againâyour chest burns.
âSpecter,â he says, voice soft, âwe need to discuss it.â
You swallow around the lump in your throat.
âYou promised we wouldnât talk about it,â you whisper. He seems to want to say something else, but you canât. You just canât do it. The fear is there, and itâs making your head spin. âPlease, Bob.â
Something about those words is choked. Raw.
He looks at you for a moment, brows furrowed, eyes gentle, and then he nods. Steps away. Doesnât say anything else.
You climb into the plane and wonder when, oh, when, did it all get so complicated.
+
Phoenix looks at you like she thinks youâre going to fall apart right where you sit. You hate it.Â
âYou can talk to me, you know?â she says softly, leaning across the table in the mess hall, deep enough her chest almost ends up in the mashed potatoes. âYou donât always have to keep everything inside, Spec.â
Itâs not true. Thatâs your first thought. You canât talk to her, canât talk to Bob, canât talk to anyone. No one, you know this, is going to understand you now.
Your second thought is that youâre a horrible person. Phoenix is kind and genuinely wants to be your friend. Sheâs been extending hands across canyons for years now. But you just canât take them. Too afraid youâll drag her down into the drop with you.
âI hooked up with Bob,â you say, even though you should be telling her something else.
She obviously doesnât know what to say to that. Opens her mouth just to close it again. Then finally settles on, âWhy?â
Part of you wants to say you were the one who told me to let off steam. But this one, you canât blame it on her. Canât blame it on anyone but yourself.
âI donât know,â you say with a shrug.
But you do know. Thatâs the problem.
You think of him on his knees in that bathroom. You think of him at your back in the air. How he breaks you apart. How he puts you back together.
âYou know,â Phoenix says after an incredibly long time. âI always thought you had a crush on Rooster.â
It makes you laugh, even though it isnât funny. Not even a little. Not even at all.
âYeah,â you say. âYeah, so did I.â
+
âSo, Bob,â Hangman says, grinning in a way you canât describe as anything other than villainous. If he, too, had a mustache, heâd be twirling it right about now. âWho do you prefer flying with: Phoenix or Specter?â
This was a horrible idea. Evenings at the Hard Deck should be barred for you from now on.
âOh, come on,â you groan, going for nonchalance even as something inside you goes taut.
Bob looks decidedly uncomfortable, twisting his beer bottle around in his hands, fiddling with the soggy label, not looking at anyone.
âUhm.â He shrugs. âTheyâre both good.â
Hangmanâs having none of it.
âNah, nah, nah, none of that diplomacy shit, Floyd. Gotta pick one.â
Coyote, always the shit-stirrer, claps a hand on Bobâs shoulder. âYeah, bro. Whoâs your best girl?â
Before responding, Bob casts his eyes down towards the floor, clears his throat. His glasses are riding low on his nose again, and you sink your fingernails into your palms to stifle the instinct to reach over and push them up for him.
âI guess⊠well, Phoenix is more consistent. Specter always⊠sheâs aâŠ. sheâs a liâŠâ
âSay it.â The words just burst from you before you can remember deciding to say them. Bob looks up then, eyes wide and face open. Your voice is venomous, and you feel like a rattlesnake about to strike. âA liability. Thatâs what you wanted to say, isnât it?â
For a moment, Bob and you just stare at each other.
âI didnât say that,â he says, voice gone soft. Heâs going translucent as you speak, blending back into the chaos of the crowd.
âYou didnât have to.â
Everybodyâs staring at you, but you keep your chin held high.
âIâm going home,â you say, and then you leave.
++
âYouâre going too steep.â
Bob doesnât have much hope that youâll listen to him. You never do, apparently, unless heâs got you pinned to public bathroom doors.
Itâs like a fever dream to him now, that night. Impossible that he was ever so close to you when all there is between you these days is distance and feelings tangled like thickets of thorns. When you wonât talk to him and wonât look at him, when it doesnât matter what he says or asks.
Unsurprisingly, your answer is almost instantaneous. âWeâre fine.â
The first time Bob met you, he couldnât stop looking at you.
You were beautiful, in your uniform, under the bar lights. Beautiful and bright and brilliant and as decidedly out of his reach as the moon. You didnât even look at him twice, not even after Phoenix introduced you. Drifted into his life and out of it like the specter that gave you your callsign.
And Bob never believed in love at first sight, still doesnât, but there was something there, something beneath the thin veneer of arrogance you wore, you still wear. Something just under the surface, he thinks nobody but him seesâsomething he wants to keep as his secret.
Youâre brilliant. The best pilot heâs ever met (even if half his friend group would balk at the idea), determined, clever, cut-throat. Stubborn to a fault. Witty and funny and always ready to stand up for yourself. The complete opposite of him.
Most of the time itâs admiration and curiosity, and then sometimes, itâs something else. When you slip from untouchable Ice Queen to something softer, when you lose yourself in the sky, in a book, in his touch in a bathroom at the Hard Deck⊠when you feel like nobodyâs looking, thatâs when Bob thinks he might love you.
Bob is a pilot. He gets up into that sky, and sometimes he deludes himself into thinking one day, one day, heâll fly high enough, stretch far enough, and then finally, heâll reach that moon. Itâll never happen, of course. The moon stays firm, beautiful and bright and brilliant, and achingly, eternally lonely. Never his to have.
The plane keeps climbing, steady, steady, steady, and Bob can barely breathe.
âSpecter,â he chokes out. âCome on, girl.â
And then suddenly, abruptly, tipping like a pendulum, the plane falls. Itâs an almost artful arch at the beginning, a ballerina angling her body towards the ground in a jump, and it leaves his stomach hanging somewhere above his head.
Then something changes. You keep falling.
âSpecter, time to pull up,â Bob says, twisting to try and find Mav. Where is he?
Thereâs no answer.
âSpecter,â he repeats, thinking youâre ignoring him for another reckless stunt, for another moment of you trying to recapture glory.
Still, you donât respond, and thatâs when he realizes something is horribly, terribly, awfully wrong.
âSpecter!â he calls a third time, and now thereâs a note of panic creeping into his voice heâs sure the others can pick up on over the coms. âSpecter, you with me?â
The ground keeps hurtling closer. You keep silent.
âBob.â Thatâs Mavâs voice, over the comms, right in his ear. âWhatâs going on?â
âI donât know,â Bob gasps, and heâs breathless, heâs chafing, heâs⊠âSheâs not⊠Specter!â
âIs she in g-Loc?â Rooster asks.
Rooster, Bob thinks. He twists, searching the horizon for his friend, but he can barely see anything. His vision has gone blurry.
And youâre still, still, still spinning towards the ground.
âSpecter,â Bob says again, and heâs never known fear like this before. Not the first time he flew on his own. Not when he and Natasha had to punch out. Not when Mav and Rooster went down. Not ever. âSpecter!â
And then heâs just saying your name, your real name, your first name, the one heâs said a million times in his head and never out loud, straining against all the buckles as if he can reach you, stretching out his arm over a distance impossible to breach.
âBob!â Thatâs Rooster again. âBob, you gotta punch out, you gotta eject now!â
I canât leave her. Thatâs all he thinks. I canât leave her, I canât leave her, I canâtâŠ
And Bob isnât religious, never has been, but heâs saying, âPlease, wake her up, please, God, Iâll do anything, please wake her up, pleaseâŠ.â
You come to with a gasp like tires screeching on the asphalt, like a choir of angels or something, and then youâre pulling up, youâre getting the plane back on track, youâreâŠ
In his ear, youâre saying, âSorry. I⊠sorry.â
Bob sobs.
+
He knows you wonât acknowledge it before you land. He knows youâll play it off, smile about it, laugh like nothing happened.
But he saw the tremor of your hands. He heard the fear in your voice. You canât hide because heâs seen too much of you. Because he knows you, even if you donât want him to.
âSpecter,â he says, racing after you across the runway towards the hangar.
Everybodyâs there, standing in a crowd near the doors. Pale faces, drawn with a panic that should be familiar by now, thatâs part of this job. A panic nobody ever gets used to.
âIâm fine,â you say. Youâre smiling, but itâs strained, and itâs a lie. He knows it is.
And Bob is angry. Angrier than heâs ever been with you because itâs not fair, not fair that youâre shutting him out, always shutting him out when all he wants is to hold you, be there for you, love youâŠ
âYou almost died!â Bob calls, voice rising, and heâs pretty sure there are still tears on his face. At least his cheeks feel wet.
Everybodyâs looking at him. He can feel their eyes on him.
Usually, it would be enough to make him want to draw his head all the way between his shoulder blades, but not right now. Not with that feeling still simmering in his belly. Not with the feeling of that plummet still in his bones and the echoing silence of the cockpit in his ears.Â
You stop. For a moment, you gape at him. Then you say, âYou would have died, too.â
Heâs shaking his head before youâve finished, frantic, saying, âI could have punched out, you were in g-LOC, you would have died, Specter, this isnât funny, this isnât a game, this is realâŠ.â
âI can handle myself,â you say, but something about your voice is chafing.
âI think what we just saw,â Rooster says, face solemn, arms crossed in front of his chest, âproves that even you canât always handle yourself, Specter.â
By your hips, your hands clench and unclench into fists. Your whole body seems to pulsate to a rhythm nobody but you can hear, shoulders heaving, head nodding up and down.
Youâve always stood apart from them, even as you stood right next to them. Never letting anybody in.
I can help you, Bob wants to say. You donât need to carry it alone.
But youâre shaking your head, pulling the helmet against your chest. Stand on that runway, a step from him, a million miles from him.
âIâm fine,â you insist one last time. Voice like a wind chime. Face like a ghost.
And Bob thinks it might be time to let the moon go.
++
A week later, Hangman goes down.
Birdstrike, both engines on fire, ejectejecteject, static on the radio, fire streaking across the sky, then the parachute opening and the wind howling and him floating, light as a feather, towards the ground.
Youâre out of the room before you can hear how it ends. Stumbling through the hallways of the base like a sleepwalker, like a toddler, like someone on the verge of a terrible thing.
Itâs growing in you, something you canât name, something that mounts and mounts andâŠ
In a corner, next to a water fountain, you crumble like a ragdoll. Fold yourself into a neat square of limbs, knees pulled all the way up to your eyes, face pressed into the space between them.
The panic flares into your body like electricity, tingles down your spine and into your legs, tugs at your hands and feet. And your chest is full of it, of that anxiety and that memory, so full the feeling crowds against your ribcage, threatens to snap the bones. Thereâs no room for oxygen.
Iâm going to choke, you think. Iâm going toâŠ
âHey.â
You know itâs Bob without looking up. You couldnât do it anyway, even if you tried. Your muscles wonât listen to you, not now when your body belongs to the anxiety.
âItâs okay,â Bob whispers. Heâs crouched in front of you, you know this because you can see his shoes through the gaps between your knees. Angled like a V, straining towards you. âHeâs fine. Hangmanâs fine.â
It should bring relief, but it doesnât. You shake your head, forehead still smashed against your knees, and your skin tugs against the patellas.
No, you think. I canât do it. Not again, not again, not again. Please, god, make it end, just make it stop, I canât, I canât, IâŠ
âI canât,â you say, and you donât know what you mean.
All you can think about is the crash. The gravity pulling at your chest. A canopy exploding above you. The pain of that dislocated shoulder. And then the emptiness, the aching, endless emptiness of the after. The guilt, the grief, the fear, the fear, the fear.
âCan I touch you?â
Bobâs voice is so soft, even with the underlying current of firmness. Just like it was in that bathroom. And it should be an oxymoron - for someone to be so tender, for someone to be so unyielding. But itâs not, not with Bob. Bob, who seems to contain true multitudes.
You nod because you canât find your voice.
He draws you into his arms, right there on the floor. Hands on your back, tugging you against his chest, urging your head into the space below his chin. Heâs so warm, and he smells nice, and heâs everywhere.
âEasy,â he whispers. âItâs alright. Youâre okay.â
And then itâs just him. The steady beat of his heart instead of the screaming of warning systems. The smell of his aftershave instead of the smoke and the gasoline. His fingers pressing into your spine instead of the straps cutting into your shoulders.
Bob holds you together until you can do it yourself.
You draw back, slowly, almost reluctantly, and the moment his touch is gone, you miss it like something intrinsic to you. Miss it like a limb.
âIâm sorry,â you whisper. You donât want to look at him. You canât look at him.
Bob exhales.
âDonât apologize,â he says. âCan you⊠explain it?â
You suppose you should. Suppose you owe it to him after these weeks. After everything youâve put him through.
âIt⊠it scared me,â you whisper. It takes a lot to get that out, to admit that thereâs anything, anywhere, that could scare you.
You donât want Bob to know. You want Bob to think of you as someone above things like fear, someone strong and brave and whole. But itâs just all too much. Youâre eroding, crumbling, tumbling off the tightrope youâve been walking for so long.
If someone like Hangman, someone brilliant, someone fantastic, someone who burns brighter than life, can go down⊠then what about you? What about Bob?
âThe rest, too.â At your questioning look, he elaborates, âExplain all of it to me.â
You could keep pretending you donât understand him, but youâre too tired. Something about the panic has made you fuzzy, has blurred your edges, and you just want it to be over. You just want to be rid of everything clogging up your chest.
You want to feel again what you felt that night in the bathroom with Bob. You want somebody to carry the burden with you, so you wonât feel it dragging you beneath the surface of the ocean all the time.
âI killed her,â you say finally. The words are barely more than a whisper, but they burst from somewhere at the very core of you. Something youâve kept hidden from view for years.
Bob pauses. Stares.
â... What?â
âI killed her,â you repeat, voice watery, hands shaking. âMy last backseater. I killed her.â
He opens his mouth only to close it againâshifts his weight where heâs still sitting on the ground. Your knees are almost touching.
âSpecâŠâ he begins, but you donât let him finish.
âEverybody always said it, you know? That I was a wildcard, that I just⊠did whatever I wanted without thinking about others. Everybody but her. Sheâd always say, oh, you just donât understand her, sheâs brilliant, she knows what sheâs doing, sheâŠ.â You have to stop yourself, have to suck in a breath that sounds like youâre drowning, like your lungs are filling up with water. âAnd then one day we had a fight. She said that I⊠that I didnât listen to her up in the air, that I always trusted myself more than I trusted her, and she⊠she called me a liability.â
Something in Bobâs eyes shifts, something like understanding flutters across his face, but the dam inside of you has broken. The river rushes without stopping.
âSo I decided to prove her wrong. I wanted to go right, but she told me to go left, and I did. We got into a jet stream. I lost control of the plane. We had to eject. I made it, and she didnât.â
You pause then. Blink against that horrible, unforgiving, brilliant sun outside the window. Your cheeks are wet.
âShe was my best friend, Bob.â Your voice breaks, and you fold in on yourself, deflate. âShe was the only one who ever believed in me. I knew her since we were eighteen, we did everything together, I only started flying two-seaters so I could fly with her, and you have to understand, I would have⊠if I could have changed it, if I could have died instead of her, I would have, I wouldnât even have thought about it, I⊠And I know Iâm not a⊠not a good person, I know Iâm selfish and mean, and I hurt people all the time, and I know I hurt you, but I just⊠â You trail off. Your voice is barely more than a whisper. âShe was my best friend.â
Itâs not nearly enough to explain what she meant to you. Itâs all you have.
Bob doesnât answer for a long time. When you finally find the courage to look up at him, you brace yourself for the inevitable: shock, disgust, disdain.
You find none of it.
Bob looks at you with a tenderness on his face that punches all the air out of your lungs.Â
âWhy didnât you tell me this sooner?â he asks, voice soft.
Itâs almost helpless, the way you can do nothing but shrug your shoulders.
âItâs notâŠâ You canât look at him anymore, afraid youâll do something stupid, afraid youâll kiss him or tell him something you wonât be able to take back. âI didnât think youâd care.â
Bobâs brows furrow.
âOf course I care,â he says, as matter-of-factly as if heâs chatting about the San Diego weather. âI care about you, Specter. I always have.â
You donât know what to say to that. It tugs at you with ice-cold fingers, even as warmth spreads through your stomach. And it scares you, hearing him say that. He shouldnât care about you. Not if he knows whatâs good for him.
âIâm sorry,â you say after a long, long moment. âIâm sorry for⊠at the Hard Deck, I think I needed somebody, and you were there, and it⊠I used you. Iâm sorry for it. I made a mistake.â
When you look at him next, something on Bobâs face has changed. Some window that was previously thrown wide open is shut. He looks down towards his shoes, glasses sliding slowly, slowly towards the tip of his nose.
âUp in the air,â he says finally. âI get it now, I think. Why you donât listen to me. But I⊠Donât you trust me?â
Hearing him say it hurts somewhere at the very core of you. In the grand scheme of things, in the great failure of your life, Bob is probably the person you trust most.
âI do,â you whisper, shaking your head. Folding your fingers in your lap and biting your lip so hard the sting distracts you from whatever is going on in your chest. âI just⊠I trust myself more. I have to trust myself more.â
Bob is quiet for a long, long moment. Then he nods.
âI understand,â he says, but it sounds like he wants to say something else entirely. âCan we just⊠letâs be friends, Spec. Please.â
And he sounds tired. The kind of fatigue that goes bone-deep, that travels over days and nights and weeks, the kind of fatigue you carry with you wherever you go. You know how that feels.
Itâs a horrible thought just how much youâve hurt Bob, and so youâve never allowed yourself to think it. Have brushed it off and brushed it away, under beds and under carpets and into handicapped bathrooms with broken locks. Have pretended you couldnât tell in the cockpit, pretended you didnât see it in the mess hall when his face fell after another scathing remark, another dismissal.
All the way, you told yourself you were doing it for him - itâs not good to get close to you. Youâve never learned how to build things, grow things. All you know is how to ruin them.
So you say, âI donât want to be your friend, Bob. I want to be alone.â
Behind the sheen of his glasses, Bobâs eyes are wet.
âI donât think thatâs true at all,â he says, finally.
And then he gets up, walks away, and leaves you behind on the floor, a town buried beneath a landslide, a meteor crater, a canyon of sand and rock, and the lone survivor clawing his way over the edge.
+
âNat says you have a crush on me.â
Rooster gives no greeting, simply slides into the unoccupied seat by your side with those words. Heâs broad enough that he dwarfs the rickety chair, the Hawaiian shirt so out of place in the beiges and grays of this military base.
A week ago, maybe you would have been embarrassed. Now, you can barely muster a shrug.
âWhatâs it matter?â
Rooster raises an eyebrow. The television room is deserted save for the two of you - some movie is playing with the volume all the way down, but you havenât even been paying enough attention to tell if itâs a romantic comedy or a slasher.
âIt matters,â he says.Â
You shake your head, staring down at the packet of gum in your hand. The whole room smells like mint.
âI wasnât ever going to act on it,â you say, âthatâs why it doesnât matter. Itâs just⊠there. It doesnât change anything for you.â
Rooster is quiet for a moment. And then he says, âIt doesnât work like that.â
âHm?â
âThe way you think it does,â he elaborates as if that clears it up. âYou think you can just walk through life and not affect others. You think if youâre just mean and closed-off, if you never let somebody in, you wonât matter to them. That you wonât hurt them. That then they canât hurt you. Thatâs not how it works, Spec.â
You exhale. It feels a little like heâs just pried open your chest, pulled all your most private, darkest thoughts into the world.
âI⊠I donât know what you mean.â
âItâs like this.â Bradley leans forward, sun-tanned hands reaching for you across the gray, gray expanse of the table. He doesnât touch you, but he leaves his hands palms-up, an offering between you. âThere are people here that love you, Spec. Even if maybe sometimes you donât deserve that love. And you have the power to hurt them, just like they have the power to hurt you. Youâre already in it. Youâre just pretending youâre not.â
You grind your teeth. Itâs too much. You canât do it.
Eject, eject, eject, your mind is screaming at you, but itâs like you canât find the cord.
âBradleyâŠâ you begin, without knowing where you want the sentence to end.
âAnd you donât have a crush on me.â
He says it like itâs a fact. He says it like he knows you better than you know yourself.
Youâre beginning to suspect he might have a point.
âI think I know when I have a crush,â you say quietly.
âNo, you donât. Otherwise, youâd know youâre head-over-heels for Bob. Otherwise, youâd know heâs loved you since the first time heâs seen you.â
You think of Bob - Bob on his knees at the Hard Deck, Bobâs voice pulling you from the deepest, densest darkness of your life, Bob silhouetted by the unforgiving sun as you splintered into shards of glass right in front of him, as the contents of your life spilled across his feet and drenched him in your night.
It feels like being pressed into the seat at take-off - anticipation, fear, relief⊠Youâre on the verge of something.
âSpecter.â Rooster leans low across the table, his face in your field of vision. Kind eyes, kind mouth, kind face. The sort of kindness you donât deserve. The sort of kindness that rips holes into your life and your resolve and your heart. âYou donât really want me. You just want to want someone and not be afraid theyâll hurt you. You just want to want someone without it being real. Because then it wonât hurt.â
I already know this, you want to tell him, but you canât. Something about hearing it from him, something about realizing youâre not half as complex as you always thought you were, is strangely reassuring at the same time it makes your stomach churn.
âAnd youâre scared to want Bob. Because that would be real. Because that could hurt.â
Bob Floyd, who is so much kinder than you ever deserved. Bob Floyd, who has your back. Bob Floyd, who loves you, even when you donât know how to love yourself.
âIt already does, though,â you whisper, your voice impossibly small, your eyes burning. âIt already does hurt, Rooster.â
And Rooster smiles. The sight of it plants a hope inside you you didnât think you were capable of anymore - a sapling fighting its way through concrete.Â
âThat, Specter,â he says, âis how you know itâs real.â
+
Bob is crying when he opens his door.
He stands there in plaid pajama pants and a white shirt, without his glasses, hair no longer slicked back but curly and soft, and you remember sinking your fingers into it, remember wanting to ask what conditioner he uses, rememberâŠ
âDo you love me?â you blurt.
Bob blinks and opens his mouth. His cheeks are wet.
âIâŠâ
You donât let him finish.
âBecause I donât know if I love you. But I know that I like you. And I know that Iâm scared, Bob, Iâm so fucking scared. Every day of my life, Iâm scared. Iâm scared that youâll die because I trust you, and Iâm scared that youâll die because I donât trust you, and Iâm scared that maybe I could love you, and Iâm scared that youâll hurt me or that Iâm always going to keep hurting you and I donât⊠I donât know what to do. I donât know what to do with all this fear, Bob.â
And then itâs Bob, the WSO. Bob the pragmatic. Bob the fucking best boy youâve ever met.
He nods, says, âI know.â And then he takes a deep breath. Goes on, âYou donât need to know any of that stuff. You donât even have to not be scared. Spec, fuck, Iâm scared. Iâm scared of how much I like you, and Iâm scared of how much youâre hurting all the time, how tightly you keep that all locked up. Iâm not asking you not to be any of those things. Iâm just⊠Iâm just asking you to talk to me. Letâs figure it out together.â
When he says it like that, it seems almost easy. Simple. Logical.
âFor the record,â you say, voice a ruin, and youâre pretty sure you might be crying too, âI donât think it was a mistake. What we did at the Hard Deck, I mean. I think it⊠I think it may have been the best decision of my life. I donât make a lot of those.â
And Bob smiles. Steps to the side and opens his door to you.
âYou wanna come in?â
You do.
In his bedroom, with his arms around you, itâs almost enough to pretend youâre whole again. Itâs enough to know youâll get there someday. To a point where youâll know how to grow things instead of ripping them out of the earth. To a point where maybe, finally, youâll deserve that love Bob hands out so freely.
In his bedroom, with his arms around you, itâs a little like drowning. Itâs a little like flying.
If cliff has 100,000 fans, I'm one of them. If cliff has 10,000 fans, I'm one of them. If cliff has 1,000 fans, I'm one of them. If cliff has 1 fan, I'm that 1 fan. If the world is against cliff I'm against the world, if cliff has 0 fans IM DEAD đ”.
IM ALWAYSS ACCIDENTALLY WALKIBG INTO ANGST. i remember i read smr where i msrried bob and he DIED
I think itâs amazing how you fleshed out Hangman in Bad Habit, his backstory is so believable and how heâs just as fragile as the reader too. It was beautifully written đđ„č
Iâm not sure if youâre taking requests but it would be so interesting to see the reader being introduced to Jakes parents and standing up for Jake when his dad keeps making digs at him because you know she would have his back no matter what đȘđ»and Hangman just falls more in love with her â€ïž
⥠pairing ; boyfriend ! hangman x female!reader
⥠wc ; 4k
⥠warnings ; angst, sappiness, toxic parents, some sexual innuendo and the tiniest, tiniest, tiniest breeding kink hint at the end (i can't believe i just typed that goodbye)
⥠note ; bad habit universe. anon, i need you to understand the way this ask made me go feral. i'm so sorry this got so long but i truly went INSANE i BLACKED OUT. goodbye.
Jake is jumpy before you even get in the car. He spends way too long picking out his pants and shirt, messing with the cufflinks, wrapping and loosening the tie around his neck a hundred times until you finally take it off him.
âItâs just your parents, Jake,â you say softly, letting the garment - dark green silk, your last Christmas present to him because it brings out his eyes - drop onto the hotel bed. âDonât be nervous.â
Itâs stupid advice, and you know it. Youâre pretty sure the thought of his father has made Jake nervous his entire life.
But under the gentle pressure of your hands on his shoulders, some of the tension seems to drain out of him. He all but slumps against you with a sigh, dropping his head into the crook of your neck. Like all the fight just evaporates.
âItâs been so long,â he whispers against your skin, but what he means is: Iâm scared.
You wrap your arms around him, wishing with a sudden, unfamiliar fierceness that you could shield him from anything bad in the world.
âItâll be okay,â you whisper back, but what you mean is: I know. Iâm with you.
On the drive, in a rental that smells too new, too clean, youâre the nervous one. Knee bouncing up and down, fingers drumming along to the pop songs on the radio but missing the rhythm entirely.
Jake puts a hand on your thigh, just above the knee, just below the hem of your floral sundress. Warm skin on warm skin, even with the aircon blasting. The last freckles of summer are still fading on the backs of his hands.
His touch, unfailingly, sends a shiver down your back.
âNervous to meet the in-laws?â he asks, signals, and pulls off the highway. Outside the window, factories and strip malls make room for a residential area, for swingsets in back yards and sweet tea on front porches.
The words have heat rising to your face. Youâre not even engaged, let alone married. Still, Jakeâs been known to introduce you as the Missus, to carry a polaroid of you in his wallet, to talk to you about which tropical destinations you should spend your retirement benefit plans on when youâre both seventy. (You donât tell him heâll be seventy a good few years before you because itâll just make him pout, and then youâll kiss him, and then you wonât do any talking anymore.)Â
âJust⊠Iâve never met a boyfriendâs parents before,â you admit.
Jake hums, lifts his hand from your knee to tangle his fingers with yours instead, pulls them up to his mouth, and presses a kiss to your knuckles. His eyes never leave the road.
âYouâll do fine, sweetheart.â And then his smirk turns mischievous. âI love that dress on you. Will like it even more when I take it off you later, though.â
You laugh more for his benefit than because you actually find it amusing. Thereâs the familiar spark of desire, but itâs faint, muffled, distant.
Itâs not hard to tell that Jakeâs heart isnât really in it. Thatâs okay. Yours isnât either.
The house is perfect. Impeccably kept lawns, greener than the Texan heat should allow for, bushes trimmed into neat squares like somebody is exercising their personal vendetta on nature. Big windows and a car parked in a perfect parallel line to the curb. Thereâs something cold to it all.
On the walk up to the front door, while youâre careful not to step on any patches of that green, green grass, you take Jakeâs hand, and you canât tell if itâs for his benefit or your own. He squeezes back just once.
Jakeâs mother is just like that house - so perfect it scares you.Â
She looks like one of those housewives in laundry detergent advertisements from the 50s. Manicured fingers, a string of pearls around her neck, lips painted a rosy shade of red.
Suddenly youâre sure your dress is too short, your hair isnât styled carefully enough, youâre wearing too much make-up. You want to hide.
She greets you at the door, a smile on her face that seems almost a little nervous.
âJake,â she says and kisses him on both cheeks but doesnât hug him. They havenât seen each other in two years.
You hang back, unsure, wishing you could go invisible, but Jake puts a hand on the small of your back, pushes you forward, smiles, and looks proud in a way you canât explain.
âThis is my girl,â he says, and thereâs so much in it. Not girlfriend, because youâre more than that. Not wife, because youâre not yet. But his, always, always his, since that night he walked into you at the Hard Deck. His, even when you still swore up and down you hated him.Â
His mother shakes your hand, smiles not unkindly, and leads you into the house.
Jake and you sit on the couch as she hands you glasses filled with a sensible amount of iced water. An old, imposing grandfather clock ticks away the seconds.
âYour fatherâs in his study,â she says, eyes shifting rapidly like she canât decide where to look. âIâll check whatâs keeping him.â
The whole house smells like the roast sizzling in the oven, like the steaming peach cobbler you saw through the open kitchen door when you walked in.
Jake is tense beside you, on guard. He sits on the edge of the sofa, palms spread on his knees like heâll spring up at any moment and sprint out of the house, out of the state, back home to California, to the little apartment the two of you are renting. An apartment without lace curtains, without grandfather clocks, an apartment without grass or manicured bushes. But an apartment with warmth and sheets that smell like his shampoo, like your flowery body lotions, with a stain on the sofa cushion where you spilled red wine, with a burn mark on one of the kitchen counters from the one time Jake tried to cook dinner and set a pan down on the linoleum.
Not a perfect house, but a kind one. A home.
You loop your arm through his and press your cheek into his sleeve.
âYou okay?â he asks softly. Even now, heâs still thinking about you, and you wonder how you could ever, for one moment, for one second, believe that he was selfish. Your chest feels tight, too narrow for all these emotions to fit inside.
You nod. âAre you?â
Heâs about to answer when his mother comes back.
The man trailing behind her is unmistakeably his father. You can recognize the traces of Jake in his eyes, in the line of his mouth, but he lacks his charm, his boyish air. Lacks the flicker of kindness in the stiff smile. The hair at his temples has greyed with age, but his gaze is clear and sharp. It flicks from Jake to you, and his mouth twists downward.
Jake jumps up the moment his father enters the room, back ramrod straight. You follow slowly, choosing to hang back a little. Hiding at least partially behind Jake.
âSir,â Jake says, voice different than youâve ever heard, and you watch in amazement as they shake hands.
Involuntarily, you think of your own mother, smothering you in kisses after you got back from a school trip. You, pushing her away, glancing at your friends, saying, ew, stop, Mom.Â
Suddenly you think you might cry.
âThis is her?â Jakeâs father asks, waving a hand in your direction. Heâs looking only at his son, you note, not at you.
âYeah,â Jake answers and tells them your name.
You give him what you hope is a sweet smile, but his father ignores you.
âIs dinner ready?â
Jakeâs mother nods. âYes. We can go to the dining room.â
There are flags on the walls, plaques, and framed medals. Pictures of aircrafts and squadrons, men in uniforms that look dated now. Thereâs nothing new here, no traces of Jake apart from a framed photograph on the mantlepiece, him grinning into the camera at what you think might have been his senior prom.
Itâs strange. You remember Jake telling you he sends all the mementos of his accomplishments to his parents. Maybe they keep them upstairs, you think, but somehow you doubt it.
When you get back home, youâll ask him to hang them in your hallway instead. You didnât even want him to put his Top Gun diploma on the sideboard near the entrance, but now you feel different about it.
All of them, you think. Everything. Iâll put out the award from the Spelling Bee he won in second grade.
In the dining room, Jakeâs mother serves you roast and mashed potatoes and green beans in sensible portions on crisp white china.
âYour favorite,â she says, smiling at Jake.
You donât say anything, but itâs on the tip of your tongue, burning there. Lasagna, you want to say, his favorite food is lasagna. One time he came home from a deployment and ate so much of it he got sick.
âThanks, Mom,â Jake says, smiling a smile youâve never seen. One that doesnât reach his eyes.
Everybody makes small talk. His mother asks you a few questions about your teaching position, tentatively inquiring about your plans for the future.
âIâll buy her a house,â Jake interjects, sounding serious and proud, and you stare at your plate to hide the smile.
Heâs joking, probably. No way he means that.
His father doesnât talk to you at all. He asks Jake increasingly aggressive questions about his last deployment, about the squadron heâs been assigned to, about when heâll finally make the jump from Lieutenant Commander to Commander.
Jake hesitates, then he says, âActually, Sir⊠I was thinking of teaching.â
The older man pauses, scotch glass halfway to his mouth, amber liquid sloshing against the rim.Â
âTeaching,â he repeats, a tension to the word that borders on danger.
Jake nods. âAt Top Gun.â
His father sets his glass down on the tabletop with a sound softened by the silk cloth. Youâve gone quiet, frozen, as has Jakeâs mother. Both of you staring like youâre watching a car crash - impossible to stop it, impossible to look away.
âWhy,â Jakeâs father says softly, âwould you ever want to do that?â
Jake tips his chin up and answers, âWell⊠Itâs close to home. And when we get married, when we get a house, I want to be there. Not on active duty, I wantâŠ.â
And heâs mentioned it once before, but back then, you thought it was a joke. The idea of Jake torturing poor Top Gun hopefuls is a little unsettling, or at least it was, but youâre beginning to understand. You think he could be good at it, great maybe, teaching those people not to make the same mistakes he used to make.
When we get married, heâd said. Not if. When.
The thing Jake has loved most in his life - and you know this - was flying out there. Being in the midst of it all, in the thick of it, risking his life, always up in the air. The fact that heâs willing to give it all up for youâŠ
Warmth blooms in your chest.
For the first time this night, Jakeâs father turns his eyes right on you. Theyâre ice-cold. As cold as this house.
âWas this your idea?â he asks.
Automatically, you open your mouth to answer, but Jake is quicker.
âNo,â he says. âIt wasnât her idea. It was mine. She had nothing to do with it.â
His father exhales a loud, shuddering breath, something that tears through the silence like a bull pawing at the ground.
âNo,â he says finally.
âNo?â Jake repeats, sounding hesitant.
âNo.â Jakeâs father places his cutlery delicately by his plate, smooths out the napkin in his lap. âNo son of mine will give up a career to play house.â
âIâŠâ
His father bulldozes over the interjection as if it hadnât happened. âWhat, you canât handle the pressure? Tough luck, boy. You gotta grit your teeth and get through it.â
Thereâs so much wrong with all of it. An emotion you canât name rises up in your throat, makes your fingers clench into the fabric of the tablecloth.
âI donât want to,â Jake says, trying to stand his ground. But somethingâs fading from him as you watch, some light dimming as his shoulders slump and his face falls.
Youâve never seen Jake like this before. All the cool melted out of him, all the bravado gone. Nothing but uncertainty left in its wake.
âYouâve always been weak,â his father says without looking at him. âCrying all the time when you were young, running to your mother. I knew it back then, and I see it now. Too weak for the Navy, too weak for this life, too weakâŠ.â
âStop.â You canât remember making the decision to speak, but suddenly your voice echoes through the room. Everybodyâs looking at you. Your heart is in your throat.
And itâs so dumb. You can barely stand up for yourself. Last week, one of your studentâs fathers yelled at you about a bad grade, and you just went home to cry into Jakeâs chest for an hour. But this⊠itâs different. This ignites something in your chest, something violent and significant, something that demands to be felt.
Youâd known their relationship was bad, but you hadnât expected this. Nothing could have prepared you for it.
âYouâre wrong,â you say, and wonder how your voice can sound so calm when on the inside youâre shaking, when the anger bubbles up into your throat like bile, when⊠âHeâs not weak. Jake is the strongest person I know.â
Distantly, youâre aware of Jakeâs head turning in your direction, but you keep your eyes on his father. Watch the twitch of his mouth, corners curling up into a smile dripping disdain.
âOh, Jake,â he says, voice mocking as he turns to his son again. âStill need women to fight your battles for you?â
Jakeâs mother says nothing, face turned down towards her plate, hands folded primly in her lap. The string of pearls around her neck shifts with every inhale, and for a moment, you ask yourself whoâs worse: the one who does the hurting or the one who sits by and does nothing.
âI love him,â you say, and itâs not the first time youâve said it, but it is the first time you say it in front of somebody else, somewhere outside the privacy of your bedroom, where you can convince yourself nobody exists in the world but him and you. It feels, somehow, significant. âHeâs twice the man youâve ever been.â
The eyes turn on you, so cold it sends a shiver down your back. And you donât understand how you could have thought, even for a moment, that they looked alike. Itâs like comparing a pencil sketch to an oil painting - night and day.
True anger courses through the words, through the voice, as he says, âYou think Iâm going to sit here and listen to some rude little schoolteacher my son picked up on the roadside try and tell me toâŠ.â
Jakeâs palm hits the tabletop so forcefully the china jumps an inch into the air, the glasses rattle, and white wine spills into the casserole dish with the green beans.Â
âDonât,â Jake hisses through clenched teeth, âever talk to her like that again.â
Silence spreads.
His father chuckles. âWhat, you think thatâs gonna impress me, boy? I donâtâŠâ
âI donât care,â Jake says. You can hear it in his voice, in the trembling of his breath - the anxiety, but the anger too. Your eyes burn. âFor the first time in my life, I donât care what impresses you. I just⊠Iâm so tired of it. This is who I am. Either accept it or donât.â
âJakeâŠâ his mother whispers, but he wonât look at her. She throws a furtive glance at her husband, then at you. You can see the fear there, and you almost feel bad for her.
His father picks his cutlery back up and cuts into his roast.Â
âSit back down, boy,â he says, the picture of perfect calm if it werenât for the quiver in his hands. âDonât cause a scene.â
You see the exact moment it happens. When the resignation finally sinks in for Jake. The acceptance of this thing heâs denied all his life.Â
His eyes flicker to you, and thereâs something helpless in them. You think you hear the crack as your heart breaks.
And Jake is confident. Knows what he wants. Is so much clearer about it all than you with all your overthinking and spiraling and second and third and fourth guessing. Is so good at acting like he has all the answers that sometimes it makes you forget how good he is at pretending too. How sometimes, he needs you to take over.
So you get up, slot your fingers into the spaces between his, and say, looking only at his mother, âThank you for dinner. I think itâs time we leave.â
Nobody says anything. Jakeâs parents stay where they are, in their perfect, cold house, with their perfect, flavorless food and their lace curtains and grandfather clocks and no pictures of their brilliant, beautiful, warm son.
But you leave. You leave, and you take him with you.
The thought of Jake as a child, alone in this house, with that man in front of his door, almost chokes you.
Youâre silent as you get into the car, silent as he pulls away from the curb, silent as the house fades smaller and smaller in the rearview mirror. As it disappears from view completely.
You know youâll never come here again. Something about it all is decidedly and vitally final.
Over the middle console, you watch Jake. Itâs dark outside now, but the electronics of the dashboard illuminate him, the headlights of oncoming cars paint ghostly shadows across his features. You canât read his expression, feel almost incapacitated by your own panic.
You donât know what to say.
Itâs impossible to tell how long you drive, but finally, Jake signals and pulls into an empty Walmart parking lot. Parks the car. Turns off the engine. And then he makes a sound youâve never heard before.
With a start, with a jolt that zaps through you like a current, you realize heâs crying.
Youâve never seen him cry. Not when a bird strike took down his wingman last year. Not when you made him watch first Philadelphia and then Titanic in the most devastating double feature of all time.
It stumps you. Throws you for a loop. Makes tears well up in your own eyes.
âOh, Jake,â you say, leaning across the middle console to wrap your arms around him, to press your face into his neck and hold him. Try and keep you both from falling apart.
And itâs so much pain. So much pain heâs carried with him every day, so much of it that you can feel it reverberate along your own bones as if itâs yours. And maybe thatâs true. Maybe part of loving someone is feeling their pain as your own. Carrying it not for them but with them. Sharing it.
After what you just saw, you think you understand. Perhaps for the first time. All that cockiness and all that arrogance and all those things you hated about him at first. How theyâre all just pieces of armor, something heâs built over the years to protect himself from that father and those expectations he could never meet and that cold, cold, cold.
You hold him until he calms, until the shaking of his sobs subsides, until he draws back and pushes himself into an upright position, says, âIâm sorry for crying.â He pushes a laugh out, but you donât buy it. Not for a second. âThatâs humiliating, huh? Bet you didnât know you were dating such a pussyâŠ.â
âDonât.â Your voice is firm, and it stops him in his tracks. âDonât do that, Jake. Thatâs just him talking. Thereâs nothing wrong with crying. Thereâs nothing wrong with anything you did.â
His fingers flex around the steering wheel. He exhales loudly through his nose, and when he speaks again, his voice has gone so quiet you need to lean forward to hear him, âI guess some part of me just always thought⊠always thought that maybe, someday, heâd love me.â
And thatâs it. It shatters you right there. Breaks you apart in a way you canât explain.
You donât know what to say. Maybe there is nothing to say. No words to make this better, to make him think the opposite. Not after what youâve just seen.
âI guessâŠâ His throat moves as he swallows. Itâs so dark in this parking lot you can barely see more than the outline of him, shadowed by the darkness, but itâs enough. You know him so well, you could draw his face blind. âI guess thatâs it, then. I guess I no longer have a family.â
Itâs instantaneous. No, you think. I wonât let him believe that. Not for a second.
âDo you think I donât have a family?â you ask him.
Jakeâs brows furrow, obviously confused by your question. âWhat?â
âBecause my mom is gone, and my dad doesnât care, and I donât have any siblings or aunts or uncles. Do you think I donât have a family?â
âNo,â he says immediately, frowning. âYouâve got me. And youâve got Penny and Phoenix andâŠ.â
âThen why would you ever think that about yourself?â
That shuts him up. He just sits there for a while.
âJake,â you say, voice more gentle than itâs ever been. âIt doesnât change a thing. Not about the way I feel about you or the man that you are.â
Heâs biting his lips, glancing at you from the corner of his eye and then away just as quickly.
âYou donâtâŠâ He clears his throat. âYou donât believe what heâs saying? That Iâm⊠weak, orâŠâ
Youâre shaking your head before heâs halfway through the question.
âI meant what I said back there,â you reassure, reaching for his hands again. âJake, youâre the best person I know. You can be an asshole, and a dumbass, and arrogant, andâŠ.â
âArenât you supposed to be making me feel better?â he interrupts, but thereâs amusement in his voice, and relief floods your chest in answer.
You say, âWhat I mean is⊠I think youâre remarkable.â
âRemarkable?â he repeats, and you can hear the frown in his voice.
âRemarkable. Because even with someone like him raising you, putting you down all the time, telling you all that bullshit⊠you still turned out so good. You still turned into the best man Iâve ever known.â You take a deep, deep breath. âThe only man Iâve ever really loved.â
And when he turns to look at you, you can see the tears sparkling in his eyes.
Youâre climbing over the middle console before you know it, settling into his lap with your arms around his neck and your knees pressing into the seat bis hips. Jake slots clumsy kisses over your eyebrow, your cheekbone, your nose, until he finds your mouth.
He tastes like salt and gravy and home.
âIt shouldnât be like that,â you tell him, drawing back to card your fingers through his hair. âWith my mom, it was never like that. She was so warm and kind, and she was so happy to see me, always. Even if I showed up unannounced and drunk at three am. And she just wanted me to be happy, no matter in what capacity. Thatâs how it should be, Jake, thatâs what you deserved. Someone who loves you unconditionally.â
âI do have that,â he whispers, voice husky. âI have you.â
And itâs like this: being with Jake is like drifting on a blow-up mattress through a pool. Being with Jake is like reaching the top of a mountain after hours of hiking. Being with Jake is like the first taste of ice cream on the hottest day of the year. Being with Jake is like the first winter snow, early in the morning when everything is still untouched and quiet. Being with Jake is like listening to the rain from beneath your blankets, warm and safe and cozy.
Being with Jake is everything youâve ever wanted.
âYes,â you agree, head spinning, chest tight, âyou do. Youâll always have me, Jake. Weâre our own family already. And when we have kids, I know youâll be the most perfect father, and youâll never, ever treat them the way your dad treated you. Youâll be so kind and so loving andâŠ.â
âWhen we have kids,â he interrupts you.
In his lap, your face inches from his, you freeze.
Suddenly you canât look at him. Your cheeks feel like theyâre burning. âI⊠Iâm sorry, we never talked about this, I justâŠ.â
You move to climb off him, but he pulls you closer instead, holds you to him with hands grasping the backs of your thighs.
âIs that what you want?â he asks softly. âYou want to have my kids?â
The way he phrases the question almost makes you scoff. But then you think about it for a second, this thing you havenât even been brave enough to voice in the privacy of your own mind. This thing that perhaps, in your heart of hearts, youâve always dreamed of.
âYeah,â you breathe. âI do. I do, Jake.â
And he groans, pushes his face against your cheek, and you canât see him, but you can feel the tears.
âIâll give it to you,â Jake whispers. âI'll give you anything you want. A ring and a house with a blue door and a baby. Iâll give you a baby, sweetheart. My girl. My gorgeous, brave, brave girl.â
In the silence of the night, in the warmth of that car, it sounds like a promise.