Cocktail Dress

Coat ca. 1939 via The Meadow Brook Hall Historic Costume Collection

i think what turns me off, really, to a lot of late preboot stories is that they’re just so damn cynical about everything - i don’t love superheroes because i’m infatuated with the idea that Everything Sucks And Everyone Is An Asshole To Each Other All The Time, i love superheroes because i want to believe the world can be fixed. i love cape comics because they elevate characters who have idealistic worldviews above those that don’t, i love cape comics because it’s a world where idealism is never a lost cause.

i’ve talked about this issue before, but there’s a reason my favorite batman story of all time is detective comics #500’s, “to kill a legend.” in it, phantom stranger offers batman the chance to go save his parents’ lives in another dimension, and batman accepts. as batman and robin investigate the world they’re in, they discover that this earth has no heroes, not even fictional ones. they’re in a world that can’t even conceive the idea of a hero, much less actually harbor them. so robin makes the argument that maybe they shouldn’t save batman’s parents, because this is the only shot the world has at having a hero - and doesn’t the good batman will do outweigh the price of just two lives?

it’s the sort of moral dilemma that we see fairly often today, but ‘tec #500 shoots it down ruthlessly. batman, of course, saves his parents, and the waynes of that dimension remain a whole and happy family. you’d think that batman had just selfishly saved his own parents and cost the world its last chance at a hero. but bruce wayne becomes batman anyway, because 'tec’s argument is that it is never a bad thing to save someone’s life. the lives batman saves will go on to save other lives. the great ouroboros of comic books isn’t infinite sadness or infinite dickery, it’s infinite potential to do good. batman raises robin who becomes nightwing who will become batman who will redeem another robin, and morrison’s run told us that batman and robin will never die, which means they never fail; their belief in doing good never once fails them. the lives they saved always turned to save more lives. to quote batman #700, “no matter when. no matter where. no matter how dark.”

i love cape comics because the very concept of them rewards hoping against all hope. superheroes by nature reward the idea of genuine belief; believing enough in a cause that you will splash it across your chest and put yourself on the line to make it happen. and in a world where everyone is competing to see who can give less of a fuck, it’s a very powerful thing to read about being praised for believing in “naive” or “childish” ideals like hope and truth and justice. i’m not here to read about how everyone really hates each other and everyone is the worst and everyone dies and everything is bad forever and ever. i’m just not.

No Amazon. No Walmart. No Target. No Disney. No Google. No Apple. No Visa or Mastercard. And especially no Facebook. I will not be posting on Meta platforms for the next 24 hours in support of the economic blackout.

Paolo Sebastian | The Nutcracker

MYTHOLOGY MEME

1/1 Mythology: Irish

Oh yeah, I’ve seen those takes too, and I’ve also never really got where there coming from either? Like you said, Dick’s experience would be different from Jason’s absolutely, but the idea that the Grayson’s would’ve had or would’ve left Dick a ton of money is so weird to me? Like, even in modern times (which Dick’s backstory is not originating from - comic books are weird) most performers are not paid amazingly well. Like, being a well known trapeze act is not the same as being a famous singer, those are in completely different stratospheres, which I feel like sometimes gets missed in the whole “the Graysons were the best at what they did” thing? Like they can be that and also poor because literally no one makes money in circus except for like, John Ringling, 100 years ago. 

[full disclaimer: I do/did (hopefully will again, although I’m in the US so probably not anytime soon 😓) perform/teach flying trapeze/silks/lyra, but I’ve never been part of a traveling show so my knowledge about those comes second-hand from family friends/people I’ve worked with] 

Definitely agree with you about Dick being a polyglot, which is actually canon (pre-New52/Rebirth at least - I don’t really read the post-flashpoint stuff). Dick brings up in one of the Nightwing comics that he spoke other languages (French, I think) before Bruce took him in. 

With the homeschooling, this might be one of the more modern updates, but I know a lot of travelling circuses now have schoolteachers who travel with them (at least, I know a couple of the major American ones did - your profile said Dutch so I’m assuming you’re experience is with European circuses, though I could be wrong).

That’s another nuance that I feel like gets missed, is the difference between European circus culture and American circus culture? Which obviously have similarities and crossover and exchanges, but are still kinda distinct things? And like, not even (or not just) in the fan stuff, but in the comics themselves. Like sometimes they’re on point and sometimes they are just soooo far off it’s laughable, and then fans pick up on that and perpetuate it.

Like one of the things I was thinking about recently because it crossed my dash was Devin Grayson claiming she “researched circus” and that was how she decided to make Dick Romani. And like, I’m not Romani, so I’m not going to weigh in on if people think that’s bad or good representation, since people who are Romani have done that on both sides, and they have more right to have a say in it than I ever will, but.

I don’t for one second believe she did any research. I don’t know enough to say about the presence of Romani people in European circus, or in American circus for that matter, but if I was a writer and I wanted to take a character with Dick Grayson’s back story and make them an ethnicity that was not white, I don’t see how with even 5 minutes of research you would miss the incredibly obvious answer of Mexican. There are so many famous flying trapeze families in North America that are Mexican, including Miguel Vasquez and the Vasquez family, aka the first person to throw a quad somersault (that trick Dick was famous for) in real life. And like, I would hesitate to do it now with Dick because I feel like that would play into the idea that representation is interchangeable, which it is definitely not, but if I was going to create a character with Dick’s backstory it feels like, given the prominence of Mexican and Mexican-American trapeze artists in defining and developing trapeze in the US, that would be the natural choice. (And, to be extra super clear about this, I’m not in any way suggesting Dick can’t be Romani. This is solely a comment on Devin Grayson’s terrible research and stereotypes when she decided to add that in. And also I’m annoyed that the Nightwing comic decided to reference the Gaonas but have Alex Gaona (or the madeup character who shares that name) be blond? Like, why?)

Anyway, your original post was super interesting, sorry for rambling on forever. I was just excited to talk circus and comics and circus in comics, and it’s way more fun talking to people than shouting into the void. I’ll stop now. 

People in this fandom have no fucking clue about circus life and the culture surrounding it. And it shows

MYTHOLOGY MEME

1/4 Titans Mortals: Helen of Troy

The wife of Menelaus, king of Sparta, Helen was the most beautiful woman in the world. Paris, prince of Troy, brought her back with him, starting the Trojan War. Some stories say Paris kidnapped her, others say she went willingly, but either way, Helen is a woman whose beauty burnt an entire city to the ground.

Coat

1960s

Mill Street Vintage

Favourite Designs: Poem Bangkok ‘The Dreamer’ Spring 2022 Collection

Rose went away

So the Doctor was blue.

Ask Donna, “Where’s the Doctor?”

She’ll reply, “Doctor Who?”

Sarah Jane, and Martha,

And now both the Ponds

Had their fun with the Doctor

And now they’ve all gone.

So ask me again

Why the TARDIS is blue:

There’s a sad man inside

With both hearts torn in two.