Not Guilty!

It’s your fault this all happened.

the u-20 team and this field… will fall to the two of us!!

they should invent a mother who is normal and says normal things and has normal interactions with her child

my favorite out of context bllk panels, a thrilling saga

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Kaiser VS Isagi

I see people everywhere all the time raving about how flawless and satisfying MP100’s ending episode is, and I agree. But sometimes it kinda takes me aback exactly how well-planned the entire story is, especially because it began as a webcomic.

The individual relationships Mob has with the “Big Three” (Reigen, Teru, Ritsu) each follow their respective themes from start to finish, with the application of each theme to the story changing as it progresses but the major idea remaining the same—until the final arc, which is broadly split into three episodes, each featuring the culmination of the respective relationship.

Teru’s theme is strength, Ritsu’s theme is communication, and Reigen’s is acceptance.

More under the cut bc this got a little long.

We find each of the Big Three struggling with these concepts throughout the series. Teru grapples with what it really means to be strong, Ritsu struggles to open up and communicate his feelings with his brother (garnering resentment), and Reigen refuses to accept the self he hates, opting instead to build his career and his relationships out of lies to hide this despised identity.

These are also, coincidentally, things Mob is struggling most with. Mob’s terrified of his strength, he’s unwilling to open up about his guilt and self-hatred, and he outright refuses to accept his powers and his repressed self on many occasions throughout the story.

But the finale is structured to not only perfectly demonstrate and polish off the ways in which the Big Three have overcome the struggles of their themes, but also how that growth powers their love for Mob, subsequently helping Mob achieve the same growth.

In S3E10, Teru finds true strength by enduring pain and humiliation in order to save people and forge connections with others. Not only does he rescue Shigeo’s victims, but it’s his love and strength that allows him to push through Shigeo’s powers at any cost to wake Mob up internally and begin the process of ending the disaster. It’s because of Teru that Mob wakes up and realizes what he’s done, in much the same way that Mob helped Teru realize what he’d done at Black Vinegar.

In S3E11, Ritsu manages to communicate his unfiltered feelings to Shigeo for the first time and ends the tentative, repressive resentment boiling between them (both Ritsu and Mob harboring resentment for “Shigeo” specifically). He talks about how he hates this destructive side of him and how scared he’s always been, but this honest communication is what allows Ritsu to see the situation clearly beyond the scope of his repressed resentment and accept Shigeo as a part of his brother that’s not to be feared. It also opens the door from Shigeo’s end, finally knowing how his brother feels and not having to tiptoe ineffectually around the issue. Ritsu’s open and honest communication allows Mob to locate where Shigeo is being held in his psyche, opening up a channel of communication between him and his repressed self. This communication is what allows Mob to be confronted with the truth of the disaster he’s created, and this ability to talk it out with himself is crucial to ending his suffering.

Finally, in S3E12, the finale, Reigen is confronted with the ways in which he’s inadvertently worsened Mob’s condition with his inability to be genuine and makes the decision to drop the smoke screen and come clean about everything. The fear and gravity of it brings him to tears, but he bares his true self to Mob, admitting the things he’s done wrong and confronting the side of himself that he hates. He has to come to terms with this aspect of himself, even if it hurts him, and even if it hurts Mob. Self-acceptance is, in this moment, non-negotiable. Seeing Reigen’s true self in its entirety for the first time leads Mob to realize that everyone has flaws and a darker side to them, and it doesn’t make you a bad person to mess up, but you have to embrace it all unconditionally and own up to it honestly and without hesitation. Reigen, and everyone else, saw this ugly and angry side of Mob and continued to love him unhesitatingly and unfalteringly. And so, Reigen’s acceptance inspires Mob to accept Shigeo, ending the disaster and finally making Shigeo whole and happy again, unfettered.

It’s honestly fucking masterful. It makes my chest tight. ONE is genuinely something else.

not being productive or relaxing but a secret third thing

some transgirl mob bc i love her

CW: antisemitism, pale of settlement, pogroms, genocide, cultural erasure

I don't think goyim can really conceive of how much Jews actually hold back in our criticism of antisemitism in media, and when you hear us it is often because we see a dangerous message that you don't... Yet.

I have a complicated relationship with Tim Burton's rendition of The Corpse Bride. I love it as a beautiful piece of stop motion art, but it isn't what it should have been, he took a Jewish story from the Pale and with intention stripped it of its Jewish origins. This alone is incredibly antisemitic. The criticism you will hear has probably been "this is a Jewish story, it should have retained its Jewish elements" but have you heard why we feel strongly about this story?

The story of the corpse bride is incredibly important to me and was born from Jewish trauma and Christian violence. Mobs would routinely attack Jewish weddings, they would murder brides and they would bury them in unmarked graves by the roadside still in their wedding clothes, they reasoned that without Jewish wives there are no Jewish mother's. Jews are intrinsic to the story.

It is antisemitism to take our story, about our pain, at the hands of non-jews and strip it for "useful" parts, in fact it is heartbreaking every time.

We are often forced to pick our battles and fighting a battle over a movie that has already been released by a director with a cult following is not worth it, you only hear us speak up in numbers when the antisemitism may lead to another century of violence, because raising our voice means picking a fight, because so many of you already see our pain as inconvenient and it is exhausting to never be heard.

-anyone can reblog

Ramadan is coming up and I can’t stress enough how much Palestinians have never got the chance to experience one normal Ramadan for 75years

You may not have been subjected to this, but as a person from an Arabic country, every Ramadan from every year there’s always headlines of Israeli iof soldiers or Israeli extremist settlers attacking Palestinians during Ramadan, especially Palestinian worshipers trying to pray in the al aqsa mosque

It’s happens almost every single year

Ramadan is suppoused to be Muslim people’s month of worship, of Baraka and it is very important to Muslim people

But Palestinians never ever experienced a normal Ramadan because Israel attacks them Viciously

Almost

Every

Single

Fucking

Year

And I will dare and say that Israel does it on purpose, it does it every Ramadan on purpose

And now, this year, with Ramadan being only a few weeks away, I doubt that they’ll have a normal Ramadan, not in the West Bank, and not in Gaza

All what I have to say here is that Israel will still follow this trend, something bad is gonna happen this Ramadan, keep an eye on Palestine during Ramadan