Fight Like A Girl

What is the point of regression? Why watch our hero go through any of this? Because if a hero is going to be an actual hero, they have to be born again from nothing.

That’s not  justice

objectifying men in armor will literally never get old. like, work it shiny boy. hit ‘em with that old razzle dazzle you fuckin trash can. hottie! (tucks $5 into your cuirass) 

One of my favorites

I went to buy pajamas and found this. My first thought was "This is what Alex and Henry would wear to a sleepover"

Because is just to cute

Backstory from KTO's interviews

Jun-ho is from a well-to-do family and his parents are both attorneys. He especially admired his mother, and tried to be a lawyer but didn't make it. Even though it was his dream, Jun-ho doesn't have any sense of inferiority or complex watching all the attorneys around him while working as a law firm employee.

That's why KTO thought Jun-ho is a really nice person and would fall for a girl whom he can admire and respect, and then Young-woo came into his life. She did what he could not, and this newbie attorney comes up with a brilliant idea that no one could. And the wedding dress scene was a spark.

In EP3, Jun-ho counts with Young-woo when she goes into Atty Jung's office. That was KTO's improvisation. He thought because Young-woo has a routine or a habit like that, Jun-ho would also be used to that.

In EP2, Jun-ho clinks his glass with Young-woo's when she can't do it with the others. That was also a scene made by KTO. He said it's easy to notice things like that when you're interested in someone, so he did it, then the director decided to do a close-up at his hands.

KTO's favorite scene is the sunset scene in EP4. He likes how Jun-ho says "I want an attorney like you to be on my side." not "I'll be on your side."

Jun-ho always carrying a backpack = also KTO's idea. Jun-ho is a litigation staff who supports attorneys, so he thought it would be necessary for Jun-ho to carry all the materials.

gifs are all mine from previous posts

“CRASH COURSE IN ROMANCE”

Haruki Murakami, from Norwegian Wood / Emily Palermo, “What I Could Never Confess Without Some Bravado” / Anaïs Nin, from The Diary of Anaïs Nin, vol 1: 1931-1934 / Jess Zimmerman, “Hunger Makes Me”.

me, going to my parents to talk about the book that i’m reading: