People take names and especially surnames so damn seriously and act like they’re written in stone but the big secret here is they’re all fake, it’s all made up. David Tennant picked out his name at 16 because his real name was barred from the actor’s union he joined on account of their No Doubles Allowed rule, and he wound up naming himself after Neil Tennant from the Pet Shop Boys of all things, and now many years later his whole family carries on that same made-up name he committed to as a teenager. All names are made up and fake as hell, call yourself whatever feels right.
Dear #TimBurton,
Up Yours. I just went with a friend to see Miss Peregrine’s Home for Peculiar Children, and we’d been excited for weeks (it only just came out in Mongolia). I even rushed to finish reading it before the Mongolia release.
Mr. Burton, the protagonist in MSHfPC is #Jewish. His grandfather is a#Jew. It’s a story about Jews and the monsters who chase us. A huge part of the book is questioning whether Grandfather’s “monsters” were supernatural monsters, or the real monsters of Nazis hunting Jews, the Monsters that murdered his entire family. Did he go to the children’s home because he was a peculiar or because of the dangerous peculiarity of being a Jew in Europe in WWII?
Yet in your film, the word “Jew” was spoken exactly zero times. You wiped away the characters’ identities. And don’t you DARE claim that it was an unintentional omission, because you proved that it wasn’t. See, in the book, Grandfather Abe often calls Jake “Yakov,” the Jewish form of Jacob. Yet in the movie, you changed that into a Polish nickname. So you can’t claim this was an omission when you and your team took the time to re-write even his nickname to make it not Jewish.
So Up Yours for your white-bread characters and white-bread movies. Up Yours for making the only POC character in the entire film the bad guy. And finally, Up Yours for taking away, yet again, the chance for us to see one of our own, a Jewish Protagonist promised in the novel, on screen.
Weirdo (affectionate)
One under-appreciated breed of fic writer are the ones who hyperfocus on logistics to the exclusion of all canon shortcuts, and thus usually strike upon an awesome way to flesh out the worldbuilding or characters.
Like, I’m not necessarily talking realism here since often it’s still pretty far from realistic, but more like, “someone has to be running spies in this fantasy kingdom, and we’ve seen the whole royal court, so which background character is it? How does that change these three major interactions?” Or “real life historical nobility did in fact have some things to do that were like jobs, how does this human disaster cope with running an estate?” Or “there’s no reason for a sci-fi robot detective to know how to whitewater kayak, where’d she learn?” Or “if this guy is serving the emperor directly he has to be way high up in the space empire servant hierarchy, why is he doing this menial task for someone else? What’s his motive? Does he perhaps have the secret space telepathy?”
Anyway I’m always DELIGHTED to find a fic or writer who asks these questions because the fics themselves are universally bangers.
Wednesday: I fell for Enid. When I first saw her.
Enid, blushing: Willa….
Yoko and Divina: Awwwe!
Wednesday: But she fell harder.
Yoko and Divina: AWWWWWE!
Wednesday: On the ground.
Yoko: Oh what?
Wednesday: She fell hard on the pavement. When she told me she loved me. I had to kiss all of her bruises on her face and body to make her feel better.
Enid, embarrassed: I know, I’m clumsy when I’m in love.