Avatar AU Where Aang Stays In The Iceberg And Katara Is Mistakenly Believed To Be The Avatar After She “earthbends”

Avatar AU where Aang stays in the iceberg and Katara is mistakenly believed to be the Avatar after she “earthbends” a rock by moving the ice inside it.

Instead of telling the truth and letting everyone down, she and Sokka pull on an elaborate charade and go on a journey to convince the world that the Avatar is back.

More Posts from Bluslvrlion and Others

1 year ago
[Image ID: A Screenshot Of A Quotetweet From Twitter. The First Tweet Is From @CultureCrave And Reads,

[Image ID: A screenshot of a quotetweet from Twitter. The first tweet is from @CultureCrave and reads, quote: "Twitter CEO Linda Yaccarino says X will be 'powered by AI'". End quote. Two images show Linda Yaccarino, a brunette woman in pink, next to the new proposed Twitter logo of a simple white X on black background. Twitter user @AmandaWoody_ has replied saying, quote: "With a heavy heart I'm deciding that I will no longer be hosting #pitlight. The more people share their ideas and log lines, the more likely it is that someone will use it to feed the machines. Please be wary about how much you share on here, writer friends 💙". End quote. End ID]

1 year ago
Some Brain-rot Obviously.

some brain-rot obviously.

trying out Krita (drawing software) after losing my phone can you tell I'm a complete noob at it?


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11 months ago
Jenna Ortega As Wednesday Addams Woe Is The Loneliest Number, Wednesday
Jenna Ortega As Wednesday Addams Woe Is The Loneliest Number, Wednesday
Jenna Ortega As Wednesday Addams Woe Is The Loneliest Number, Wednesday
Jenna Ortega As Wednesday Addams Woe Is The Loneliest Number, Wednesday
Jenna Ortega As Wednesday Addams Woe Is The Loneliest Number, Wednesday
Jenna Ortega As Wednesday Addams Woe Is The Loneliest Number, Wednesday
Jenna Ortega As Wednesday Addams Woe Is The Loneliest Number, Wednesday
Jenna Ortega As Wednesday Addams Woe Is The Loneliest Number, Wednesday
Jenna Ortega As Wednesday Addams Woe Is The Loneliest Number, Wednesday
Jenna Ortega As Wednesday Addams Woe Is The Loneliest Number, Wednesday

Jenna Ortega as Wednesday Addams Woe Is the Loneliest Number, Wednesday


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1 year ago

Dear Tim Burton

Dear #TimBurton,

Up Yours. I just went with a friend to see Miss Peregrine’s Home for Peculiar Children, and we’d been excited for weeks (it only just came out in Mongolia). I even rushed to finish reading it before the Mongolia release.

Mr. Burton, the protagonist in MSHfPC is #Jewish. His grandfather is a#Jew. It’s a story about Jews and the monsters who chase us. A huge part of the book is questioning whether Grandfather’s “monsters” were supernatural monsters, or the real monsters of Nazis hunting Jews, the Monsters that murdered his entire family. Did he go to the children’s home because he was a peculiar or because of the dangerous peculiarity of being a Jew in Europe in WWII?

Yet in your film, the word “Jew” was spoken exactly zero times. You wiped away the characters’ identities. And don’t you DARE claim that it was an unintentional omission, because you proved that it wasn’t. See, in the book, Grandfather Abe often calls Jake “Yakov,” the Jewish form of Jacob. Yet in the movie, you changed that into a Polish nickname. So you can’t claim this was an omission when you and your team took the time to re-write even his nickname to make it not Jewish.

So Up Yours for your white-bread characters and white-bread movies. Up Yours for making the only POC character in the entire film the bad guy. And finally, Up Yours for taking away, yet again, the chance for us to see one of our own, a Jewish Protagonist promised in the novel, on screen.


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1 year ago
Wings 🕊️

wings 🕊️

commissions open!


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1 year ago

I just want to see what's going on with Enid's family. And I don't see them as the best parents...

I Just Want To See What's Going On With Enid's Family. And I Don't See Them As The Best Parents...
I Just Want To See What's Going On With Enid's Family. And I Don't See Them As The Best Parents...

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1 year ago
Terry Pratchett estate backs Jack Monroe’s idea for ‘Vimes Boots’ poverty index
the Guardian
Campaigner has used the idea drawn from Discworld novels to register the disproportionate effect price rises have on the lower paid

""The index, Monroe said, is named in honour of Pratchett’s creation Sam Vimes, who in the Discworld novel Men at Arms lays out the “Sam Vimes ‘Boots’ theory of socio-economic unfairness”.

“The reason that the rich were so rich, Vimes reasoned, was because they managed to spend less money,” wrote Pratchett. “Take boots, for example. He earned thirty-eight dollars a month plus allowances. A really good pair of leather boots cost fifty dollars. But an affordable pair of boots, which were sort of okay for a season or two and then leaked like hell when the cardboard gave out, cost about ten dollars. Those were the kind of boots Vimes always bought, and wore until the soles were so thin that he could tell where he was in Ankh-Morpork on a foggy night by the feel of the cobbles. But the thing was that good boots lasted for years and years. A man who could afford fifty dollars had a pair of boots that’d still be keeping his feet dry in ten years’ time, while a poor man who could only afford cheap boots would have spent a hundred dollars on boots in the same time and would still have wet feet.”

The Pratchett estate has authorised the use of the name, tweeting its own Pratchett quote in support of Monroe’s campaign. “Sometimes it’s better to light a flamethrower than curse the darkness,” wrote the late Discworld author in Men at Arms.

Rhianna Pratchett said: “My father used his anger about inequality, classism, xenophobia and bigotry to help power the moral core of his work. One of his most famous lightning-rods for this was Commander Vimes of the Ankh-Morpork City Watch - a cynical, but likable, man who attempts to better himself whilst railing against the injustices around him. Some of which he’s had a hand in perpetrating in the past.

“Vimes’s musing on how expensive it is to be poor via the cost of boots was a razor-sharp evaluation of socio-economic unfairness. And one that’s all too pertinent today, where our most vulnerable so often bear the brunt of austerity measures and are cast adrift from protection and empathy. Whilst we don’t have Vimes any more, we do have Jack and Dad would be proud to see his work used in such a way.”


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