They’re About To Make Out …. Any Seconds Now

They’re About To Make Out …. Any Seconds Now

they’re about to make out …. any seconds now

More Posts from Bloodyraven1001 and Others

4 months ago
Breaking The News To Everyone I Know

breaking the news to everyone i know


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2 months ago

Just completely obsessed with Sansa as the quintessential Arthurian damsel and Jon as her valiant knight. Sansa says true heroes don’t harm magic beasts….

In the songs, the knights never killed magical beasts, they just went up to them and touched them and did them no harm […] - Sansa III, AGoT

And Jon saved the direwolves; even sacrificing himself in the process:

“It be a mercy to kill them,” Hullen said. Bran looked to his lord father for rescue, but got only a frown, a furrowed brow. “Hullen speaks truly, son. Better a swift death than a hard one from cold and starvation.” “No!” He could feel tears welling in his eyes, and he looked away. He did not want to cry in front of his father. […]. “Lord Stark,” Jon said. It was strange to hear him call Father that, so formal. Bran looked at him with desperate hope. “There are five pups,” he told Father. “Three male, two female.” - Bran I, AGoT

Sansa thinks that true heroes dispatch of evil knights:

Frog-faced Lord Slynt sat at the end of the council table wearing a black velvet doublet and a shiny cloth-of-gold cape, nodding with approval every time the king pronounced a sentence. Sansa stared hard at his ugly face, remembering how he had thrown down her father for Ser Ilyn to behead, wishing she could hurt him, wishing that some hero would throw him down and cut off his head. - Sansa VI, AGoT

And well….

“I will not hang him,” said Jon. “Bring him here.” “Oh, Seven save us,” he heard Bowen Marsh cry out. The smile that Lord Janos Slynt smiled then had all the sweetness of rancid butter. Until Jon said, “Edd, fetch me a block,” and unsheathed Longclaw. - Jon II, ADWD

And Sansa looks for the truest of heroes to rescue the damsel:

She shouted for Ser Dontos, for her brothers, for her dead father and her dead wolf, for gallant Ser Loras who had given her a red rose once, but none of them came. She called for the heroes from the songs, for Florian and Ser Ryam Redwyne and Prince Aemon the Dragonknight, but no one heard. - Sansa IV, ACoK

And Jon is not just one, but TWO:

Every morning they had trained together, since they were big enough to walk; Snow and Stark, spinning and slashing about the wards of Winterfell, shouting and laughing, sometimes crying when there was no one else to see. They were not little boys when they fought, but knights and mighty heroes. “I’m Prince Aemon the Dragonknight,” Jon would call out, and Robb would shout back, “Well, I’m Florian the Fool.” Or Robb would say, “I’m the Young Dragon,” and Jon would reply, “I’m Ser Ryam Redwyne.” - Jon XII, ASoS

It’s all so perfect

Just Completely Obsessed With Sansa As The Quintessential Arthurian Damsel And Jon As Her Valiant Knight.

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2 months ago

Sometimes I forget that not everyone processes Dark the way I do. And by that I mean taking for granted that when Tannhaus speaks to Jonas he's actually talking to a reincarnated version of his daughter in law. The whole Jonas=Sonja and Martha=Marek thing has become so strongly rooted into my understanding of this series that sometimes I just need to take a step back and realise that a very good portion of the people who have watched Dark probably aren't even aware of this aspect. Or at least they don't consider it. But still, like.

wdym you didn't know that Sonja is an anagram of Jonas-

It's just odd for me I guess. It occupies an enormous portion of my mind when it comes to thinking about the series as a whole but in reality it's shown in like half an episode. And it's not really confirmed so it's regarded as a theory, although that hasn't stopped me from always just interpreting it as plain canon.


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1 month ago

In terms of science communication and space exploration advocacy, Elon Musk has sent us back into the fucking Stone Age.

2 months ago

“It’s planet of the incels!” is so funny because it’s a line that riles up a very specific subset of people who complain about the state of Doctor Who


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2 months ago

I find it kind of funny that human babies are so fragile and helpless and useless that natural selection went like HARD-hard on humans finding babies cute. This thing is a wailing messy resource sinkhole so please find other reason to enjoy it. And the humans that did find baby cute and invest time in them, the crazy bastards?? Lived!!

And now there’s so much spill-over from “baby cute” gene that humans see literally any “baby” creature that even slightly resembles us, like

I Find It Kind Of Funny That Human Babies Are So Fragile And Helpless And Useless That Natural Selection
I Find It Kind Of Funny That Human Babies Are So Fragile And Helpless And Useless That Natural Selection
I Find It Kind Of Funny That Human Babies Are So Fragile And Helpless And Useless That Natural Selection
I Find It Kind Of Funny That Human Babies Are So Fragile And Helpless And Useless That Natural Selection
I Find It Kind Of Funny That Human Babies Are So Fragile And Helpless And Useless That Natural Selection

and we’re like 😍🥰🤩🥺🥺🥺 I wanna love you so bad. I wanna make so many images of you, you are so small, just baby. I’m inventing new emotions as we speak bc I love you so much.

Like, I’m almost convinced humans didn’t even domesticate dogs bc we thought they’d be useful, we saw some puppies and it activated our Big Boi Primate Baby buttons, it wasn’t even logic time baby, it was 🥺 time.

3 months ago

ether as severance + “the courtship of kier and imogene” (relationship parallels)

An ether factory does not produce ether

The ether factory in Salt's Neck and the ether mills mentioned as part of Kier Eagan's history were not places where diethyl ether was manufactured. They were regular factories or mills with strategically placed vats of boiling diethyl ether to intoxicate the workers when at work, effectively functioning as a primitive form of severance.

(1) Diethyl ether was historically used as an anesthetic because it causes short term memory loss. Kier served as a military doctor in his early 20s, presumably during the American Civil War (1861-1865), so would have been exposed to the anesthetic properties of ether. He founded Lumon Industries in 1865.

(2) Diethyl ether is not something would be synthesized in a vat (it is extremely volatile and flammable), especially not in the way pictured in The Courtship of Kier and Imogene.
(3) If you had vats of boiling diethyl ether around your regular mill or factory, your workers could still perform the basic functions of their jobs, but would not remember most of it. Lumon created severed work places in 1865!

(4) Harmony says she hadn't consumed ether since she was eight, so this is probably when she stopped working at the factory. She also refers to Hampton selling ether as "shameful", because to a Kier cultist, ether intoxication is a quasi-religious alienation of one from their work.

(5) The effect of having a town where the ether factory shuts down would result in an entire town of ether addicts who are no longer getting high at work which is what we saw in Salt's Neck.

(6) I think it is pretty clear by now that Dieter (Diethyl ether) was what Kier Eagan referred to as his persona while in a state of ether intoxication.
Imogen was a child bride.

I've been thinking this ever since Woe was described as half the height of a normal woman. That felt child bride coded, but here is the rest:

Kier didn't have his first child until he was 44. If Kier met his wife in his youth, as Lumon would have you believe, she wouldn't be in good shape to have two children one year apart from each other in her 40s in 1885 and 1886 respectively.

All the evidence provided in attached pictures supports the idea that he found himself a child bride at the ether factory, while undercover as a swabman.

I included some more fantastical pulls about Woe because I believe Imogen is represented as the woeful bride. Kier seems to have felt some kind of way about the sins of his past on his deathbed, so he made up the fourth appendix and Dieter to sever himself from the sin. He made up Dieter to be his scapegoat. (If you grew up not religious, like I did, google scapegoat+religious) Part of his guilt (?) might revolve around his child bride, given she may have been sick from the factory and she was definitely woeful.

The fact we only know two things about Imogen, she was a swab girl and married Kier, leaves a lot of question marks about her ultimate fate. Poor girl.
Ether As Severance + “the Courtship Of Kier And Imogene” (relationship Parallels)
Ether As Severance + “the Courtship Of Kier And Imogene” (relationship Parallels)
Ether As Severance + “the Courtship Of Kier And Imogene” (relationship Parallels)
Ether As Severance + “the Courtship Of Kier And Imogene” (relationship Parallels)
If Kier & Imogene knew each other at work, and Imogene was effectively severed due to the ether high, it makes sense that he would find Imogene outside of work and tell her that their innies fell in love at work, whether it was the truth or not, just to get her to be the child bride.

Fits with a lot of religious/cult behavior where a man will corner a woman (sometimes younger) and say something like "God meant for us to be together," or "God came to me in a dream and revealed that you are my soulmate," to manipulate the woman into being with him.

The mysticism around Kier being a religious figure due to "mastering the tempers" and severance just makes it more believable.

It's what Kier did to Imogene, it's what Burt is doing to Irving, and I wouldn't doubt it's what Helena's about to do to Mark – or perhaps already subtly did at the Chinese restaurant? Or meant to but failed/chickened out because she's so awkward.
I want to add, I do think this unethical practice of yielding the next generation of Eagans by coercing (assaulting) people under their employ is probably normal within the family tradition.

Inside Lumon it's romanticized so they can justify this abuse of employees, which is in line with the rest of the show. History is written by the victors, so many probably don't live long or are stored away, Shelly Miscavige style, the second they show signs of objection towards Lumon.

(just so we’re clear, while the kier-imogene dynamic is clearly paralleled with helena and mark, it is also reiterated in cobel and mark, dr mauer and gemma, and even burt and irving to some extent; season 2 has also made it a point to show us that helena and cobel are both victims in their own ways while being perpetrators. it is not a black and white situation and misogyny will get you blocked.)

original threads: (x), (x)


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3 months ago
Asoiaf Illustrations By Cao Ke (deviantart) For The Chinese Edition Of The Series
Asoiaf Illustrations By Cao Ke (deviantart) For The Chinese Edition Of The Series
Asoiaf Illustrations By Cao Ke (deviantart) For The Chinese Edition Of The Series
Asoiaf Illustrations By Cao Ke (deviantart) For The Chinese Edition Of The Series
Asoiaf Illustrations By Cao Ke (deviantart) For The Chinese Edition Of The Series
Asoiaf Illustrations By Cao Ke (deviantart) For The Chinese Edition Of The Series
Asoiaf Illustrations By Cao Ke (deviantart) For The Chinese Edition Of The Series
Asoiaf Illustrations By Cao Ke (deviantart) For The Chinese Edition Of The Series
Asoiaf Illustrations By Cao Ke (deviantart) For The Chinese Edition Of The Series

asoiaf illustrations by Cao Ke (deviantart) for the chinese edition of the series


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bloodyraven1001 - A Raven under a Weirwood
A Raven under a Weirwood

Your favourite sicko's favourite sicko;; Mostly ASOIAF, TMA/TMAGP and X-Men reblogs Occasional Astronomy from Professional Astronomer

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