What a gorgeous placeđâŁď¸
Scotney Castle. x
harem + scandals â requested by @kinda-real-awkward
Moon Lovers 1 Year Anniversary Week August 28th:Â âWhen You Knewâ
I was wondering which scene to use, since I couldnât pin point in my mind at which point I knew I was trash for this show, until I remembered Aishaâs tags: #I CAN HEAR ANISAH HOWLINGÂ when she giffed this scene; and I think this was the moment for me.Â
Just watching Wang So broke me completely, in this one scene you see what an outsider he is, you see how much affection he has, you see how badly he wants to be a part of it, and you see how much he knows he canât.Â
Itâs a slow process even before he begins to smile - first he tries to look away and mind his own business, but he canât help but smile at his brothersâ antics and its so sweet knowing such a simple moment caused his âdog wolfâ facade to break. Which then makes the moment where he and Wook meet eyes, all the more heartbreaking - as if Wookâs attention on him is a reminder that heâs not allowed to share this joy.
So yeah, this was when I knew. Happy One Year Anniversary Moon Lovers!
Macbeth's Green Envy Nightgown by UrbanVinta.
THISS
Why compare them, you may ask? Well, mostly because I love analysing works of fiction, especially fantasy. But also because I love expressing my adoration for The Folk of the Air trilogy; and I wanna call out SJM on her writing, and I thought comparing these two series might be a great way to do so!
Letâs look at the similarities first, shall we? They are both about human girls being forcefully taken away from their worlds into faerie worlds. They are both marketed as YA Fantasy (yes, I know ACOSF is NA, but I will only be talking about the original trilogy). Iâm gonna be completely honest here- I love the writing style of both the authors. SJM has flaws in her grammar, yes, but I would be lying if I said I did not like the way she expressed her writings through the figures of speech.
Look, I know that TFOTA is more plot-oriented, whereas ACOTAR is character-oriented. But as far as fantasy is concerned, plot is a very crucial element. Holly Black manages to give proper arcs to her main characters without spoiling or disrupting the plots/plot-holes. SJM, on the other hand, has a very messy plot to begin with. It begins as a retelling of Beauty and the Beast, and then takes a turn to heaven knows where. And her characters arenât well developed either. Why were Nesta and Elain so bitchy? What is Morâs power? How did Feyre get those powers, and why didnât Rhys get them, too, when he was resurrected? SO many unanswered questions.
TFOTA does not have many moments where we get to see the characters have bonding moments with each other, and yet, we root for them. This is not to say that we donât root for the ACOTAR characters at any given point. But some of the moments really do seem too unnecessary (*cough* Mor coming out for six pages *cough*). The backstories of each of the IC members were told, whereas Holly Black mostly showed the backstories of her important characters (in flashback).
Both Feyre and Jude have two sisters. We see Taryn go from the sweet twin, to a complete bitch. Our feelings for her develop throughout the first book (and continue in the rest). Vivi is the type of character who isnât exactly portrayed to be likeable or unlikeable. She is a morally good character, but she messes up, then she feels guilty and tries to rectify her mistakes - itâs the choice of the reader whether they like her or not. When it comes to Elain and Nesta, however, we are told that we are supposed to hate them within the first few chapters. It isnât shown how exactly they whine a lot, instead, we read about it in Feyreâs internal thoughts.
Wow I canât believe Iâm gonna compare Cardan Greenbriar with this Rhystrash, but here we are Both Cardan and Rhys were supposedly villains in the first book, and then became the love interest.
Now, the difference between them is that Cardan is held accountable for being shitty; his deeds are acknowledged; he feels terrible for doing them, and never justifies his actions. Unlike Rhys, who never apologises, never even admits to have done something wrong, and claims that he did all that to 'protect' Feyre. And SJM pulls the "I was good all along, even when I did bad stuff" trope, which doesn't make any sense. Especially because Rhys himself admits to have not done anything wrong. I'm just gonna add a little bit of Aaron Warner here, and say that even if he had good intentions all along, Warner never hesitated on admitting that what he did was wrong.
Also, one more thing that I noticed was that the things Balekin did to Jude when she was being held in the underwater kingdom (I forgot the name), is kind of similar to the things Rhys did to Feyre UTM. And while Jude kills Balekin, Feyre...well....you know.
Buckle up bitches, 'cause this is gonna be a long ass rant. Jude vs Feyre - I have seen other comparisons between them, and I wholeheartedly agree.
To begin with: motive. In the first few chapters of TCP, we see Jude struggle in the face world. She gets bullied, insulted, and there is a whole chapter dedicated to some of her bad memories in Elfhame while growing up. Feyre, on the other hand, didn't have anything against fae when she kills one "in cold blood" (or wtv the phrase was idk). She also doesn't have a motive in wanting to be High Lady, considering she'd been treated pretty well in both the courts (not UTM).
Also, SJM chose the lamest protagonist she could choose. Feyre is mostly put into situations by other people, and she also gets out purely by luck-- or Rhysand does something. Whereas Jude makes her own decisions, chooses what she's gonna do, and creates her own schemes. Which one is an example of a good protagonist?
Honestly, I feel like Nesta would've been a better protagonist, considering she's way more like Aelin as a character (who was a very good protagonist, and I know this even though I haven't read ToG).
Feyre uses the same old "seduction" technique, which is probably the worst thing a main character should do. And since ACOMAF, she was lowered into being a narrative for Rhys. It is evident that SJM tried making Feyre a "girlboss" in which she failed miserably.
People who hate on TFOTA saying there was not enough romance, and idolise ACOTAR never fail to confuse me. Like, it's literally fantasy. If you don't have strong characters (in terms of writing) and good worldbuilding, then there is literally no point of a good romance. And in my opinion, the romance in TFOTA was just fine.
TFOTA is everything ACOTAR couldn't be, and I stand by that.
dude i think u may be the first person (i remember) ive seen not want movie/tv series for tfota and im so glad im not alone!! like it has a lot of potential but there are just a gazillion ways i can see it going wrong đŹ if we did get one i kinda want it to be animated b/c the otherworldly nature of the fae and all the magic would be easier to capture that way but that probably won't happen :/ ur casting is mega valid tho
first of all, i'm ecstatic someone else thinks this đ the way a film/series would shatter my image of the world and characters.
plus, i'm just so tired of book adaptations becoming the next mainstream media craze only to get bashed a few months later for being "cringe" or whatever the fuck. not to mention, i've lost so much trust for screenwriters in recent times. i would rather just look at pretty fanart and read the books over and over, and exist in my little fandom bubble with y'all.
anyways, i know we're not the only ones cos i've deffo had conversations with some other lovely people on here about it.
HOWEVER. i've never thought ab an animated adaptation, and i have to say i would not mind a studio ghibli-esque version of this series at all đđ
Hand Holdingâ¨ď¸
Emma. (2020) dir. Autumn de Wilde
Edinburgh by co.nfused.
Honestly that's so fuckinggg annoyinggg ughhh
whenever i click the cc button on a youtube video that clearly has a high budget and is made by a fucking studio and i see âenglish - auto generatedâ i spit daggers from my eyes and mouth at whoever decided to not pay someone to make actual captions