"if I Was Orpheus I Would Simply Not Turn Around" Yes You Would. If You Were Orpheus And You Loved Eurydice,

Hannah Montana is fucked up because its entire POINT as a show is that children should be protected from fame and exploitation, but it stars a REAL little girl that's being exploited. Nearly every episode carries the looming threat of Miley being outed as Hannah and losing her peaceful teenage life to the ravages of fame. Her father in the show (played by her own father in real life) wisely protected her from the trauma of fame by making her wear a disguise and live a rather quiet, interview-free life. Meanwhile the REAL Billy Ray Cyrus sold his daughter to Disney Channel when she was 11 and forced her to read dialogue about how terrible it would be to face the public eye. Like... Jesus, dude. The fictional Robby Ray is 10x the father, and it's not even close. (It's also IMMENSELY funny that her dad doesn't use his real name in the show, while she does. Almost like he wanted a bit of a disconnect between his identity and his character. Something Miley didn't get.)

Watching the new Percy Jackson episode, and while by no means is the show perfect, I do love how they updated the blending of Greek mythology and the American Gothic for social commentary.

What I mean is Echidna, the mother of monsters, is some respectable-looking vaguely southern white woman who is able to convince the police on the train that three kids shattered a train window and used those institutions to isolate the kids so she can target them and scare them for the chimera's hunt. The way that the police especially treat Annabeth. Now, as a young black girl, she has to know how to ask if they're getting arrested, and gets called out by the police for her tone.

And then, at the St. Louis Arch, we see Grover upset because of the museum, which is basically a monument to Manifest Destiny (literally, there's a shot where the words are in full display in the background). And while they say, "Grover is upset because he doesn't like it when people hurt animals," they explicitly depict America's colonization and destruction of indigenous communities as The Bad Thing. It adds another layer of flavor for the whole "Pan is missing" - it's not just about Climate Change. It's about the extermination of indigenous groups (the centaurs they saw on the train, the reminder that there used to be more of them until humans started killing them). They say "humans" are bad, but they're showing us Western/American colonizers.

Also, a rare yet interesting moment of conflict between Annabeth as a daughter of Athena and Grover as a Satyr. Annabeth insists that the museum's commodifying and glorifying of American colonization is "not what the arch is actually about, it's about architecture and math," but Athena is the goddess who protects social institutions and a patron goddess of the state, law, order, industry, and war. The Industrial Revolution and Western social institutions definitely contributed to colonialism; just saying. We also see in this episode that Athena can be arrogant and cruel - letting a monster go after her own daughter because she was embarrassed.

Anyway, idk. Maybe I'm overthinking this but these were the things that popped out to me on first watch, and now that I think about them more, I would love a continuation of these kinds of themes and tropes in future seasons, if we get them.

Do you ever think about how poetic the scene of Gojo being sealed in Shibuya is? I'm not just talking in terms of the love of his life being his downfall and the utter tragedy of their story. I'm talking about how poetic it was for Gojo himself, for the "honored one" who was basically considered a mortal god and treated as such, to be defeated in the most human of ways.

Let me explain. Again, this isn't just about the Gojo's love for Geto being his Achilles heel. Something that Jujutsu Kaisen encapsulates time and time again through various characters is the juxtaposition of power in humanity- infinitely capable in some ways and still tragically helpless in others. It's why the idea of "Sorcerers die alone and with many regrets" is such a recurring thing brought. Many of them are considerably powerful and have done almost miraculous things, but in the face of their own death or the loss of their friends or the regrets that pile up in their lives, they are powerless. In a lot of ways, that is what it means to be human, powerful and powerless all at once.

And that is what Gojo demonstrates at Shibuya. He truly proved he was, inarguably, the strongest sorcerer in centuries as he took on three special grade curses and a death painting, fought two of them hand to hand, and killed one of them by crushing it to a wall. He then demonstrated immense control and strategism by holding a domain for 0.2 seconds and then wiping out more than a thousand curses in under five minutes. He single-handedly prevented a complete massacre of humans in the area. It feels like he's proven, shown us, that he is the god everyone thinks of him as.

And then he sees the only man who didn't treat him like a god. The only one who had seen him as human and, in some ways, made him human. The one he thought he'd killed a year ago. He sees him and he freezes. At the site of his greatest demonstration of power, his Achilles heel stands exposed.

And in that minute of shock, guilt, memory, horror, and longing, he falls. So powerful he seemed invincible, yet rendered powerless in that moment. Gojo Satoru, the honored one, the mortal god, the strongest sorcerer, creates the deepest truest representation of humanity in that moment. Not just in our vulnerability to love, but in how we are, within ourselves, both the indestructible and the defeated.

As far as book-to-movie adaptations go, The Hunger Games does a pretty good job. But one thing I will never be able to forgive is how dirty they did Finnick.

If you've read the books and watched the movies, you know exactly what I'm talking about. For those of you who don't know, I'll explain. Remember how the District 13 soldiers infiltrate the Capitol to rescue Peeta (and Johanna)? In order to create a distraction for this operation to take this place, the rebels take this opportunity to hack all the Capitol channels. But they need something with sufficient shock factor to capture the Capitol's attention. This is when Finnick steps up and spills some MAJOR TEA in front of the camera. Now, in the books, Finnick's speech is the main focus with the infiltration happening in the background, but the movie does the OPPOSITE (for reasons I will never understand).

People who've only watched the movies don't even know what Finnick said and how important it is because of how the movie overshadows his part there and let's it become fucking background music for the most part.

Finnick talks about how, as a victor, the Capitol sold him (his body that is) to the elite. Basically, they sex trafficked their victors. Keep in mind that Finnick won the games when he was 14. All the victors were minors when they won. And in order to assuage their guilt, to pretend like this was somehow not a really fucking messed up transaction, his "buyers" would offer him gifts- money, jewels, clothes etc. But Finnick figured out a much more valuable thing to exchange. He asked them to tell him their secrets. And because he was dealing the Capitol powerful elite, he learned just how rotten the Capitol was at its core. And the best secret he learned was of how Snow came to power- by poisoning his enemies. And it was from that poison (he also probably had to consume it to prevent his enemies from suspecting something) that he had bleeding sores in his mouth that he tried to disguise with the scent of roses.

Apart from exposing Snow's corruption, Finnick's confession exposes another truth - that the games are never truly over. The victors may leave the arena, but they remain the Capitol's pawns. And if not pawns, they become examples. Johanna and Haymitch were the latter. Johanna was also expected to do what Finnick did. But she basically told the Capitol to go fuck itself and so they killed her whole family. Haymitch had played smart in the arena by using the Capitol's own force field to win. And so they had already killed his whole family (and girlfriend) for that. So they had no one to blackmail him with.

Now think back to what Finnick said to Katniss when they first met. He tells her, "You could have made out like a bandit, jewels, money, whatever you wanted." Katniss ribs at his popularity in the Capitol by talking bout people,"paying for the pleasure of his company, " not realizing just how true that statement was. (He replies "secrets" is you recall). Finnick was alluding to a fate Katniss would have also had to face like other victors if she hadn't been reaped again.

The games were never fucking over. The victors would always be the Capitol's pawns for as long as it suited the Capitol. And I will never be over the fact that the movies quite literally drowned out Finnick's story like that.

Finally, an explanation

Epic: the musical poster~

GAHHH i cant stop listening to circe's songs ngl, this poster was a birthday gift for my gf and it turned out so good :)

“Sejanus is like Katniss!” “he’s just like peeta!”

What if I said he was like Gale?

Their blind loyalty their districts. Their rash nature, fuelled by their anger at the injustice the people of their home face. Their strong sense of morality, their eagerness to save the people of their district. Their hatred for the games, and their trust in their friend counterparts.

I’ve seen posts comparing Katniss to Snow, and Peeta to Lucy. In this case, Gale representing Sejanus makes so much sense.

Gale is Katniss’ friend from home. Katniss partakes in the games, but Gale doesn’t get the chance to- like how Sejanus’ tribute Marcus died from default. Katniss feels as though she owes Gale her love, and the way Snow treated Sejanus was all from pity. Artificial love, although Snow and Katniss are set so far apart that Katniss still loved Gale, but as a brother.

Something sets all of the characters apart from their counter character. For Katniss, she was forced to become a hunter when Snow was one at heart. For Peeta, he was forced to put his true feelings forward to perform, when it was Lucy Gray’s passion.

For Gale and Sejanus, I think it’s their sense of morality. Gale is who Sejanus would’ve been if he had no room to act out, had no trust fund to protect his outbursts. Gale is Sejanus after years of oppression, the pride and protection for his home becoming almost toxic. Sejanus is Gale with a chance to change the things around him - a boy with hope, refusing to play by the Capitols games.

If Sejanus had lived, he could’ve become a version of Gale, who in war would risk the lives of hundreds of innocent people from the Capitol. Perhaps Sejanus is the version of Gale who would’ve run away with Katniss before her reaping. Hung and punished, before their urge to help people turned fatal for others. Still morally good.

˗ˏˋ ꒰ some tgck fanfics that I recommend; a thread ! ꒱ ˎˊ˗

1- For You by dynamighttiddy (Honeygothic)

2- On Monsters and Lesbians and the Inevitable Overlap Between the Two by mor (mornin)

3- Take a Bite by ghostinurattic

4- be an anchor for you by a_sentimental_man

5- Kidnapped by a pretty little dead girl by lexistentialcrisis19

6- holding on tight, don’t slip away by summershouto

tags: @birdsandbeetlesandmoths @ray-the-human @dyn3m1ght @luisaloveshoney @btxtyuri @harbingerofsillies-reblogs @echoelena-ing @ihaventsleptinweekz @magical-grrrl-mavis @pitifulbinx @thisisgrass @beeeepsi @mafuyuchii @morallygreykoifsh @mylittleponywithblitzo @sophia-romantica

@aight-griffin @themantheguytheloser @amygdalabeandip

please, read the hashtags!

what is adolescence if not leaving and being left?

1. iain s. thomas | 2. alison zai @alisonzai | 3. @chloeinletters | 4. mikko harvey | 5. fleetwood mac | 6. the breakfast club (1985), john hughes | 7. lorde | 8. miranda july | 9. richard siken | 10. @mavra-matia | 11. homer | 12. amy hempel | 13. mitski | 14. katrin koenning | 15. freya ridings |

"It's a story about devouring and love just happens to look similar"

now I just rolled into this establishment but it seems to me that jujutsu kaisen is in fact entirely about cannibalism. eating fingers, eating curses, eating your twin inside of the womb, eating your twin outside of the womb. archaic power structures that needlessly burn out their own young. ancient spirits assimilating little girls. prison realms full of bones that slorp you up. the envelopment of a domain, like being in something’s stomach sloshing around inside it. this is not a story about love! it’s a story about devouring and love just happens to look similar.