In this series I’m exploring the reasons why Tarsem’s “The Fall” is my favorite movie.
Seeing a movie for the first time can be awfully important because as the viewer goes along with the story they build up their attitudes, which will hardly change later. Now this doesn’t apply in all cases, since many art films heavily rely on alienation, absurdity and obscurity, all these undermining the importance of the first time, as the case is often that the conception and solidification of attitudes and a deeper understanding of the experience come later. In fact we regularly process movies after the event, however this is usually more of an adjustment in the case of genre movies.
One feature that I find overarching The Fall is its generosity and it is present and foremost here, in the field of immersion, as well as in many other places. The Fall, being an independent film with an R rating, didn’t have very much to win by being as viewer-friendly as it ended up being. My argument is that this film is enjoyable and not at all puzzling at the first time viewing but it serves an artistic purpose and not popularity.
I found two interconnected parts of the film that helped it accomplish this feat.
#1: Placing us in Alexandria’s point of view. First off, a child seems a relatable protagonist, since everyone has been one. Her being in a hospital with a broken arm seems like nothing out of the ordinary; even if one has never had a broken bone, there’s nothing predominantly exotic about it.
#2: The narrative arc is gradual. To delay the exposure of the audience to the more powerful motifs of a film is a hard thing to do because it requires confidence in the script and performances and high payoff value expectation. As I mentioned in the previous paragraph, the story’s starting point is very familiar and seemingly simple. When we are shown the characters and their depths, the movie follows a classic formula: we start with more mundane details and progressively move toward the more dramatic. A juxtaposition: in today’s storytelling it’s more common to try to shock the viewer early on and thus induce an immediate and strong emotional response.
The Fall follows through with this approach of gradual expansion on every layer, e.g. Roy’s story starts out as an independent tale, which is very safe and light, then it becomes inseparable with their reality and concerns the darkest and hardest topics around the end. In this narrative mode the audience is granted safety from confusion, as there’s an obvious story on the top that is entertaining in itself. At the same time, however, the more profound layers of the film, through being concentrated in the later parts, can be encountered without the deception that sudden shocks and an ensuing emotional chaos would have caused. Thus I think the art in The Fall is exquisitely genuine and can be experienced as such, which is a very rare merit.
I quite recently watched a Sherlock episode, titled: The Sign of Three. It was, in my sincere opinion, a relief after the surprisingly disappointing season premier--and I haven't watched the season finale, so please don't spoil that for me.
In this episode, besides of a number of complicated and smartly intertwined cases being solved by Sherlock, Dr. Watson gets married. Well, marriage is and has now been for a pretty good while a sensitive and controversial subject and no one blog entry could contain the expression of the complete set of my views on this topic, so I'll just reflect on one thing.
As Sherlock prepares for his awkward and unromantic best man speech, he points out a flaw in the institution of marriage. He says, that a wedding is not a big day, since two adults, who already live in the same household, will merely continue their relationship, without any addition or alternation in regards of form or content, just implementing a brief intermission consisting of a grand celebration and a short vacation.
Sherlock's argument against marriage is, however, not, that it should be done differently but that it shouldn't be done at all, having understood the little relevance it has. Of course we discard this argument as a trivial mistake. We feel this way because the essence of marriage and what it constitutes are unuttured but very valuable things.
The essence of marriage is problem #1. Out of all the definitions I've heard in my short life, the most easily acceptable and most up-to-date is this: a union between two willing adults, sanctified by the state, promoting romantic values. This is fairly true to popular contemporary views I believe.
On to problem #2: what does marriage constitute? To answer this question, we will now draw consequences about our answer to problem #1. Marriage essentially constitutes a state, in which the participants have their relationship recognized by the state and their pursue of romantic goals is hence justified.
I will now try to contradict my previous statements and conclusions by explaining faults I believe to have identified.
Fault #1: the state's sanctification is inadequate. I will demonstrate this by one argument but I believe even more exist. My example is this: take a christian couple. They get married and according to their beliefs their marriage was sanctified not solely by the state but also by God. If we define marriage as a thing getting its sanctification by the state we have disrespected and at least the way the given couple sees it, degraded their marriage. On the contrary, it would be problematic to change the definition in their favor because that would be misfit for the people not sharing christian faith.
Fault #2: in case marriage essentially promotes romantic values, such as romantic love, fidelity, companionship and such ones, it must mark the distinction between the state of promotion and the state, where these values were not promoted or not in the same manner. This means, that, for instance, before the marriage you have the liberty to break up the relationship you have, however, after you're married, you willingly give this up and thus will never have the freedom to get a divorce. Of course this seems extremely orthodox and hard to accept but given the definition above, the state of marriage does not allow you to violate the institution of it.
The list of problems and faults may be too short or inaccurate in contrast with others' views but I believe it's quite enough food for thought for now.
Both faults, listed above, originate from how we define the essence of marriage and what we want it to constitute. Now, that I have questioned and denied the modern day thinking about this topic, it may seem, that I agree with Sherlock and see marriage as an irrelevant contingency in life but that's not the case either. What I personally think about it is, that as long as we don't have a unanimous definition of marriage, we can't make court rulings or legislations defining its aims, since no matter how liberal we are, it will always take away the freedom of at least a few. And to give my view on what to make of the current problem, I will say, that marriage is valuable and it should continue to exist, however, to fill it with importance, contemporary thinking about it should indeed be changed.
It’s May 2015. When have the days passed me by? Last time I looked out the window it was two years ago and it was a today. Wasn’t 2013 the future just enough?
I have a friend, who likes to refer to the 1920′s, as a good age and I guess I feel it, too, but it’s always just an intellectual longing to something currently romanticized. At the same time there exists a predominant nostalgia in me, which is personal. I have lost a very good time, when I was healthier than now, fresher, more beautiful.
My spring is always about losing time. I have a favorite interval in my past, which I’d love to bring back--not because I wasted it away but because I couldn’t hold on to it. Spring is also like that: it’s romantic, it’s crisp and it gives me a warm feeling about life but at the same time, I can’t hold on to it.
I’m not talking about fear of change. The idea is changing for worse. Not the possibility but the actual thing. Summer’s a nice season but it is not as appealing to me as spring. It has to do with my taste, so it doesn’t necessarily apply to you but what does is that everything around you is constantly disappearing. And it’s an irrecoverable state.
Things are sweeter when they're lost. I know--because once I wanted something and got it. It was the only thing I ever wanted badly, Dot, and when I got it it turned to dust in my hand.
F Scott Fitzgerald - The Beautiful and Damned
You'll find another.' God! Banish the thought. Why don't you tell me that 'if the girl had been worth having she'd have waited for you'? No, sir, the girl really worth having won't wait for anybody.
F Scott Fitzgerald - This Side of Paradise
Recently I experienced an emotional antinomy in regards of how current technology and social media affect art.
My first observation was that it multiplies the art outlets and creates a vast stock of memorabilia about artists for the ages to come. How nice would it be to read Fitzgerald’s tumblr posts.
The second observation was that the increased outlets and the conservation of everything brings about a horrific picture about our age. As cheap horror flicks went down the sewers a hundred years ago and then disintegrated from human remembering, we cannot anticipate today’s trash to just disappear because it will haunt the internet forever.
But just today I woke up with a realization that alleviated my passionate opinions. I remembered that people read and watch and touch what they choose to. The internet does not change the people fundamentally, it is exactly the other way around. However the current society wishes to shape the world of art, it is not a danger on the bigger arc of things. The case has never been changed, not even slightly, dumb people have always been into dumb things and smart people have always been into smart things. Any alternation that has ever happened happened in the individual’s life. We, as persons, and not as society, move forward. It is because of each individual’s limited time on earth: we start from nil and run as fast as we can to get the farthest possible but it does not affect society, as it survives the individual. Unless people can somehow learn to give birth to children with a refined sense of society in their heads, society will not become smarter or dumber, just a mass of us.
I mostly write. Read at your leisure but remember that my posts are usually produced half-asleep and if you confront me for anything that came from me I will be surprisingly fierce and unforeseeably collected. Although I hope we will agree and you will have a good time.
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