I was asked by a friend yesterday if I could offer basic tips about comic paneling. As it turns out, I have a lot to say on the matter! I tried breaking down the art of paneling using the principles of art and design, and I hope it helps you out!
EDIT: uh uh there are a lot of people reblogging this, so i figure i may as well append this now while i can lol
This whole thing was very much cranked out in a few hours so I had a visual to talk about with a friend! If this gives you a base understanding of paneling, that's awesome! Continue to pull in studies from the comics you see and what other artists do well and don't do well! You can tell paneling is doing well when the action is flowing around in its intended reading format.
Here's the link to the globalcomix article from which I pulled the images about panel staggering! Someone sent in a reblog that it wasn't totally clear that the 7th slide mostly covers what NOT to do in regards to staggering, and that is my mistake!
I saw in a tag that someone was surprised I used MamaYuyu too, and I don't blame them lol. If I had given myself more than a couple hours maybe I would have added something else on, I just really admire MamaYuyu's paneling personally.
uh uh, final append: I am by no means a renowned master of paneling, so if you find anything off base here, by all means, counter it with your own knowledge and ways you can build upon from here! Art is always a sum knowledge of everything we find. 💪
*heavy southern accent*: terfs aint got no friends
Red Vi Supernova ❤️
Episode 8 is finally out!!!! ✨
They are playing Minecraft 💅
Nothijg puts my mind more at ease
Than a toasted bagel and cream cheese
1. Tone Words: Use tone words to convey the emotional quality of a voice. For example, you can describe a voice as "melodic," "soothing," "sharp," "gentle," or "commanding" to give readers a sense of the tone.
2. Pitch and Range: Mention the pitch and range of the voice. Is it "deep," "high-pitched," "raspy," or "full-bodied"? This can provide insight into the character's age, gender, or emotional state.
3. Accent and Diction: Describe the character's accent or diction briefly to give a sense of their background or cultural influences. For instance, "British-accented," "Southern drawl," or "formal."
4. Volume: Mention the volume of the voice, whether it's "whispering," "booming," "murmuring," or "hushed."
5. Quality: Use terms like "velvet," "silken," "gravelly," "honeyed," or "crisp" to convey the texture or quality of the voice.
6. Rate of Speech: Describe how fast or slow the character speaks, using words like "rapid," "slurred," "measured," or "rambling."
7. Mood or Emotion: Indicate the mood or emotion carried by the voice. For example, a "quivering" voice may convey fear or anxiety, while a "warm" voice may express comfort and reassurance.
8. Resonance: Describe the resonance of the voice, such as "echoing," "nasal," "booming," or "tinny."
9. Timbre: Mention the timbre of the voice, using words like "rich," "thin," "clear," or "smoky."
10. Cadence: Highlight the rhythm or cadence of speech with descriptors like "staccato," "lilting," "rhythmic," or "halting."
11. Intonation: Convey the character's intonation by saying their voice is "sarcastic," "apologetic," "confident," or "questioning."
12. Vocal Characteristics: If applicable, mention unique vocal characteristics, like a "lisp," "stutter," "drawl," or "accented 'r'."
EMO VI + ABS
Certain words can change your brain forever and ever so you do have to be very careful about it.
Earth is under my protection.
I still can't believe this is canon
Gosh
I want to talk about THIS moment. Right before. There's a TON of people misreading Caitlyn's intent because she's using such a playful demeanor after Vi's sorrowful self-deprecation. To be honest, it's the best response she could have had, and the best tactic. Her demeanor serves as a stark contrast to the spiral of self hatred that Vi is going down, and it's an excellent distraction. Caitlyn is stopping her line of thinking, right then and there, and she does it while delivering one of the most romantic and understated declarations of love I've ever seen.
Stay with me here.
Let's be very clear: Caitlyn did NOT come to the cell with the goal of seducing Vi. Not even. How do we know? Aside from several context clues that come before this scene, the way Caitlyn responds to the kiss is very telling:
See how long it takes Cait to even register what the fuck is going on?? She's literally like "oh. OH. we're kissing? WE'RE KISSING." And Vi also OPENS HER EYES very briefly, to check that Caitlyn is as into this as she is, right as Cait settles into the kiss, likely sensing her hesitation/delayed reaction. This scene is NOT Caitlyn seducing Vi. This scene is Caitlyn giving herself to Vi, and Vi choosing exactly what she wants to do with her, which is VERY different.
What does Caitlyn say right before the kiss? She says, "Do you really think I needed all the guards at the hexgates?" Translation: I left Jinx's cell unguarded on purpose. I want you to know that I heard you during our last conversation. I want you to know that I trust you. I want you to know that my love and care for you is more important than my need to sate my grief and desire for revenge. I choose you.
And following: "Sorry to say, you've grown a bit predictable." Translation: I know you. I see you. I knew you would choose this, coming after your sister, and I facilitated the circumstances in which you COULD choose this. You don't choose wrong. You choose love, and I understand that now. I want you to know that I support your choices, and they won't cost you the people you care about, at least not me, not anymore. I know that you'll always choose your sister, and I've made peace with that. What you want is what I want.
That is MONUMENTAL. That's quite possibly one of the most romantic things I've ever seen in media. Because who the hell has the guts to give up their grief and forgive their mother's murderer, all for love? That's a level of sacrifice that not enough people are acknowledging.
People say Caitlyn never changed, never felt remorse, never grew from the bad choices she made. I say wrong. And this was the turning point.
to pretend that horrible people cannot make good art is another way to conflate beauty and talent with integrity and morality. the works of monsters are best examined with knowledge of the author in mind but art is not inherently reflective. human beings are creative, and habitual liars- it'd be stupid to pretend art must always be a portrait of its creator