I think that the Hamilton musical is objectively the funniest thing that could happen to that man’s memory. Imagine dying of a gunshot wound infection in 1804 and learning from the afterlife that tweenage girls in 2017 are drawing thousands upon thousands of images of you making out with your fellow congressmen because someone wrote a 2-hour rap opera about you. I like to imagine that Hamilton found a monkey’s paw and wished to leave a legacy, and this is what it did to him.
Hi besties,
So we got to the pluto post already? Ik y'all be thrilled for this. Everyone has a secret crush on pluto so let’s goo. 😎
I know that much of this post is advice, but I really felt the need to share what I learned too in hope it helps someone out there. You guys asked so many questions I tried to answer them here. If I don't then I don't have much experience and knowledge about it, but you're making me learn about it. ♥︎
Highlights: sun, ascendant, MC, scorpio, aries, pluto, chiron, mars, uranus, venus, 1st house, 10th house, 7th house, 8th house, celebrity charts
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🌑 Pluto square/opposite/conjunct sun, and positive aspects too but softer/easier. Your ego is dead every other week? You question yourself, you analyze yourself a lot. People who want to understand their personalities fully. The moment they got a grasp of it, it's dead again. Being misunderstood a lot, appearing more intense or forceful than you intend to, especially at a young age. Pluto is two steps ahead of you here, you need to catch up, you need to conquer your fears again, you need to strengthen your will occasionally. The epitome of transforming. Everytime you change, people are shocked, where did that power come from? Mixed impressions. Your intensity can come off the wrong way with your self expression until you understand where it comes from, until you integrate all parts of yourself and accept them fully. The more you understand how to use your power with intention and control the more you know how to express yourself, the more people relate to you, trust you, gravitate towards you and share with you. But again always carrying that inner power, that deep knowing, a layer of controlled intimidation with a hint of mysterious allure, pluto ain't going anywhere lol.
🌑 Pluto aspecting ascendant especially square/opposition/conjunction, this is very similar to pluto sun aspects but a lot more visible. People don't have to interact with you to see the darkest parts of yourself and themselves in you. Conflicts and misunderstandings are much easier to happen here. You feel misunderstood, you want to scream "I didn't mean it that way" everywhere you step. Your looks are intense you already know it. Now with this aspect, any change that happens on the inside whether positive or negative is HIGHLY HIGHLY visible in your appearance, on your face especially, it's insane. Having a bad day? It's either visible on your appearance or absolutely unnoticeable, who knows what pluto decides to show that day. Controlled or unleashed? But you should know the what, where, how, why, you are meant to watch the way you come off. You don't change it from the outside in. It's your shadow, the emotions, how you resist certain behaviors, how you let it go. How you dig deep, find the pain, and feel it, cry it out, squeeze what's left, heal it, let it go, revisit it, show it compassion. Look at yourself in the mirror again? Extremely transformative, try and meet them once every two years, you won't know them.
🌑 Pluto ascendant aspects especially conjunction have this astonishing almost unbelievable ability to become magnetic, that beauty you become hooked on. Features transforming. Eyes that make you want to come back again and again, endlessly mysterious, flirtatious without trying. Ability to appear extremely cool. Darkness that stays with you to help shine all those distinct features of yours even brighter. A lot of shadows on the face, under the eyes, on the cheekbones, on the neck. Their style is unique, there's always meaning behind it, it's never shallow for the likes of others, it's the way they embrace all they are and show it to the world.
🌑 Pluto has this ability to make your aura mesmerising. Just like you were able to integrate those parts of yourself and fix them from the ground up with so much detail like you are some magical surgeon, all of this work is shown on the outside. You can seduce people with one small move, you don't have to try. A devilish ability to convince people of things, a trustworthy persona with a demand for respect. Pluto knows you got all it takes to dig deep and reinvent yourself, which is why you have these aspect.
🌑 Now I have advice for people who got pluto harshly aspecting their ascendant, I have it opposite my ascendant on the 7th hear me out. You might appear exactly what you don't want to appear that day, it's frustrating. What's the meaning behind it? You won't know it until you see many other impressions of others and it becomes more real. That's because the 7th house is what others mirror to us and what we mirror back. Relationships are not easy for you. You might need to seperate yourself from others and watch how you act by yourself, then take those expressions of people as feedback. Where is your blind spot? Is it that serious or is it just a part you won't accept about yourself? Try to analyze how you appear healthy and rationally. Spend time looking in the mirror, cry in front of the mirror, tell yourself what you want to say, face the pain by facing yourself. You need to have empathy for yourself, it's a journey you're taking, don't overdo it or avoid it completely. Do what you can until you feel satisfied with yourself, don't obsess with it. Remember to see the blessing in it, the blessing is power, no one said power is easy to deal with.
🌑 People with pluto ascendant aspects, applies to pluto MC aspects or 10th too, with every death and rebirth in themselves, their personalities and life events, they feel the need to change parts of their appearance on the outside, whether through style, makeup, hair, or attitude. The types to cut their hair out of nowhere because they felt like it. They ain't waiting for a haircut they find them scissors and do the job. The types to shave parts of their heads, get piercings, dye their hair, bold makeup, new makeup tricks, new everything. Shocking people with "this is the new me" and feeling good about it. Each era has an aesthetic especially with pluto conjunct ascendant or 1st.
🌑 Pluto trine/square/conjunct venus, have that strong ability to make their clothes appear expensive, or rather valuable, it's a mysterious, effortless, composed kind of value, with the way it fits their bodies, the way they style it, especially if they appreciate fashion and have interest in it. If they put time and intention on what they wear. If they feel worthy of all that they have and treat it like it's worthy. Aesthetics that are memorable, the way they present themselves is immaculate. People want to copy them, but again it's that aura and intention it's never the clothes.
🌑 Pluto aspecting inner planets in general especially harsh aspects and conjunctions. Once these people understand their power and control it, balance it out, especially with the way it comes off. Once they stop hiding their compassion but rather embrace all that they are, without fearing losing other parts of themselves. Once they realize and face the effect of their words, their immediate responses and expressions, and their minds. Once they realize their motives and THIS one is important, that's when pluto truly truly shines, it becomes irresistible. The dark has been explored and now it can see the light, but it mastered both. You now see the power in others and appreciate it without feeling any less powerful, because you are firm in who you are and it's unshakable. The more work you do, you become the textbook magnetic, there's an undeniable pull to your energy.
🌑 Aries and scorpio in ascendant/moon/mars/venus, their walk is powerful. You don't hear them walk tho, especially scorpio. It's like they powerfully silently walked to the end of the road but you'll miss it if you don't keep looking lol. A lot of charisma and seductiveness. Their style is just who they are. There's an individualism with the way they carry themselves, especially if aquarius/uranus is strong in their charts. They wanna do what they wanna do vibes. Accessories look great on them. Trendsetters just because of the boldness to break current trends and the idgaf aura.
🌑 Pluto in the 12th house, very much like saturn 12th, have had their world shaken up. Individuals that are used to inner turmoils, and constant subconscious triggers. Profound eras of deaths and rebirths. Stillness and loneliness, traumatization, emotional baggage. Seeing their deepest fears in nightmares, in themselves, in others, overcoming their fears, facing them, discovering that they have power over their subconscious, they had it since the very beginning. They've started from completely being unaware to hyper aware of their subconscious patterns, habits and inner power. Bringing their subconscious to their consciousness and transforming it gives these individuals immense power over themselves and others. They lead and take on positions of power.
🌑 Pluto in the 12th can mean literal death, sometime in the 8th and 11th too. People whose deaths are a mystery, unsolved deaths, speculations over their death, dying young. Now this is especially prominent if they also have north node/mars/uranus in the 8th or 12th. It is very interesting to see how the north node, pluto, mars, and uranus can cause abrupt deaths! Steve Jobs with pluto in the 11th and 12th cusp, and mars in 8th. Princes Diana with NN, mars, pluto AND uranus in the 8th (mind blowing). Marilyn Monroe with pluto and NN in the 12th, AND mars with uranus in the 8th. Paul McCartney NN in the 12th with mars conjunct pluto in the 11th. Elvis Presley with pluto 8th. Michael Jackson with NN in the 8th cusp. bye I'm mind blown.
🌑 Chiron conjunct/opposite/square ascendant, in the 1st or 7th. Wounds related to your self concept, expression and appearance. Such a difficult placement especially if saturn or pluto aspects the ascendant too. Through your experiences with others, you were made to feel doubt and confusion with the way you appear. Body dysmorphia is common with this placement. Your ascendant is a sensitive topic for you. One day you feel okay about yourself and the other deskilling it completely, you don't know which way is the truth. Your body image is unclear, but it becomes better as you learn to heal yourself and others. It's better to remember the positives about yourself and be rational. Constantly remind yourself and others of how beautiful you and they are. You are meant to feel compassion for yourself and others. If you can't convince yourself that you're beautiful that day try and say it to someone else, your words are healing, super healing especially to people that have the same issues.
🌑 Charts with chiron opposite ascendant, Chris Pratt, Dakota Johnson, Jenna Marbles, Keanu Reeves, Kendall Jenner, Kurt Cobain, Bill Gates. Chiron conjunct ascendant, Selena Gomez, Margot Robbie, Heath Ledger, Shakira, J. K. Rowling, Lily-Rose Depp.
🌑 This kind of applies to chiron conjunct/opposite/square MC or in the 10th, but moreso with how the public sees them, thus how they see themselves. Their skills and abilities never being enough to them. How they perform at work is never satisfying enough to them, thus they work harder, they put so much pressure on themselves to the point of exhaustion, especially if they are career driven. Their doubts can stop them from taking action. They might stutter or freeze whenever they have to act and take action. Fear of being at the center of attention but desiring it. Doubts about their life purpose, where they stand in their career. Distorted perceptions about how the public sees them.
🌑 Chiron aspects to MC or in 10th people are usually respected and looked up to, unlike how they see themselves. Ironically, they can heal those wounds for other people through their work, strong ability to make others feel heard and understood when it comes to their career, self image and public opinions. They are remembered for their work and the effect they had on others. Individuals that have chiron in the 10th are many, Marilyn Monroe (makes so much sense because she wasn't confident in her acting and had speech problems), Kylie Jenner, Drake, Lorde, Miranda Kerr, Pharrell Williams, Pablo Picasso (remembered so much after his death), Sandra Bullock.. and many others.
🤍🤍🤍🤍
Meeeeeeeeeee
MARS IN THE 1st HOUSE: Observations
Life is a battlefield for those with this placement, and they are in the mood to conquer. Their sense of energy is abundant and their incredible ambition allows them to achieve anything they set their mind on. Mars loves being in the first house and this offers the native many benefits. People with this placement live for an adrenaline rush. They can find this through risky activities and competitive sports. They love a good argument, to them it’s a game. They know that when it comes to a true disagreement there is no right or wrong answer, so they instead focus on being the best. Sometimes they can be quite ruthless in the delivery of their tactics, but ultimately these natives are pretty lighthearted. If anything, people who have Mars in the first house are just chasing after a good time. They uplift everyone’s spirits and motivate others to take action. Obviously, these people make for fantastic leaders. People with Mars in the first house know what they want and they know how to get it. They also have the energy to match this and will work hard to achieve what they believe to be rightfully theirs. This inspires others, people with Mars in the first house really are the blueprint. Sometimes there is a tendency to act without thinking, this can be good or bad. In situations where it is required to be quick on your feet, people with this placement rise to the occasion. However, in a situation that requires a sense of patience and tedious detailed efforts, they may struggle. These individuals may also struggle with high levels of aggression. It is common for people with this placement to be known for an act of violence that they inflicted. Even if those with this placement have never resorted to violence, others know that they are very much capable of it. These individuals also struggle with acts of violence being inflicted upon them, this is why they put up an aggressive front to protect themselves. They would rather swing first than take a hit. People with this placement also struggle with compromise. This can prove to be a major problem within personal relationships, and there is a tendency to dominate romantic partners. They can be possessive and don’t like the idea of others looking at their partner. They are pretty unapologetic and set in their ways, so it can be difficult to point this behavior out because they take it as a direct hit to their ego. These individuals need to remember that they still deserve love and appreciation even if they made a mistake. They want to punish themselves more than anyone, and when they do this they only set themselves back more. Failure hits them deep, but they bounce back quickly. People who have Mars in the first house believe in themselves on a fundamental level, and they always know that they could be better. They have the foresight to know when it’s the right moment to push past their own limits, especially when it comes to physical activity. These individuals are incredibly sexy, their bodies are sculpted to perfection. There is a sharp gleam in their eyes that excites others, and their smiles look dangerous. Even if they are not an athlete, others will assume so. People with this placement are just as thrilling to look at as their personalities are.
Mandy Patinkin and Bernadette Peters at Pete’s Tavern in New York.
Marlon Brando in ON THE WATERFRONT (‘54)
Those eyes. 😍
Medea, dir. Pier Paolo Pasolini (1969)
The three moods of Polly Gray
Holy shit.
Gypsy. It’s perhaps the most daunting of all of the projects related to Bernadette Peters to try to grapple with and discuss. It’s also perhaps the most significant.
For someone notoriously guarded of her privacy and personal life, careful with her words, and selective of the questions she answers, the narrative around this show provides some of the most meaningful insights it is possible to derive in relation to Bernadette herself. The show’s ability to do this is unique, through the way it eerily parallels her own life and spans a large range in time from both Bernadette Peters the Broadway Legend, right back to where it all began with Bernadette Lazzara, the young Italian girl put into showbusiness by her mother.
The most logical place to start is at the very beginning – it is a very good place to start, after all.
(Though no one tell Gypsy this, if the fierce two-way battle with The Sound of Music at the 1960 Tony Awards is anything to be remembered. Anyway, I digress…)
Gypsy: A Musical Fable with music by Jule Styne, lyrics by Stephen Sondheim, and book by Arthur Laurents, burst into the world and onto the New York stage in May of 1959. After closing on Broadway in March 1961, Ethel Merman as the world’s original Mama Rose herself led the first national tour off almost immediately around the country. Just a few months later, a second national touring company was formed, starring Mitzi Green and then Mary McCarty as Rose, to cover more cities than the original. It is here that Bernadette comes in.
A 13-year-old Bernadette Peters found herself part of this show in her “first professional” on-the-road production, travelling across the country with her older sister, “Donna (who was also in the show), and their mother (who wasn’t)”.
The tour played through cities like Philadelphia, Chicago, New Haven, Baltimore and Las Vegas before closing in Ohio in 1962. Somewhat uncannily, its September 1961 opening night in Detroit’s Schubert Theatre even returns matters full circle to the 2003 revival and New York’s own Schubert Theatre.
Indeed this bus-and-truck tour was somewhat of a turning point for Bernadette. She’d later remember, “I mostly thought of performing as a hobby until I went on the road with Gypsy”.
But while this production seminally marked a notable moment for the young actress as well as the point where her long and consequential involvement with Gypsy begins, it’s important to recognise she was very much not yet the star of the show and then only a small part of a larger whole.
Bernadette was with the troupe as a member of the ensemble. She took on different positions in the company through the period of nearly a year that the show ran for, including billing as ‘Thelma’ (one of the Hollywood Blondes), ‘Hawaiian Girl’, and additional understudy credits for Agnes and Dainty June.
The above photo shows Bernadette (left) with another member of the ensemble (Sharon McCartin) backstage at the Chicago Opera House as one of the stops along the tour. Her comment on the stage of the Chicago theatre – “I’d never seen anything so big in my life!” – undeniably conveys how her experiences were new and appreciably daunting.
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