Drawings of John Lennon by Klaus Voormann
THE BEATLES at a hotel in Weston Super Mare, Somerset, by Bruce Leak, an 11 year old boy who was on a family holiday with his parents and sister. 1963.
Drawings of George Harrison by Klaus Voormann
You know, these people like Eastman and Dick James and people like that, think that I’m an idiot. They really can’t see me; they think I’m some kind of guy who got struck lucky, a pal of Paul’s or something…
(John Lennon, December 1970, interview with Jann Wenner for Rolling Stone)
Don't want your love anymore Don't want your kiss, that's for sure I die each time I hear your name Here she comes, Cathy's clown
“George was younger, the little one. He was very sweet, with his little tooth and the cocky songs he was singing. He was really cute, and was an essential part of the team. When all of them were harmonising together was incredible!”
— Klaus Voormann, “Hamburg Days” (1999)
“When he has that funny grin on his face, so that his little Dracula-tooth was showing — that was it! There he was, this little cocky underage boy singing cocky little songs like “C[‘mon] every body” or Joe Brown’s “I’m [Hen]ery the eight[h], I am” and then he played his little guitar solos, unmistakable George, nearly breaking his fingers on this cheap guitar, he hated so much. He couldn’t wait to earn enough money, to at long last be able to buy an expensive guitar. So when he got his first Grets[c]h, he proudly showed it to everybody. 1971 George let me have this Guitar. I loved it. Finally I had to give it back to him, which I think is perfectly right. He gave me a beautiful tel[e]caster as a replacement. Ain’t that great?”
— Klaus Voormann, “Hamburg Days” (1999)
“…George grinned his cheeky, crooked boyish grin beneath his thick brown head of hair. He was irresistible, and not just for the girls.”
— Klaus Voormann, on the first time he saw The Beatles; translated from “Warum spielst du Imagine nicht auf dem weißen Klavier, John?” (2003)
Ed Sullivan gives The Beatles a message from Richard Rodgers on The Ed Sullivan Show in Miami, 16th February 1964
The Beatles' first pet: George Harrison's vomit. ㅡ From the book "One, Two, Three, Four: The Beatles In Time" by Craig Brown.
On the cover of Tan magazine, September 1965. (Featuring a photo of The Beatles with Mary Wells in October 1964.)
“I’d never really heard Marvin Gaye, The Miracles and all that until George played me the records up in their flat [on London’s Green Street] and they absolutely blew me away. I then went on a sort of crusade for Motown!” - Tony Hall, The Beatles: The BBC Archives
Cathy McGowan: “What records do you like, other than your own?” George Harrison: “All the Motown Tamla records, Mary Wells, Miracles, Marvin Gaye, Impressions, all that crowd.” - Ready, Steady, Go!, March 20, 1964
“[The music] that we play at home — like Mary Wells, Miracles and not to mention Marvin Gaye.” - George Harrison, BBC’s Public Ear, January 12, 1964
“Tamla Motown artists are our favorites. The Miracles, The Impressions, Marvin Gaye, Mary Wells, The Exciters.” - George Harrison, The Beatles’ Detroit press conference, September 6, 1964
“That boy George — he’s very quiet, but he’s cute.” - Mary Wells, Melody Maker, November 7, 1964
“Labeling the various members of the Beatles, Mary [Wells] recalled that Paul McCartney is the ‘real life of any party; Ringo Starr is a complete clown; George Harrison is kind of on the quiet side; and John Lennon is more of a businessman than the other three and he’s the toughest one to get to know.’” - Tan, September 1965
“The Beatles — who were always among Mary’s very early fans — are now her own favorites. She thinks they are very adorable and feels dreadfully sorry for them. ‘You have no idea how surrounded they are. There’s always someone wanting them. Their lives are certainly not their own. You know sometimes Paul or George will come into my dressing room and play a couple of records and then leave again.’” - Disc, October 31, 1964 (x)
Drawings by Paul McCartney of John Lennon and George Harrison | 1967
You can immediately spot John Lennon’s sideburns and glasses, as well as George Harrison’s distinctive hair and eyebrows. The artist of the exquisite pen sketch? Their bandmate Paul McCartney.
It was 55 years ago today (or thereabouts) when the Beatle was asked by the journalist Hunter Davies how Lennon and Harrison had looked when they played in their previous incarnation, the Quarrymen. Rather than answer the question, McCartney grabbed a notebook and drew them.
Beatles’ biographer donates his magical mystery hoard The Sunday Times | 25 September 2022