How George And Paul Met Being Childhood Friends George And Paul Knew Each Other The Longest. Meeting

Beatles Archive

This blog was made to archive information on the beatles.

Which includes; interviews, quotes, book pages, art, videos and audios.

-MaksMøllPol

“[W]e nearly always went up to his little music room that he’d had built at the top of the house, Daddy’s room, where we would get away from it all. I like to get away from people to songwrite, I don’t like to do it in front of people. It’s like sex for me, I was never an orgy man. So John and I would sit down and by then it might be one or two o'clock, and by four or five o'clock we’d be done.”

— Paul McCartney, Many Years from Now

Rare photos

May 23, 1957. The Liverpool band Eric Clayton's Skiffle Band performs. This is the first shot of Ringo playing the drums (far left).

The photo on July 6, 1957 (the day John met Paul), where Lennon sings standing on an open truck, has become a textbook and is found in many books and websites. And this picture, taken a little later in the day, is not well known to many people.

The bassist and an important member of the early line-up of the band was Stuart Sutcliffe, who unfortunately passed away early. In all his short life, only one color shot of him was taken, this one, where he is captured with singer Tony Sheridan. Stewart is on the right.

Most likely, you don't know who it is. Meanwhile, this man turned the history of world music around. This is Kurt Raymond Jones, the same customer who came into the store and asked for the Beatles record My Bonnie, which is why Brian Epstein first heard about the band, began looking for them and eventually turned into a manager. For a long time it was believed that there was no Raymond Jones. Like, it's just a character invented for the convenience of telling a story. However, here he is!

The only shot where you can see drummer Pete Best, who will later be fired, and Ringo Starr, who will take his place, together.

The Beatles are on the verge of fame performing in Liverpool. As you can see, they have someone else's drum kit, left on stage after the previous band.

Have you ever seen John's mother-in-law? Here she is, the mother of his first wife, Cynthia, next to him.

The only picture where Brian Epstein holds a musical instrument in his hands and seems to extract sounds from it.

This is a giant shoe from the movie "Help!", which was needed to shoot a scene where the Floor shrank in size. As the photo shows, this piece of props later became a decoration in the garden near Lennon's house.

The Beatles in a hippie look ride in an ordinary subway car, and no one recognizes them? How can this be? This is 1967, the picture was taken in Greece, where a harsh political regime reigned at that time and the group was not so well known.

George Harrison and the love he left behind<3

“So he gave me a tree as a present. It's a big fir tree, and it's by my gate. As I was leaving my house this morning [December 11], I get out of the car, close the gate and look up at the tree and say, 'Hi, George. ‘“—Business Insider

“John used to go on and on about George. About what a nice boy he was and how I’d like him. He went to great lengths to impress me with George. ‘Give you anything, George’, he’d say.” -John’s  Aunt Mimi

“I was going to Boston because my daughter had a brain tumor, and I said, ‘I’ve got to go to Boston.’ And he said, ‘Do you want me to come with you?’ Those were the last words I heard him say.” —Living in the Material World

“There were moments when it felt like we were the only two people in the world. The love we had was real and beautiful.” —Wonderful Tonight

“George and I shared a connection that went beyond words. It was a quiet understanding, a deep love that didn’t need to be spoken.”

— “Concert for George”

“It’s impossible to not feel his presence every day. The things he taught me, the way he lived, it’s all still here. I carry that love with me wherever I go.”

— People Magazine

 “Like a film flashing by, everything comes to my mind since I met him more than 30 years ago. His childlike quality, his shy but naughty little smile, his passion for all the music he loved and the serious quest for religion“—George Harrison: Behind the locked door

“George was a good friend of mine, a true friend. He had a lot of love in him, and it was always a joy to be around him. I miss him deeply.”

— Rolling Stone (2001)  

Thank you for leaving so much love behind George. Your a bright light that we all miss immensely. Rest in peace now George, we love you!❤️

Stella shocked us across the generation gap when she pointed to our blue Beatles' 10th Anniversary t-shirt, "That's Ringo!" she exclaimed, pointing both to the likeness of Mr Starkey and the man joking with her father a few feet away. "And that's daddy, but who's that?" she asked, pointing to the picture of John Lennon

Paul Gambaccini, 1975

Ringo: the only thing I'm guilty of is being adorable!

Ringo: and also illegal street fighting

JAY LENO: Who was the best cuddler?

RINGO: Ohhh. Georgie loved a hug.

“We’d walk down Lilly Lane which was like a lovers’ lane and kiss and cuddle.” - Iris Caldwell 

“He was just standing there. Little George, all lost. I gave him a big bag of sweets and some apples. He threw his arms around me and Stu, which was the sort of demonstrative thing they never did.’" - Astrid Kirchherr

“George giving me a bear hugggg. My first time in London and…what a welcome!!! ‘It’s Klaus!’ George Harrison called, setting his guitar aside and walking toward me to give me a firm hug.” - Klaus Voormann

“I was surprised to see how affectionate he was with Olivia, holding hands, heads touching as they talked, snuggling up next to her at every opportunity…” - Chris O’Dell

“Olivia was in the room and asked Madeleine her name. The next thing [Madeleine] knew, George was walking across the room directly to her, and as if they were old friends, put his arms around her! She was so overwhelmed and she automatically put her arms around him and hugged him back.” - A fan

“Even hugging George was a psychedelic experience, what a gem of a man. Love him forever.” - Dave Stewart

“George was the kind of guy who wasn’t going to leave until he hugged you for five minutes and told you how much he loved you.” - Tom Petty

“Just a few months after his death, I was in Bungalow 8, a New York club that Paul Shaffer dragged me to, when I noticed a skinny fellow who was the spitting image of George - only young George - coming right toward me. Before I could say anything this young man embraced me in a tender hug and then pulled back to explain himself. ‘I’m Dhani Harrison,’ he said. ‘One of the last things my father told me was that if I ever come across people who were important to him, I should give them a hug.’” - Martin Short

Hold up ,,, Mal called Paul his love in his diaries?

Yes. In his autobiography. He also analyzed their relationship in his diaries. For some context, here's a longer passage from Ken Womack's book, Living the Beatles Legend (Chapter 31).

As January 1970 came to close, Mal began drifting into an emotional slide that had been developing over the past several years. "Seem to be losing Paul," he wrote on January 27. "Really got a stick from him today. He let me down," and ominously added "Fixing a hole," "Pepper," and "directorship" to a growing list of disappointments. Apparently, the conversation had turned yet again to the issue of Mal's servile role in Paul's life, with the roadie believing that the association was bounded by friendship and love. "A servant serves," Mal wrote, "but he who serves is not always a servant," he added, echoing John's philosophy from December 1968. "Love is as sharp and piercing as a sword, "Mal reasoned, "but as the sword edge dulls — you sharpen it. So love's keenness needs honing — needs honesty." *

[...]

On February 11, Mal joined John and Yoko for a lip-synched performance of "Instant Karma!" on Top of the Pops, with the roadie, clad in beige suit and a light-green tie, playing the tambourine. By this juncture, Mal's long-standing relationship with Paul was in freefall. A few days earlier, he have been awakened by a 1 p.m. telephone call from the Beatle. It went "something like this," he wrote in his diary:

Mal: yeah? Paul: I've got time at EMI over the weekend. Would like you to pick up some gear from the house. Mal: Great, man. That's lovely. Session at EMI?! Paul: Yes, but I don't want anyone there to make me tea. I have the family – wife and kids there. Mal: [thinking to himself] Goes my poor head, "Why????" **

By the next week, Mal found himself behind the wheel of the Apple van, moving Paul's gear from EMI Studios to Morgan Studios, another Northwest London facility where Paul could work incognito. At one point, Neil cornered Mal about Paul's surreptitious recording sessions, demanding to know more. "Where's Paul?" he asked, to which Mal tersely replied, "Not telling you."

In other instances, Mal ordered a Mellotron for Paul, while keeping him fully stocked with plectrums and other gear. In late February, Paul asked Mal to move everything back to EMI, where he was set to record "Maybe I'm Amazed" in Studio 2. For Mal, everything came to a head at 7 Cavendish Ave., when "my long love, Paul, to whom I have devoted so many years of loyalty, turned around to me and said, I don't need you anymore, Mal." *** *, ** : Evans, "Diaries." [1963—1974.] 10 vols. Malcolm Frederick Evans Archives. Entries from Jan 27 & Feb 5, 1970.

***: Evans, Mal, 'Living the Beatles Legend: Or 200 Miles to Go.' Unpublished MS, 1976. Malcolm Frederick Evans Archives.

RINGO & PAUL: A MINI COMPILATION

McCartney offers a further, more emotional reminiscence: “I probably bore him by telling him the moment when the three of us realised he was The Guy. In my recollection it’s at the Cavern and there’s me, John and George — which, right there, is pretty cool — standing at the front doing our thing, facing out on the mics. And then behind us there’s this new guy depping, who we knew we liked — we’d seen him in another band. But now he was playing with us. And it just felt so different. It felt so amazing, and it just locked in with what we were all about. And I have this very vivid recollection of kind of looking at John and him looking at me and looking at George and him looking at me, and the three of us are going, ‘What the fuck, this is fucking amazing!” As McCartney describes this, he wipes his eye. “And as you can see, it gets emotional. There was a moment.”

Keith Smith, Assistant Engineer: All I can say about Ringo is that you just have to listen and watch him playing drums with Paul on bass, it’s pure synergy. I can’t think of any other way to describe it. He is a completely unique drummer and when they play together it’s as near to perfect and natural as I have ever witnessed. It is something that still to this day hasn’t changed.

McCartney digresses for a moment to describe the most recent example of getting-together-with-Ringo, nine days before this conversation, at the end of his show at Dodger Stadium: “Just the other night we finished our tour in Los Angeles and Ringo got up and we were doing ‘Helter Skelter’ together, and when I wasn’t on the mic, in the solo breaks and stuff, I really made a point of turning round and watching this guy drum. And thinking, ‘My God, you know, the memories across this ten-yard gap here,’ with him on the drums and me on the bass. The lifetime that’s going on here, and here he is! And I was just listening to him during that song. I was doing my performance but basically [he sings] When I get to the bottom I go back to the top — as I’m doing that bit, there’s normally just the guitars sort of playing, but Ringo did what’s on the record” — McCartney sings the drum part to demonstrate — “building. So I’m going, 'Oh yeah, great.’ So you know it’s a sort of magic.”

“It’s always a special experience to play with Paul,” says Ringo now. “I love Paul and I love his playing and, you know, we spent a lot of time together in the sixties.”