Badwolf0322 - I Do Not Know

Do you ever think about how crazy nursing really is?

And I don’t mean in the we deal with crazy people aspect, but more so how huge and ever increasing our scope is and how it has literally evolved so much even in the past 40 years. It’s literally insane when you think about it. The same license that allows you to take care of kids in a pediatrics office is the same one that allows a different nurse to independently insert PICC lines, and even still allow the critical care nurse to manage ECMO. Some of these nurses are doing it with a diploma or associates degree. Some nurses are anesthesia providers or primary care providers even still. Now obviously each specialty and advanced practice requires specific training or additional education, but the basis for all of these different avenues is the same RN license, and when you think about it, it honestly sounds literally so crazy. I would honestly love to sit down with older nurses or former nurses to see their views on how the profession has evolved, where it is currently, and where they think it’ll go. Like this is a crazy profession y’all. Never feel like you are “just a nurse” because it’s honestly one of the most badass professions out there.

There are about a million reasons why I love Faramir and Éowyn’s relationship and why I think it’s one of the most romantic relationships that Tolkien wrote, but do you want to know what isn’t talked about enough?

‘Do not scorn pity that is the gift of a gentle heart, Éowyn! But I do not offer you my pity. For you are a lady high and valiant and have yourself won renown that shall not be forgotten; and you are a lady beautiful, I deem, beyond even the words of the Elven-tongue to tell. And I love you. Once I pitied your sorrow. But now, were you sorrowless, without fear or any lack, were you the blissful Queen of Gondor, still I would love you. Éowyn, do you not love me?’

A lot has already been said about Faramir’s confession that he would still love her if she were the Queen of Gondor—and rightly so, because he’s basically saying he’s so hopelessly in love that nothing could ever change his feelings—but what REALLY does it for me, even more than that, is Faramir saying that she is VALIANT. He admires her bravery and her accomplishments in battle, and he says she has won RENOWN. Yes!!! YES!!!!!!!!!

Look, part of the reason Éowyn doesn’t want pity is that she doesn’t want to be looked down upon, and that’s what she associates with being pitied. But this isn’t really about another person’s pity—this is about how Éowyn sees herself. All her life, she’s been held back from participating in battle and from doing great deeds. In her conversation with Aragorn at Edoras, in one of my favorite scenes in the book, she delivers these searing lines: ‘All your words are but to say: you are a woman, and your part is in the house. But when the men have died in battle and honour, you have leave to be burned in the house, for the men will need it no more. But I am of the House of Eorl and not a serving-woman. I can ride and wield blade, and I do not fear either pain or death.’ Aragorn asks, ‘What do you fear, lady?’ And Éowyn replies: ‘A cage. To stay behind bars, until use and old age accept them, and all chance of doing great deeds is gone beyond recall or desire.’

But at the Battle of the Pelennor Fields, she DOES great deeds! She and Merry slay the Witch-king of Angmar, Sauron’s MOST POWERFUL SERVANT. When you think about the power of fear that the Nazgûl had over most mortals, it’s absolutely astounding how brave this was for them to do. But even afterwards, Éowyn doesn’t appear to know the value of what she’s done. Part of this may be her grief for Théoden, and part of it may be the Black Breath, but the point is she doesn’t know what she has achieved. Because in the Houses of Healing, she says to Faramir, ‘I wish to ride to war like my brother Éomer, or better like Théoden the king, for he died and has both honour and peace.’ Éowyn still does not believe she has won honor—and so she does not have peace.

To this Faramir says, ‘It is too late, lady, to follow the Captains, even if you had the strength. But death in battle may come to us all yet, willing or unwilling. You will be better prepared to face it in your own manner, if while there is still time you do as the Healer commanded. You and I, we must endure with patience the hours of waiting.’ It’s important that Faramir doesn’t tell her she’s wrong for wanting to go to battle, only that she must heal, and battle may still come for them yet—and he says WE must wait. Éowyn didn’t want to be left behind to wait for the men to return, but with her and Faramir both waiting, it no longer has that meaning.

This is all important context for the confession. Because days later, in the most romantic conversation of all time, Faramir says these magic words: ‘For you are a lady high and valiant and have yourself won renown that shall not be forgotten.’ LISTEN TO ME, IT IS SO IMPORTANT THAT HE SAYS THIS! THIS IS EXACTLY WHAT ÉOWYN NEEDED TO HEAR. It’s the FIRST THING HE SAYS IN THE SPEECH! Before he says she’s beautiful, before he says he loves her, he tells her she is valiant.

This is it. This is why this scene is peak romance to me. Because Éowyn desired to do great deeds and to win honor in battle, and she actually HAS DONE SO, but she doesn’t know it. And Faramir understands her, and not only that, he ADMIRES HER! ‘For you are a lady high and valiant and have yourself won renown that shall not be forgotten.’ I don’t know about you, but that line ALONE would make me fall in love.

Potato migration

reblog to give warm bread to your mutuals

When I was 3 years old I went to a preschool that had this little green crocheted crocodile finger puppet that was my absolute favorite toy to play with of all time. I named her Chelsea, because Chelsea starts with C and crocodile starts with C and more often than not wild animals in fiction aimed at kids have names that start with the same first letter as their species. I played with Chelsea every day, because she was my favorite toy, and because the other kids weren't really interested in her, and also because I eventually started to hide her in a special secret spot in the room so no one else would find her before I did. She was so beloved by me that when I graduated from preschool, my teachers gave Chelsea to me permanently, because it was clear no one else would ever love that little crochet crocodile as much as me anyway (in part because I hid her). They waited a few weeks after I graduated before doing it, too, and sent Chelsea with some post cards as if the crocodile had been on a whirlwind "travel the world" vacation before deciding to come live with me.

And Chelsea remained my favorite toy all through my childhood. There were others I loved nearly as much, like my Imperial Godzilla and the big red T.rex from the first Jurassic Park toy line and my tiny knockoff plush Charmander, but Chelsea always held the place of honor in my heart. She was my absolute favorite toy.

I kept a lot of my favorite toys through adolescence, even if social pressure eventually got me to give away a lot of them (and some, y'know, broke). That's obviously not surprising to you if you've followed my blog, since I still collect toys into my adulthood. But it's important to note because while I know I made a conscious effort to never throw out Chelsea every time I pared down my collection... at some point, she went missing.

I became aware of it when I graduated from high school. I was feeling really emotional about leaving that stage of my life and, y'know, becoming an adult and shit, and in that state I decided to find Chelsea to reassure myself that I hadn't entirely left childhood behind. But Chelsea wasn't there. No matter how hard I looked, I could not find Chelsea anyway.

And that was, like, devastating, because the only explanation was that somehow, at some point, I had accidentally tossed her out with some other "childhood junk" while trying to grow up and be responsible in my teen years. I had literally thrown away my childhood in a careless attempt to be more grown up.

Of course I knew she was just a toy - nothing more than some yarn twisted together in the loose shape of a crocodile, lifeless and soul-less and more or less worthless in the objective light of day. But she was also Chelsea, my best friend since i was three, my stalwart little pal, a source of comfort for most of my life at that point, and I had just... tossed her out! Like garbage! What kind of person was I becoming if I could do that to my best friend?

I was very visibly distraught, and my mom noticed. Being very crafty, she tried to find the pattern for Chelsea so she could knit me a new one. The problem is, she had no idea where to find said pattern. She checked all her books of crochet patterns, and when that failed she tried the internet, but no matter how hard she looked, she found nothing.

So my mom found the next best thing.

The original Chelsea was a tiny finger puppet, and I had "met" her when I was three. Well, I was eighteen now - shouldn't Chelsea have grown too? And as has been established, this crocodile was fond of whirlwind vacations. My mom found a pattern that looked as much like Chelsea as possible while also being a much bigger crocodile, and gifted her to me before I left for college - to show that while we can't stop the flow of time or how it changes us, that doesn't mean we have to leave it behind.

And yeah, I decided to believe it. That's Chelsea now. Yeah, I know that in reality it's a completely different set of yarn made by my mom rather than... whoever it was that crocheted the original Chelsea, but then, Chelsea was never really the yarn. She was the feelings I put into the yarn, you know? So that's Chelsea, all grown up, and still my most prized toy.

...

Flash forward... Jesus, eighteen years, holy shit. A few weeks ago I saw a post trying to identify a different crochet crocodile pattern, and thinking it was cute, I decided to try and look for it on ebay and etsy, just to see if maybe I could find it. I didn't, but do you know what I found instead?

A very familiar crochet crocodile finger puppet. An intensely familiar one, you might say. Of course I bought it. And of course I asked the seller if, perhaps, they might have the pattern for it or know where it came from (they did not, alas). And after a few days, she showed up at my house.

She's not Chelsea, obviously. For one thing, she's far too clean and fresh looking - Chelsea was very well loved, and looked the part, while this crocodile finger puppet has definitely not endured years upon years of a child's affection. And, more importantly, she's not Chelsea because we've already established that Chelsea grew up into a bigger crochet crocodile. This has to be Chelsea's younger sister, Cici.

And if I could find another of Chelsea's kind after all these years, then maybe, with a bit of luck, I might find the pattern for her, and be able to make more of them. Fill the world with Chelseas.

Aquafam + first and last appearances

Online classes that make you wanna go home while you’re sitting at home

✨ Please reblog the polls to make them reach out to as many people as possible, but KEEP IT SPOILER-FREE to make people listen to the music with an open mind 💖 Artists and titles will be revealed after the poll's conclusion, check the original post for an update! ✨

I Hate How She Talks About Snow White

"People are making these jokes about ours being the PC Snow White, where it's like, yeah, it is − because it needed that. It's an 85-year-old cartoon, and our version is a refreshing story about a young woman who has a function beyond 'Someday My Prince Will Come. "

Let me tell you a little something's about that "85-year-old cartoon," miss Zegler.

It was the first-ever cel-animated feature-length full-color film. Ever. Ever. EVER. I'm worried that you're not hearing me. This movie was Disney inventing the modern animated film. Spirited Away, Into the Spider-Verse, Tangled, you don't get to have any of these without Snow White and the Seven Dwarfs (1937.)

Speaking of what you wouldn't get without this movie, it includes anime as a genre. Not just in technique (because again, nobody animated more than shorts before this movie) but in style and story. Anime, as it is now, wouldn't exist without Osamu Tezuka, "The God of Manga," who wouldn't have pioneered anime storytelling in the 1940s without having watched and learned from Snow White and the Seven Dwarfs in the 1930s. No "weeb" culture, no Princess Mononoke, no DragonBall Z, no My Hero Academia, no Demonslayer, and no Naruto without this "85-year-old cartoon."

It was praised, not just for its technical marvels, not just for its synchronized craft of sound and action, but primarily and enduringly because people felt like the characters were real. They felt more like they were watching something true to life than they did watching silent, live-action films with real actors and actresses. They couldn't believe that an animated character could make kids wet their pants as she flees, frightened, through the forest, or grown adults cry with grieving Dwarves. Consistently.

Walt Disney Studios was built on this movie. No no; you're not understanding me. Literally, the studio in Burbank, out of which has come legends of this craft of animated filmmaking, was literally built on the incredible, odds-defying, record-breaking profits of just Snow White and the Seven Dwarfs, specifically.

Speaking of record-breaking profits, this movie is the highest-grossing animated film in history. Still. TO THIS DAY. And it was made during the Great Depression.

In fact, it made four times as much money than any other film, in any other genre, released during that time period. It was actually THE highest-grossing film of all time, in any genre, until nothing less than Gone With the Wind, herself, came along to take the throne.

It was the first-ever animated movie to be selected for the National Film Registry. Actually, it was one of the first movies, period, to ever go into the registry at all. You know what else is in the NFR? The original West Side Story, the remake of which is responsible for Rachel Ziegler's widespread fame.

Walt Disney sacrificed for this movie to be invented. Literally, he took out a mortgage on his house and screened the movie to banks for loans to finish paying for it, because everyone from the media to his own wife and brother told him he was crazy to make this movie. And you want to tell me it's just an 85-year-old cartoon that needs the most meaningless of updates, with your tender 8 years in the business?

Speaking of sacrifice, this movie employed over 750 people, and they worked immeasurable hours of overtime, and invented--literally invented--so many new techniques that are still used in filmmaking today, that Walt Disney, in a move that NO OTHER STUDIO IN HOLLYWOOD was doing in the 30's, put this in the opening credits: "My sincere appreciation to the members of my staff whose loyalty and creative endeavor made possible this production." Not the end credits, like movies love to do today as a virtue-signal. The opening credits.

It's legacy endures. Your little "85-year-old cartoon" sold more than 1 million DVD copies upon re-release. Just on its first day. The Beatles quoted Snow White in one of their songs. Legacy directors call it "the greatest film ever made." Everything from Rolling Stones to the American Film Institute call this move one of the most influential masterpieces of our culture. This movie doesn't need anything from anybody. This movie is a cultural juggernaut for America. It's a staple in the art of filmmaking--and art, in general. It is the foundation of the Walt Disney Company, of modern children's media in the West, and of modern adaptations of classical fairy tales in the West. When you think only in the base, low, mean terms of "race" and "progressivism" you start taking things that are actually worlds-away from being in your league to judge, and you relegate them to silly ignorant phrases like "85-year-old cartoon" to explain why what you're doing is somehow better.

Sit down and be humble. Who the heck are you?