“Human Reason Can Excuse Any Evil; That Is Why It’s So Important That We Don’t Rely On It.” ―

posting on a blackboard discussion board and replying to two of your fellow students has to be one of the nine circles of hell

found a fun little personality test!

i am open tagging as always bc i wanna see everyone’s results!!!!!!

Reblog to let your followers know that despite your current obsession your previous obsessions still exist and are simply lying dormant until they awaken and strike again

When I was 3 years old I went to a preschool that had this little green crocheted crocodile finger puppet that was my absolute favorite toy to play with of all time. I named her Chelsea, because Chelsea starts with C and crocodile starts with C and more often than not wild animals in fiction aimed at kids have names that start with the same first letter as their species. I played with Chelsea every day, because she was my favorite toy, and because the other kids weren't really interested in her, and also because I eventually started to hide her in a special secret spot in the room so no one else would find her before I did. She was so beloved by me that when I graduated from preschool, my teachers gave Chelsea to me permanently, because it was clear no one else would ever love that little crochet crocodile as much as me anyway (in part because I hid her). They waited a few weeks after I graduated before doing it, too, and sent Chelsea with some post cards as if the crocodile had been on a whirlwind "travel the world" vacation before deciding to come live with me.

And Chelsea remained my favorite toy all through my childhood. There were others I loved nearly as much, like my Imperial Godzilla and the big red T.rex from the first Jurassic Park toy line and my tiny knockoff plush Charmander, but Chelsea always held the place of honor in my heart. She was my absolute favorite toy.

I kept a lot of my favorite toys through adolescence, even if social pressure eventually got me to give away a lot of them (and some, y'know, broke). That's obviously not surprising to you if you've followed my blog, since I still collect toys into my adulthood. But it's important to note because while I know I made a conscious effort to never throw out Chelsea every time I pared down my collection... at some point, she went missing.

I became aware of it when I graduated from high school. I was feeling really emotional about leaving that stage of my life and, y'know, becoming an adult and shit, and in that state I decided to find Chelsea to reassure myself that I hadn't entirely left childhood behind. But Chelsea wasn't there. No matter how hard I looked, I could not find Chelsea anyway.

And that was, like, devastating, because the only explanation was that somehow, at some point, I had accidentally tossed her out with some other "childhood junk" while trying to grow up and be responsible in my teen years. I had literally thrown away my childhood in a careless attempt to be more grown up.

Of course I knew she was just a toy - nothing more than some yarn twisted together in the loose shape of a crocodile, lifeless and soul-less and more or less worthless in the objective light of day. But she was also Chelsea, my best friend since i was three, my stalwart little pal, a source of comfort for most of my life at that point, and I had just... tossed her out! Like garbage! What kind of person was I becoming if I could do that to my best friend?

I was very visibly distraught, and my mom noticed. Being very crafty, she tried to find the pattern for Chelsea so she could knit me a new one. The problem is, she had no idea where to find said pattern. She checked all her books of crochet patterns, and when that failed she tried the internet, but no matter how hard she looked, she found nothing.

So my mom found the next best thing.

The original Chelsea was a tiny finger puppet, and I had "met" her when I was three. Well, I was eighteen now - shouldn't Chelsea have grown too? And as has been established, this crocodile was fond of whirlwind vacations. My mom found a pattern that looked as much like Chelsea as possible while also being a much bigger crocodile, and gifted her to me before I left for college - to show that while we can't stop the flow of time or how it changes us, that doesn't mean we have to leave it behind.

And yeah, I decided to believe it. That's Chelsea now. Yeah, I know that in reality it's a completely different set of yarn made by my mom rather than... whoever it was that crocheted the original Chelsea, but then, Chelsea was never really the yarn. She was the feelings I put into the yarn, you know? So that's Chelsea, all grown up, and still my most prized toy.

...

Flash forward... Jesus, eighteen years, holy shit. A few weeks ago I saw a post trying to identify a different crochet crocodile pattern, and thinking it was cute, I decided to try and look for it on ebay and etsy, just to see if maybe I could find it. I didn't, but do you know what I found instead?

A very familiar crochet crocodile finger puppet. An intensely familiar one, you might say. Of course I bought it. And of course I asked the seller if, perhaps, they might have the pattern for it or know where it came from (they did not, alas). And after a few days, she showed up at my house.

She's not Chelsea, obviously. For one thing, she's far too clean and fresh looking - Chelsea was very well loved, and looked the part, while this crocodile finger puppet has definitely not endured years upon years of a child's affection. And, more importantly, she's not Chelsea because we've already established that Chelsea grew up into a bigger crochet crocodile. This has to be Chelsea's younger sister, Cici.

And if I could find another of Chelsea's kind after all these years, then maybe, with a bit of luck, I might find the pattern for her, and be able to make more of them. Fill the world with Chelseas.

Made this Expendables fan art awhile ago, but couldn’t find the time to post it till now since my life has been stressful lately.

I can easily say The Expendables franchise is one of my favorites, and I’ve been re-watching them lately to keep myself sane. Definitely a comfort series of movies for me.

Character (Barney Ross) is not mine.

Art made by yours truly, SapphireWolf100.

ATONEMENT (2007) dir. Joe Wright

I Hate How She Talks About Snow White

"People are making these jokes about ours being the PC Snow White, where it's like, yeah, it is − because it needed that. It's an 85-year-old cartoon, and our version is a refreshing story about a young woman who has a function beyond 'Someday My Prince Will Come. "

Let me tell you a little something's about that "85-year-old cartoon," miss Zegler.

It was the first-ever cel-animated feature-length full-color film. Ever. Ever. EVER. I'm worried that you're not hearing me. This movie was Disney inventing the modern animated film. Spirited Away, Into the Spider-Verse, Tangled, you don't get to have any of these without Snow White and the Seven Dwarfs (1937.)

Speaking of what you wouldn't get without this movie, it includes anime as a genre. Not just in technique (because again, nobody animated more than shorts before this movie) but in style and story. Anime, as it is now, wouldn't exist without Osamu Tezuka, "The God of Manga," who wouldn't have pioneered anime storytelling in the 1940s without having watched and learned from Snow White and the Seven Dwarfs in the 1930s. No "weeb" culture, no Princess Mononoke, no DragonBall Z, no My Hero Academia, no Demonslayer, and no Naruto without this "85-year-old cartoon."

It was praised, not just for its technical marvels, not just for its synchronized craft of sound and action, but primarily and enduringly because people felt like the characters were real. They felt more like they were watching something true to life than they did watching silent, live-action films with real actors and actresses. They couldn't believe that an animated character could make kids wet their pants as she flees, frightened, through the forest, or grown adults cry with grieving Dwarves. Consistently.

Walt Disney Studios was built on this movie. No no; you're not understanding me. Literally, the studio in Burbank, out of which has come legends of this craft of animated filmmaking, was literally built on the incredible, odds-defying, record-breaking profits of just Snow White and the Seven Dwarfs, specifically.

Speaking of record-breaking profits, this movie is the highest-grossing animated film in history. Still. TO THIS DAY. And it was made during the Great Depression.

In fact, it made four times as much money than any other film, in any other genre, released during that time period. It was actually THE highest-grossing film of all time, in any genre, until nothing less than Gone With the Wind, herself, came along to take the throne.

It was the first-ever animated movie to be selected for the National Film Registry. Actually, it was one of the first movies, period, to ever go into the registry at all. You know what else is in the NFR? The original West Side Story, the remake of which is responsible for Rachel Ziegler's widespread fame.

Walt Disney sacrificed for this movie to be invented. Literally, he took out a mortgage on his house and screened the movie to banks for loans to finish paying for it, because everyone from the media to his own wife and brother told him he was crazy to make this movie. And you want to tell me it's just an 85-year-old cartoon that needs the most meaningless of updates, with your tender 8 years in the business?

Speaking of sacrifice, this movie employed over 750 people, and they worked immeasurable hours of overtime, and invented--literally invented--so many new techniques that are still used in filmmaking today, that Walt Disney, in a move that NO OTHER STUDIO IN HOLLYWOOD was doing in the 30's, put this in the opening credits: "My sincere appreciation to the members of my staff whose loyalty and creative endeavor made possible this production." Not the end credits, like movies love to do today as a virtue-signal. The opening credits.

It's legacy endures. Your little "85-year-old cartoon" sold more than 1 million DVD copies upon re-release. Just on its first day. The Beatles quoted Snow White in one of their songs. Legacy directors call it "the greatest film ever made." Everything from Rolling Stones to the American Film Institute call this move one of the most influential masterpieces of our culture. This movie doesn't need anything from anybody. This movie is a cultural juggernaut for America. It's a staple in the art of filmmaking--and art, in general. It is the foundation of the Walt Disney Company, of modern children's media in the West, and of modern adaptations of classical fairy tales in the West. When you think only in the base, low, mean terms of "race" and "progressivism" you start taking things that are actually worlds-away from being in your league to judge, and you relegate them to silly ignorant phrases like "85-year-old cartoon" to explain why what you're doing is somehow better.

Sit down and be humble. Who the heck are you?

Little puppy taking charge! 🐴 Follow me for more working dogs!

I am tired of seeing medical professionals, predominantly nurses, vilified for proper prioritization/time management. (I also see you, doctor friends of mine! But I am not one so I cannot make a lengthy post about it) In a shift at the hospital, and in the mind of a nurse, tasks are separated into categories: Emergent- codes, rapid responses, critical lab values/vitals, change in patient condition that requires immediate intervention, falls, chest pain, shortness of air Urgent- time sensitive medication (lots fall into this category,) acute wound care, abnormal labs that require time-sensitive intervention, abnormal vitals, suction/chest tube/trach care, pain management Important- general patient care like bathing, changing, other hygiene, ambulation, phone calls, routine consults, routine labs These are by no means exhaustive lists, but it gives you an idea of what the nurses/medical team are having to sift through with every single patient of theirs. Believe me, almost EVERY nurse I know (and I know a lot of us) would get every last thing on these lists done with complete proficiency at exactly the right time every shift…if we could. But we can’t. And I get it…I am a BIG proponent of recognizing that hospitalized individuals have heightened emotions secondary to the uncertainty and vulnerability that comes with a hospitalization. This is why I do my absolute best to treat with tenderness as I interact with every patient and cater my care to their needs. And I won’t disclose to my patient WHY I arrive to bathe them an hour and a half later than I had originally said…it is not their fault, or their problem, nor is disclosure appropriate. But unless they hear “Code Blue” announced overhead, I often get met with anger. They assume I could not have been doing anything emergent, though many emergent things that we do are not announced on the intercom. And, sorry to be harsh, but your bath fell to the bottom of my list when another nurse called out for help as her patient began to decline, or fell out of bed, or lost their IV access… (Please, spare me your stories as you try to tell me not every nurse is well-intentioned…“but but but I had an ACTUALLY bad nurse that…” Sure. Sure you did. And if he or she were actually “bad,” then they ARE NOT the subject of this post. And if they are genuinely neglectful/abusive, they will hopefully/likely lose licensure.) I am talking about the honest, diligent nurses… I am talking about the new nurse, who is learning prioritization and time management, but tasks take a little longer… I am talking about the nurse who would multiply him/herself if they could and be in every room at once… So, next time you are hospitalized, allow us to be human, and do YOUR best to realize that we are doing OUR best. We know you are sick. We know you are hurting. We want to help; we are doing our best. (And for the love of all that is holy, don’t get mad if we take a lunch break)

Disney doesn't need to change "the formula." That's the last thing that Wish proves.

What Wish proves is that "the formula" only works when you know why the ingredients are in it, and you use them the correct way.

The Princess Character is meant to wish for only half of the movie's message, and go through an adventure that teaches her what the other half is; what her dream was missing. Ariel dreamed of understanding but she was missing love. Tiana dreamed of achieving her goals but she was missing faith. Jasmine dreamed of freedom but she was missing trust. Belle dreamed of adventure but she was missing being understood.

The Villain is meant to highlight the opposite of the movie's message. Jafar gets what he wants through trickery and manipulation; that's the opposite of Aladdin's "truth will set you free" message, and he gets imprisoned in a lamp. Scar thinks being a King is having his way all the time and can't learn from his past of living in Mufasa's shadow; that's the opposite of The Lion King's "Let the past remind you of your responsibility to selflessness." Gaston loves only himself and is always obsessed with appearances; that's the opposite of Beauty & the Beast's "true love is found within a heart of self-sacrifice." That's what makes them such good villains. (and that clear direction is what drives good villain songs, since Magnifico's is what everyone is talking about)

The sidekick is supposed to compare/contrast with the main character's qualities. Abu is a greedy thief, which is what everyone in Agrabah thinks Aladdin is; when he scolds Abu and teaches him selflessness, it shows us who Aladdin actually is. Flounder is easily frightened and looks at the glass half-full; when Ariel coaxes him and leads by example, we see her bravery and positivity reflected in Flounder's tiny character arc. Timon & Pumbaa do whatever they want all day just like young Simba always dreamed of; when Simba goes to live with them, he finds that "getting his way all the time" makes him forget who he really is and feel empty.

The setting is supposed to show off the characters and highlight the movie's message. Rapunzel's tower is designed to be pretty on the inside because of her influence; if it were too dark and prison-shaped, we'd wonder why she didn't work up the courage to leave sooner. Just like how Quasimodo has made his corner of the bell-tower beautiful, too; they're taught the world is cruel and they're not strong enough for it, but they make their own worlds beautiful enough to hint that that's wrong right from the start. Ariel's grotto is shaped like a tower with no roof so that she only has one window to the forbidden Surface, and it's the light that comes from that forbidden world into her dark grotto which literally makes her able to see human things differently. Tiana's apartment has no interesting features except her father's picture, a perfectly made bed, a drawer with no extra outfits but stuffed with tip money, and only two dresses; both of which are for work.

None of that is happening in Wish, because they didn't know why the formula ingredients are there. Disney needs to understand and return to the formula the right way; forgetting it was what got them here.

Asha learns nothing to add to her dream, unless you count "the power to grant wishes is in me." Which you shouldn't, because we didn't even know she was confused about that until the animals sang a song that was completely off-topic and she had the chance to jump in and sing "I'm a Star!"

Magnifico does not demonstrate the opposite of Wish's message effectively because his character has nothing to do with a philosophy against making wishes, and everything to do with power. (He is the strongest character in the film. But because the message and core concept of what wishes are are so bad, that's not saying much.)

Valentino, and Asha's friends, do not highlight anything about her character through compare/contrast. Valentino is brave and all over the place. Her friends are seven-dwarfs parodies. Happy, Doc, Sneezy, Dopey, Bashful, Sleepy, Grumpy. None of that contrasts with Asha's vague characterization of "cares too much." None of it compares to that characterization, either.

The setting is empty. There are no interesting details that teach you something about any of the characters. None in Asha's home, none in the neat-and-tidy one-dimensional forest, none in the Rosas square, and none in the bland, empty castle. Magnifico's study is the closest anything gets; there's a loose concept that all of Asha's friends have to work together to open the roof, and take a leap of faith to weigh the pulley system down. Unfortunately, none of these characters is shown struggling to work together, OR to take leaps of faith, at all, before this point.

The ingredients of the formula are in Wish. They're just not being used correctly. This is how not to use the formula; it's not the formulas fault. If it ain't broke. They should never have let people convince them to try and fix it.