Some Warmth For Atsushi Because He Has Suffered Enough

Hello dear.. Please don't skip my message My name is Mohammed, from the afflicted and destroyed Gaza Strip, where life has become impossible and tragic, and where we see death and pain every moment and every day. Our children suffer from hunger, pain, deprivation and lack of medicine. The war deprived them of playing, school, and their most basic rights. They are now suffering from woes and tragedies. 😭😭 During the war, my wife gave birth to a child and I could not find any milk for him Our conditions are tragic, and we live in a shelter that lacks the minimum requirements for life and is plagued by diseases and epidemics Please help me save my children from the hell of the Gaza Strip and provide them with a decent life 😔 Your assistance, no matter how simple, is enough to ease the burden on us and help us overcome our crisis. Please sympathize with me and donate to me or contribute to sharing the campaign and spreading it widely

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I hope you'll let me tell you a little bit about my home🇵🇸, Gaza🍉. It's a place where we're living through some very challenging times💔🥹. We're under attack from bombs, explosives, and warplanes, and we've had to endure many nights of sleeplessness. It's a difficult situation💔, but we're trying to stay positive🖤. This war has really taken a toll on us. It's destroyed our bodies, our lives, and our souls. It has been so sad to see our homes destroyed, our belongings taken from us, and our beautiful places ruined. It has also changed our situation for the worse. We were living a pretty good life, you know? Peaceful, loving, and full of life. But then, we found ourselves in a really tough spot. Hunger, fear, and terror have become our new normal. My kids and I, along with my extended family, are struggling to make ends meet. We don't have the basic necessities of life, and our living situation is pretty rough. We're in these old, falling-apart tents. It's so hard to know what to do when winter comes. We'll be soaked in the rain and wind, and I'll be at a loss as to how to keep my family safe, from the bombing and from the winter.🥹

I'm really hoping you can help me and my family to live through this awful war.💔🥹🍉

🥹🍉https://gofund.me/ed6e9cb6🍉🥹

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Best girl! 🥳🧸

For Lucy's birthday 😌✨

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Abu Shammalah Family (€953/100,000)

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Let's do our part to help the people of Gaza!!!!

Danganronpa 2: Goodbye Despair: Hi, I'm Danganronpa 2: Goodbye Despair. Some of my overarching themes are as follows: the power of restoration, the inherent flaws of retributive justice and the idea that no one "deserves" to die for their crimes. I have two entire chapters dedicated to conveying these themes via conflicts and character development; my first two murders are driven either partly or in full by the culprit's retribution-oriented mindset; my antagonist's master plan to play judge, jury and executioner with his classmates is foiled by my deuteragonist sacrificing herself; and my last chapter is literally ALL ABOUT how even BRAINWASHED TERRORISTS deserve a shot at redemption. Any questions?

Danganronpa fans: Cool, so anyway, [insert character here, usually Teruteru, Mahiru, Hiyoko, Mikan or Nagito] DESERVED what they got because [insert reason here]. I jumped for JOY when they died, aren't I so edgy and media literate?

In Defense of Mahiru's Last Words

An aspect of 2-2 that I think a lot of Danganronpa fans get wrong is Mahiru’s last words to Fuyuhiko. I’d go so far as to call them the most misunderstood last words in the series.

Mahiru's role in the second case is often overlooked in favor of Peko and Fuyuhiko's, and this line encapsulates said role, so I figured I'd try to dispel the misconceptions that surround it. Cool? Cool.

---

First thing’s first, my thesis statement (lol): in response to the well-worn criticism that Mahiru’s last words to Fuyuhiko were hypocritical, I’ll grant fans this much: her words were shortsighted and poorly-timed. They weren’t, however, hypocritical.

More often than not when I see people refer to Mahiru’s last words as hypocritical, they mean that she's condemning Fuyuhiko for avenging his sister, meanwhile her friend who committed an act of revenge received her protection. My issue with this? Sato’s murder of Natsumi wasn’t revenge. The third day of Twilight Syndrome Murder Case (which Mahiru played) has Sato explain in depth why she did what she did. She didn’t confront Natsumi with the intent to kill her; she only wanted to talk at first. But when Natsumi began making threats, she saw red and accidentally knocked her out. Knowing how dire the consequences would be if Natsumi woke up and tattled to her family, Sato killed her and pinned the crime on a rumored pervert. This is further highlighted in the trial.

Now, don’t get me wrong, Sato is still to blame here. No matter how much shit Natsumi was talking, she shouldn’t have responded with violence, and she found herself in that situation through every fault of her own. The key thing is that it wasn’t revenge; it was desperation. By the time Natsumi fell unconscious, it was Sato who was trying to avoid becoming the victim of yakuza “justice.”

Recall that the incriminating evidence Mahiru got rid of was a picture of a broken vase. To anyone who wasn’t there the day of the incident, a photo of this nature would prove basically nothing. Sure, one could surmise that it means the killer didn’t actually escape through the window, but figuring out what they did do, and by extension who they are, would require having run into Sato in the hall (given it isn’t brought up at any point, it’s unlikely there was security footage.) It might arouse suspicion, seeing as there were rumors going around that Sato was with Natsumi the day of the latter's murder, but it wouldn't be able to substantiate anything. Either way, the only people who would have any use for it were the police and the yakuza.

Mahiru protecting Sato from the police wouldn't make much sense at all. Blind loyalty toward her friends – to the point of helping them escape consequences for their actions – isn’t a trait she showcases in the main game. There are a few classmates she shows extra care toward (she’s particularly concerned for Mikan, she sticks up for Peko and she offers to help Hiyoko when the latter is struggling with her kimono), sure, but unraveling the mysteries of the killing game takes first priority for her at the end of the day. Moreover, in Twilight Syndrome, before she realizes that Sato is the killer, she takes pictures of Natsumi's body in the hopes that they'll be useful to the police (this obviously isn't the smartest move, but it's in-character: Mahiru is someone who's always trying to do the right thing despite her lack of self-confidence. She feels guilty about agreeing with the other girls not to report Natsumi’s body, and so she figures that utilizing her talent is the next best thing. We see her do something similar in 2-1.) Going from “I need to help the police find the culprit” to “my friend is the culprit; time to destroy the evidence” is a dramatic shift – one that doesn't line up with anything else we know about Mahiru.

What's a trait she does showcase in the main game? Distaste for cruel and unusual punishment. She sympathizes with Teruteru’s motive, heavily implying that Monokuma shouldn't have executed him, and she criticizes Nekomaru and Kazuichi for hogtying and isolating Nagito, before eventually bringing him food. The second example is especially noteworthy. Nagito got both the Imposter and Teruteru killed – he's an unstable individual, no two ways about it. Mahiru doesn't object to his being restrained; she objects to the over-the-top, vigilante-style methods used by Nekomaru and Kazuichi to do so. There's a clear parallel to be drawn between this and Twilight Syndrome. If she's so against Nagito – a murderer who isn't her friend – receiving inhumane treatment, then there's no question she'd be against it for Sato, a murderer who is.

It's only reasonable to assume that, when Mahiru realized the truth of the incident, she destroyed the evidence for the same reason Sato committed murder in the first place: she knew that, if it got into yakuza hands, there would be hell to pay. She wasn’t too far off the mark, either. The rumors in mind, all it took for Fuyuhiko to connect the dots was witnessing Sato’s failed attempt to discard the sole intact copy of the photo (Mahiru needed at least one if she wanted to corner Sato and coax a confession from her; she couldn't have anticipated that it would be absconded with.) And even if he didn't, say someone else found it: they might report it to the police, yes, but more likely (given the lack of solid evidence) they would start another, more potent rumor – one that would eventually reach the wrong ears, inciting action. All told, Sato was lucky to have only been killed, as the yakuza are capable of much, much worse.

Mahiru didn’t think what Sato did was right. Far from it; she was shocked and horrified when her suspicions turned out to be true. Furthermore, even outside of the TSMC, she believes her covering for Sato is something to atone for, which automatically requires thinking Sato was wrong. But if it was within her power to throw the mafia off Sato’s trail, she absolutely would, including by decidedly immoral means. You don’t have to condone murder to not want your friend to be kidnapped and tortured.

When Mahiru tells Fuyuhiko during their final confrontation that “nobody has the right to judge others for their crimes,” “judge” is another way of saying “take revenge on.” Think the phrase “playing judge, jury and executioner.” Fuyuhiko judged Sato as deserving of death for her crime, and carried out that judgment by murdering her. That’s what Mahiru is condemning. She’s not dismissing his loss – she acknowledges that his sister’s murder was terrible. She’s saying it didn’t give him the right to become a murderer in turn. This isn’t hypocritical; it’s entirely consistent with her actions in the TSMC. She never sought revenge, nor did she enable anyone else’s. She was trying to prevent revenge from the start.

That said, Mahiru isn’t above reproach (if she were, none of this would be happening to begin with.) Though I stand firm that she had every right to be angry here, I can appreciate that Fuyuhiko did, too.

Mahiru went into the beach house intending to figure out how to atone for a sin she couldn’t remember committing. Fuyuhiko went into the beach house intending to kill Mahiru as further revenge for Natsumi. Thing is, Fuyuhiko isn’t a cold-blooded killer. He thinks he's supposed to be, but deep down he’s conflicted. And so, to cope, he has an out: if Mahiru denies the game's reality, he'll call off the plan. He’ll spare her. More than anything, he just wants to believe that none of it happened; his sister isn't dead and Mahiru didn't cover for her killer. But it's too late to hope for denial. He'd already accused Mahiru of the cover-up and sent her the photos as proof, and she’d been taking it very seriously ever since. The threatening letter he left her, combined with her knowledge of the game’s true ending, would have been more than enough to convince the others to apprehend him like Kazuichi wanted – not to mention the most obvious thing to do for her own protection. And yet from the moment she received the letter, the only thing on her mind was making amends. There was no going back.

These conflicting goals are a recipe for disaster. Fuyuhiko, who had initially compelled Mahiru to face her sin, is now wanting her to deny that the events of the game ever took place. Mahiru, who came for help collecting her thoughts, is now face-to-face with the very person she needed to prepare to talk to. Keyword: prepare. Again, the important thing to understand about Mahiru is that, despite her headstrong attitude and emphasis on “doing the right thing,” she doesn’t always know what the right thing is. She lacks the confidence necessary to support her levelheadedness, and so she agonizes and deliberates. Instances of this include:

When she stays quiet as Hiyoko berates Teruteru, claiming he deserved to die, only to come to terms with the issue later (main game).

When she’s implied to spend the night awake pondering what to do about the Twilight Syndrome motive (main game).

When she waits several days before getting rid of the vase picture, showing that she didn't take the decision lightly (TSMC).

When she ruminates over how best to make amends with Fuyuhiko, leading him to think she’s avoiding him (main game).

The fact that, in the TSMC, Mahiru finds herself in a situation that tests her moral compass is what makes her involvement in the case compelling. She’s not someone who believes the ends justify the means, and yet all of a sudden she’s thrust into a scenario where they have to – where “the right thing” (not destroying the evidence) and “the wrong thing” (letting Sato suffer and/or die) intersect. No wonder she handles the entire thing so clumsily; it’s completely foreign to her.

Now consider this situation. Mahiru has been lured to a secluded area. She never got the chance to talk things through with the other girls and hasn’t the first clue about how to make amends. Fuyuhiko has proven that he isn’t all bark and no bite and could actually hurt her if provoked. Hiyoko is nowhere to be found; who’s to say Fuyuhiko hasn’t killed or severely harmed her? It’s a perfect storm of stress. Needless to say, the interaction is already doomed.

Said interaction starts when Mahiru, treating the game as though it were real, asks if Fuyuhiko killed Girl E (Sato). At this, Fuyuhiko is furious. But wait… this whole thing started because Fuyuhiko accused her of being an accomplice to his sister's murder, and yet now, when she's asking about what he did in the game, he says he doesn't want to hear it? When she says he shouldn’t have killed Girl E, he replies that nobody cares? How does this sound to Mahiru? A man who doesn't think he did anything wrong, refusing to accept responsibility? Only at this point does she get angry.

On the other hand, from Fuyuhiko's perspective, Mahiru had been avoiding him ever since he left her that letter, and so the fact that she isn't answering his questions is insulting. Even though he'd already decided on revenge, he’s giving her a chance to avoid the fate he had planned for her altogether, simply by saying she doesn’t remember anything from the game or believe that it happened. Yet not only is she doing the opposite of that, the girl who supposedly tried to protect his sister's killer is claiming that he was also wrong. His anger skyrockets.

All in all, it’s pretty easy to understand where both of them were coming from. In Mahiru’s efforts to protect her friend from revenge, she prevented Fuyuhiko from getting justice for Natsumi in any capacity. There was no way the authorities would believe him, a member of the criminal underworld, over a seemingly normal high school girl – not without evidence. Sure, a picture of a vase wasn’t substantial, but it was something, and she got rid of it. Meanwhile, if Fuyuhiko hadn’t been out for blood, Mahiru wouldn’t have felt the need to destroy the evidence to begin with. In other words, they both felt they had no choice but to do what they did – Mahiru to cover things up, Fuyuhiko to kill. Their goals clashed at nearly every turn, right up to the end.

Mahiru messed up – that I won’t deny. She lost her cool and chastised Fuyuhiko while he was in the middle of interrogating her about his sister. She shouldn't have done that – not because she didn't have a point, but because it wasn't the right time to make it. Chances are if she’d kept treating the game as real, she still would have angered him enough to convince Peko it was necessary to step in, but straight-up condemning his actions more or less sealed her fate. It’s almost ironic how her go-to method of yelling at people to do better led to her death in this instance. Keep in mind, though, it was Fuyuhiko who put her in that position to begin with. He backed her into a corner, deprived her of the chance to think things through and expected her to simply… read his mind and say what he wanted her to say so that he could find an excuse not to kill her. That’s why I don’t think it’s fair to claim she brought her death entirely on herself.

Moreover, her last words in and of themselves weren’t off-target. Fuyuhiko spends nearly the rest of the game trying to atone for rushing into revenge. He realizes that Mahiru was right; “an eye for an eye” is a flawed credo, and it’s through this that he manages to earn the forgiveness of all of his classmates, even Hiyoko. Losing Peko might have been what springboarded his development, but Mahiru’s contribution shouldn’t be understated. Hell, the scenario of Mahiru's death echoes some of Goodbye Despair’s most important themes, namely restoration over retribution and being punished for a forgotten sin. The mindset that certain people deserve to die for their crimes is what leads to much of the cast’s misery, and ultimately the opposite philosophy is what saves them.

Thanks for reading :)

Don't skip my story read till the end 😥👇

Cases of Skin Rash are increasing everyday because of bacterial , fungal or viral infections , on the other sides alot of insects such as mosquitoes, ticks, fleas and flies, which act as vectors. What we are witnessing in shelter centers and displacement camps from the accumulation of stagnant water and inadequate management of waste and sanitation provides a fertile ground for disease vectors. Every day we see in our Medical point about 50 cases of multi-cause rash. 😥💔

Save our children from this war. Link for donation 👇🔗🍉

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Donate to Help Alaa's and her family evacuate, organized by Alaa Ayad

Alaa Ayad is raising funds to help her family evacuate from Gaza. Currently, Gaza has… Alaa Ayad needs your support for Help Alaa's and h

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At long last, a nuanced take on S3 Allison. I'm so happy 😭

The growing in popularity theory that Allison's actions in S3 are because she rumored herself to be happy just doesn't sit right with me. I loved her anti-hero arc, adored it actually, but that doesn't mean I also don't find those actions abhorrent. She's made horrible decisions as a person, but as a character, she's as fantastic as she is fascinating.

The idea that Allison went off the rails because she rumored herself is an understandable attempt to reconcile with some of the bad things she's done, and I get that. It sucks when characters you love disappoint you and do something shocking and horrible. But it's a solution that's far too simple and does a complete disservice to her character by cancelling all accountability for her actions and ignoring her depth as a damaged, struggling human being.

Allison has always, always been accustomed to using her power for personal gain. It's how she got what she wanted as a child and later as an adult. Besides rumoring Claire which resulted in her losing custody, she rumored her first husband, Patrick, into loving her, which is no different than what she did to Luther, we just don't see it first hand. To say that her behavior in S3 is only in-character through taking away her own agency by rumoring herself is canonically untrue, and flattens her into something boring and perfect which Allison is anything but.

She's compassionate, she's spiteful. She's gentle, she's cruel. She's understanding, she's selfish. She's put-together, she's a trainwreck. She's a great mom friend, she's the worst enemy you could ever have.

Allison Hargreeves isn't all good or all bad, she's both in varying, shifting shades just like all of the other Hargreeves or any well-written character. She's faceted, incredible, and in a lot of pain. And pain isn't always pretty; often times it's ugly, and occasionally it brings out our very worst.

IT'S THEM 🥰

Cowboy Red Guy, Cowboy Red Guy. I wasn’t the one who started dis

Our goal was survival, but now survival defines our existence! 🇵🇸🍉

Please don’t rush through this text, read it carefully:

We are living in extremely harsh conditions, where our tent has been severely damaged and no longer provides the necessary protection.

The cost of building a new tent right now is about 1000 euros, and it is an essential shelter for our family, which is suffering from difficult living conditions.

We also face a severe shortage of food, especially basic items like flour, which has now reached 100 euros. Securing daily food would help improve these conditions.

My brother Samer is suffering from the absence of essential medications for stabilizing his health, and their cost is extremely high.

I would like to express my sincere thanks to everyone who has supported my campaign and contributed to alleviating my family’s suffering during these tough times.

The art you see is by the talented artist @ardentblooms , who offers custom commissions in exchange for donations to support my family. Your support means so much to us and shows that art can be a true way to make a difference.

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