Derica:

derica:

A lire : BLACK INVISIBILITY AND RACISM IN PUNK ROCK BY TASHA FIERCE http://www.hipmama.com/features/black-invisibility-and-racism-punk-rock-tasha-fierce

associationxamxam - African digital perspectives

More Posts from Associationxamxam and Others

8 years ago
Wangechi Mutu, Primary Syphilitic Ulcers Of The Cervix, 2005

Wangechi Mutu, Primary Syphilitic Ulcers of the Cervix, 2005

10 years ago
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Religion and its reflective properties

9 years ago
“We Wanted To Capture The Essence Of South African Township Culture In The 80s And 90s,” Says South
“We Wanted To Capture The Essence Of South African Township Culture In The 80s And 90s,” Says South
“We Wanted To Capture The Essence Of South African Township Culture In The 80s And 90s,” Says South
“We Wanted To Capture The Essence Of South African Township Culture In The 80s And 90s,” Says South
“We Wanted To Capture The Essence Of South African Township Culture In The 80s And 90s,” Says South
“We Wanted To Capture The Essence Of South African Township Culture In The 80s And 90s,” Says South
“We Wanted To Capture The Essence Of South African Township Culture In The 80s And 90s,” Says South
“We Wanted To Capture The Essence Of South African Township Culture In The 80s And 90s,” Says South
“We Wanted To Capture The Essence Of South African Township Culture In The 80s And 90s,” Says South
“We Wanted To Capture The Essence Of South African Township Culture In The 80s And 90s,” Says South

“We wanted to capture the essence of South African township culture in the 80s and 90s,” says South African photographer Kristin-Lee Moolman, recalling the brief for this shoot – the SS16 lookbook for emerging designer Rich Mnisi’s brand OATH studio. “The culture of androgyny was at its peak, supported largely by the need to ‘show up’ (out do each other).” So, to shoot the images, they headed to Mnisi’s grandmother’s house in Chiawelo, Soweto. When it came to casting the story, Moolman and Mnisi were keen to paint an accurate picture of youth culture in Johannesburg.

While Janet Otobo is a professional model, Wayne Swart is a student who they street cast on the way to the shoot. Aart Verrips is a photographer and, in fact, was Moolman’s assistant on the day. Incidentally it was Verrips’ first time in Soweto. “(It) was a new experience, especially being Afrikaans and gay,” he told us. “It was incredibly refreshing to go to the township and experiencing something totally different to what your perception had been.” As for Lucky Macheke – an accountant – he is Mnsis’s cousin and just happened to be hanging out in his grandmother’s house.

Desire Marea is one half of FAKA, an art duo who, as black queer artists, explore their complex identities through performance. “We teach complexities in a radical fight for our own humanity,” Marea says, explaining their raison d’être. In fact, Moolman and Mnisi also wanted to engage in identity politics in this shoot. “We felt that androgyny resonates with young people in South Africa now, where there is almost a celebration of LGBT communities as a movement to oppose cultural stereotypes and homophobia.

Written by Ted Stansfield for Dazed

10 years ago
Chester E. Macduffee And His Newly Patented, 250 Kilo Diving Suit, 1911.

Chester E. Macduffee and his newly patented, 250 kilo diving suit, 1911.

8 years ago

The Chimurenga  chronic, août 2016.

The Chimurenga  chronic, Août 2016.

Pour "écrire notre monde différemment", pour échapper aux diktats de la croissance, du développement et des projections des Institutions internationales telles que le FMI ou la Banque Mondiale, le dernier numéro du bulletin de Chimurenga, Chimurenga chronic convoque la science-fiction et l’illustration. 

Comme d’habitude très prolixe, Chimurenga qui avait édité en 2008, Doctor Santan Echo Chamber, revient sur le potentiel de la SF, pour rendre compte du présent du continent africain et se projeter dans des futurs alternatifs. 

http://www.chimurenga.co.za/


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10 years ago
Ekombi Dancers Of Calabar. 1965 Vintage Nigeria

Ekombi dancers of Calabar. 1965 Vintage Nigeria

7 years ago
African Fractals … Self Organizing, Recursive Design Patterns In African Culture 

African Fractals … self organizing, recursive design patterns in african culture 

10 years ago

Fantasma - Eye Of The Sun (Official)

10 years ago
image

A re-working of the eponymous T.Rex glam rock anthem into an isiXhosa protest song. The track was rearranged in collaboration with composer and choir leader Bongani Magatyana, and is here presented in speaker cabinets visually quoting the Intonarumori noise-generating machines of the...


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9 years ago
Ornette Coleman And Don Cherry In 1959.

Ornette Coleman and Don Cherry in 1959.

Credit: Lee Friedlander


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associationxamxam - African digital perspectives
African digital perspectives

"Of whom and of what are we contemporaries? And, first and foremost, what does it mean to be contemporary?" Giorgio Agamben, Qu’est-ce que le contemporain?, Paris, Rivages, 2008. Photo: Icarus 13, Kiluanji Kia Henda

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