Progress; The End To Police Brutality

Agent Carter

I AM SO HAPPY #AGENTCARTER GOT RENEWED

The tale of Lilith

There are a lot of accounts about the ‘demon-ness Lilith’, and her origin story leads a lot to be desired. Apparently, she was the first wife of Adam in Sumerian folklore, and because she did not want to be under Adam’s control any longer, and became, depending on which account you read, a vampire, a demon-ess, or a harlot, or all three, for not wanting to be apart of ‘God’s plan.’ The Sumerian accounts, taken from the 3rd millennium, were the first accounts of what happened to her before the biblical Hebrews surmised of her.

She is described as a ‘beautiful maiden’ but was believed to be a harlot, who once took a lover, offered no satisfaction to him, nor would she ever let him go. According to the Sumerian epic, dating from around 2000 B.C, ‘Gilgamesh and the Huluppu Tree’ and was ‘‘believed to appear to have human eyes. She is slender, well-shaped, beautiful, and nude, with wings, and owl feet. She stands erect on two reclining lions which are turned away from each other and are flanked by owls. On her head, she wears a cap embellished by several pairs of horns. In her hand, she holds a ring-and-rod combination. Evidently, this is no longer a lowly she-demon, but a goddess who tames wild beasts, and as shown by the owls on the reliefs, rules by night.’’

Apparently, the earliest mention of the ‘she-demon, whose name is similar to that of Lilith is found in the Sumerian king list which dates from around 2400 B.C. ‘‘It states, that the father of the great Gilgamesh was a Lilu-demon. The Lilu was one of four demons belonging to an incubi-succubae class. The other three were Lilitu (Lilith), a she-demon; Ardat Lili, or her handmaiden, who visited men in the night and bore them ghostly children. There is also the tale of the Irdu Lili, who was her male counterpart and would visit women and beget children by them. Originally these were storm demons, but because of a mistaken etymology, they came to be regarded as night demons. On one brief reference to Lilith in the Bible, Isaiah 34:14, in describing Yahweh’s (God) day of vengeance, says: The wild cat shall meet with the jackals, And the satyr shall cry to to his fellow, Yea, Lilith shall repose there, And find her a place of rest.’’

The racial aspects of Sci Fi, Fantasy and other forms media

NO. 1

One of the blog posts I have written before was titled ‘Mean World Syndrome’, which talked about how race and media affects everyone on a global scale. Racial aspects of sci-fi, fantasy, and other forms of media have long been a source of controversy. From the stereotypes of aliens in Star Trek to the whitewashing of characters in movies like Avatar, Prince of Persia, etc. these issues have been a major source of discussion in the media landscape. In many cases, racial stereotypes have been used to create a sense of ‘otherness’ for the characters of color in order to reinforce a sense of white superiority. This has led to criticism from fans, activists, and academics who have called for more representation of people of color in sci-fi, fantasy, and other forms of media.

NO. 2

In the entertainment business, inclusivity is hard to come by, and in some cases, the representation of characters of color in these genres is inadequate and often offensive. Characters of color are often relegated to the sidelines and made to serve as the backdrop to white characters’ stories, or they are depicted as tokens and stereotypes. This lack of meaningful representation has led to a push for more diverse casts in sci-fi, fantasy, and other forms of media. ‘‘Like many social sciences, international/intercultural/interethnic communication and media studies are primarily an Anglo-American media images have always been critically dissected, often by scholars with some kind of privileged tie to other cultures—Most makers of these blockbusters are mostly white males with English as their mother tongue, mutli-millionaires or aspiring to become one as soon as possible. They usually internalize a mid-Atlantic view of global history and geography, its central myths and legends. So many blockbusters remain ethnocentric, even today—they tend to make non-Westerners look at the world through Western eyes.’’

NO.3

In addition to representation in the stories themselves, the casting of actors to bring these characters to life has been another source of debate. Many actors of color have argued that they are often typecast into roles that are stereotypical or that do not reflect the true diversity of the world. Films or TV shows with fantasy/sci-fi themes on Netflix, like Chambers or Raising Dion are not being properly advertised because, like Inclusive Advertising: What’s Holding the Industry Back? claims, ‘‘The industry itself is not diverse: The advertising industry — across the ecosystem and at all levels — is not representative, which is itself a barrier to creating representative and inclusive content. Only 19% of in-house and 23% of agency survey respondents reported that their leader almost always considers the demographic diversity of their team when developing content. That, and individuals (in these marketing companies) lack awareness of and access to the knowledge, skills, resources, and tools to create representative and inclusive content. Individuals are confident in their ability to create representative and inclusive content, but only if provided with adequate tools and resources.’’

NO. 4

Of course, there will always be people who dislike seeing a more diverse setting, especially against the established order of Western ‘‘whiteness’’ ideologies. Ultimately, the best way to ensure diversity in these genres is to continue to create stories that feature diverse characters and cultures. If authors, producers, and casting directors make a conscious effort to create more imaginative stories that are inclusive and reflective of the real world, then audiences will be able to experience a more authentic and meaningful experience.

First Official Blog...Is being poor dangerous?

For those who feel like they do not have enough money to pay for college, buy decent clothing like certain name brands and makeup, etc.,  or even make enough to buy food from the market, is being poor dangerous? Well, speaking from experience, I can answer that yes, is is highly dangerous, spiritually, emotionally, and physically. People in the U.S mostly live in cities like New York, California, New Orleans, and Malibu to name some, and most of these cities are segregated. Each person, family, friend has a different background, therefore they have a different connection with others unlike themselves. This means different levels of inequalities, especially for those who are not rich. This has all to do with the economic structure between poor, middle class and the wealthy. Segregation is everywhere, and in cities, it is a mix of ethnicity, gender, citizenship, and class, and when they become connected, they create systems of labor, respect and suffering. Everyone is structurally vulnerable, as they participate in a #gray zone. Primo Levi describes it as the knowledge of a corrupt system but trying  to survive within it, whether you are at the top or at the bottom, and when you are at the bottom, the system is designed to make people remain there, especially if you are poor working class, a different race than the majority, and when you are, well, illegally living here, which is unfortunate. So, what do you think? Do you believe that being poor is dangerous? 

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The cons of overthinking

Happy Black History Month!

and just in case you thought she was lying...