It’s the most wonderful time of the year and this is the only reason why Denmark is still alive (coz invading Norway’s personal space comes at a price 😔)
no way! I actually did it!! here's all 93 hetalia characters, my beloved
the last time I did one of these was like 7 years ago 🥲 here's the previous ones: 2016//Sept 2015//Feb 2015
hope you all enjoy, this is my little treat to the hetalia fandom, also the last digital art I'll do for the next 5 months but I've got something else big to post in a while plus sketchbook stuff!
Yeah, it’s a pretty bad situation, dude.
Keep reading
op idk if you've ever heard but in the US we have this politician that wears these insane heeled shoes (probably with lifts inside) to make himself significantly taller. This is what he has on in my mind
I love him and the soles he has in his shoes to appear taller. One might think the shoes are boots, but we know better. He wont have us fooled
【Collection Blue】by _Ay_ & Me
【Cranberry Card】by _Ay_
【Love Letter】by @kleinzarohe & Me
【Nordic Cattery】by @kleinzarohe
Online Shop Entry ♡
Can you draw Haiti, in a military uniform during the Haitian Revolution? Thank you very much for wonderful and historical art
“The Good Lord who created the sun which gives us light from above, who rouses the sea and makes the thunder roar–listen well, all of you–this god, hidden in the clouds, watches us. He sees all that the white people do. The god of the white people demands from them crimes; our god asks for good deeds. But this god who is so good demands vengeance! He will direct our hands; he will aid us. Throw away the image of the god of the whites who thirsts for our tears, and listen to the voice of liberty which speaks in the hearts of all of us.”
The Haitian Revolution took place between 1791 and 1804, and was an insurrection by the slaves of Saint Domingue, now Haiti, against French colonial rule. To this day, it is considered the only successful slave rebellion, establishing an independent society of liberated slaves.
I TRIED ON THE LIGHTING.... I TRIED
The quote from before is Dutty Boukman’s speech, one of the early leaders of the Revolution. Born in Senegambia, he was captured, enslaved, and sent to the new World, where he ended up in Haiti as a carriage driver and a vodou priest. He played a key role in northern Haiti, where he presided over a religious ceremony in 1791 that would kick off the revolution. He is said to have give this speech during the ceremony!
You’ll notice that her uniform looks remarkably similar to those of the American Revolution. This is because the two events took place very close to one another- in fact, many of the freed people of color in Haiti had served in the American Revolution themselves.
Women played a large role in the Revolution. People like Suzanne Belair had leadership positions in the army, as well as countless other women who served integral roles in the information networks that organized the rebellion.
I probably should’ve added golden embroidery on her collar and wristcuffs but I legit forgot IM SORRY
This was the original sketch for this, cuz I wanted to try to doing more dynamic poses, but it just didnt feel right to me? Part of the reason I took so long to do this was because I took months to mull over it until I had a better vision of what I wanted!
sketch I did to get her features down!
America: What happened to him?
Kumajirou: He was forced to socialise with extended family.
could we see a tender rusame smorch bls,,,, 👉👈
I’ve never drawn something tender in my life what does that mean
I'm so sorry if I'm bothering, but reading "The Captain" has seriously floored, contaminated and infected me and I'm making a playlist inspired by it - But I was wondering if you had thoughts on Alfred and his people in that context? Because I... Like cowboy Alfred and I can't emphasize enough how many stories would emerge from Alfred losing a dual, lying dead on the ground, just to be gone by dawn and seen again in the next town over on death row to be hanged, just to be seen alive again some time later?
Like, it gives campfire stories and western-tales! 🥹
Characters: America
The Captain (England)
The Artist (France)
The Cleaner (Scotland)
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Some say there are monsters out on the plains.
Unholy things. Dangerous things. Things that no man should see, and that would drive him mad if he ever did.
The cowboy does not believe all this. He believes in truth, cold and bitter. Life is hard out here, that is true, and sometimes a hard life does things to a man. Turns him inside out with wanting and regret. Makes him yowl for his momma at night like a child from loneliness. Cold nights, bitter winds, and dust choked skies- miles and miles with nothing but the hot sun and ghosts of old lives nipping at your heels.
Because to choose a life on the plains alone is to have come from something. To go far into the desert and stay there means that there is sanctuary in the sands that cannot be found in a town, or a village. And that life changes those who live it. Makes them see their fears manifested in order to understand them. Forces them to acknowledge their wrongs and mistakes by trapping them alone.
The cowboy is no different. He’s seen many things he wishes he hadn’t. Has done many more besides.
There’d been a boy. Many summers ago.
Bright blue eyes, golden hair. Rough broad hands of a working man, but the expensive clothes of a comfortable one. He’d rolled into town with fear behind his wide smile; twitchy fingers and a need for work with no questions asked. He’d been running from things, that was clear, and the cows don’t ask no questions. Nor do cowboys in need of able hands.
He’d been good. Been quick. Great with horses, could calm even the most spooked or rowdy with just a touch. A real gift for them, and a real love for the plains. He grew tall under the wide blue skies, expanded his chest outwards as he rode in a way that made you look at him. Talked much, talked often, but without saying anything at all.
When he’d died, the cowboy didn’t know who to send for. The boy had never mentioned his father, hadn’t spoken of his momma, not even in passing. No family and not even a family name to claim him. He’d had to leave him out there to the sun, nothing but a bright red blanket over his face to offer him shade and the cowboy’s own rings on his eyes to pay for something he didn’t quite understand. It had felt right. It had felt inadequate.
He’d been too young.
The memory of the boy haunts him. The cowboy sees their final ride in his dreams, sees the herd change direction and sees the boy react too late. Sees him realise across the cattle that he was pinned- rock of the canyon on one side, and the stampede the other. He caught the cowboy’s eye and that, that moment of knowing, seared something into him that the cowboy knows he will never forget.
Over the thunder of a thousand hooves, the boy’s scream is an unanswerable battle cry he still wakes to, even now.
The cowboy keeps moving. The herds do not stop. Rides must be finished. Life goes on.
He goes it alone. Wrings out his soul in the dust, lets it boil over with regret. Then he gets another partner. Then another. The cowboy is older, too old these days to head on out to watch the cattle without someone he trusts at his back. The world is changing around them but this life does not change, does not grow easier. Only harder, as his bones begin to hurt and his eyes can no longer spot unfriendly shapes moving in the shadows.
One night and a shared fire like any other- three men and a dog in the middle of nowhere- the cowboy looks up to see a face he knows all too well. It has been years, decades, but the boy’s face is unchanged. Still milk smooth, still full and whole.
He has a chain around his neck that glitters in the firelight. Thin gold links that hold up familiar rings, unused payment for a journey not taken. He catches the cowboy’s eye over a whisper of long ago screams and nods.
There are monsters out on the plains.
Things that creep around campsites, things that stir in the night. Things that wear the faces of long dead men, that put on old skin like clothes and come to sit quietly by your side.
The cowboy cannot look at him. He hears him breathing as the men around them talk, feels the warmth of the boy’s arm through this jacket.
‘Well met,’ the cowboy manages, and offers his old friend his flask to drink from.
The boy does not take it. He looks up at the stars, bright and endless above them, and holds the cowboy’s rings in one hand.
‘Strange, isn’t it?’ he says softly, ‘What things we can sometimes think we see.’
The cowboy’s heartbeat beats loud in his ears, ‘Too much sun does things to a man.’
‘It does.’ The boy turns and looks back. His eyes are old, hard things, ‘I’ve heard people tell all sorts of tales. Drunken ghost stories no sane man would believe.’
The cowboy’s gut screams a warning, that he is but prey in front of predator. He knows to listen, has enough sense not to question, ‘I’m too sane to believe most things.’
He meets the boy’s eye and does not look away. The fire before them cracks, and the boy breathes. There is no other sound. Then, he smiles, teeth emerging white and gleaming. It doesn’t reach his eyes. Maybe, it never did.
‘Well met, friend.’ the boys says. He claps the cowboy’s shoulder and settles back. The cowboy’s chest feels lighter, ‘I think we’ll get along just fine.’
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I couldn't help myself Sunny, I was instantly inspired and it's all your fault
As it was written so quickly this may well change, but the idea wouldn't leave me alone and I had to get it out there
If this story is to have a song, it's 'Ghost Rider's' by Johnny Cash which is, and always will be, an utter banger.
I keep my embarrassing little thoughts in the tags where they belong
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