Traditional Russian house decoration
Isaac Levitan - "In the Vicinity of the Savvino-Storozhevsky Monastery"
The painting "Lady in a Fur Cloak" is a work of art that has generated much debate over its authorship over the years. Initially, it was attributed to the renowned painter El Greco, but recent analyses have confirmed that it was painted by the Spanish artist Alonso Sánchez Coello.
Details of the work:
Title: "Lady in a Fur Cloak"
Artist: Alonso Sanchez Coello (c. 1531-1588)
Data: 1580-1588
Technique: Oil on canvas
Dimensions: 79.8 x 65.7 cm
Location: Pollok House, Glasgow
History and Authorship:
The painting was exhibited at the Louvre in 1838, and was attributed to El Greco at the time. In 1853, it was acquired by Sir William Stirling Maxwell, who donated it to the City of Glasgow in 1967, along with Pollok House.
The authorship of "Lady in a Fur Cloak" has been debated for over a century. Detailed technical analyses, including X-rays and comparison with other works, have revealed that the painting shares stylistic and material characteristics with the works of Alonso Sánchez Coello.
The figure portrayed:
The identity of the woman depicted in the painting is unknown, but her elegance and clothing suggest that she belonged to nobility or royalty. Some scholars have speculated that she could be El Greco's companion Jeronima or even an idealized representation of the Virgin Mary. However, the lack of concrete evidence keeps her identity a mystery.
Painting features:
"Lady in a Fur Cloak" stands out for its realistic representation of the female figure, with meticulous details in her clothing, jewelry and facial expression. The use of warm, dark colors, together with the somber background, gives the work a mysterious and elegant air.
The painting is considered one of the most important of the late 16th century in Europe, and is an example of Alonso Sánchez Coello's ability to portray Spanish nobility with precision and refinement.
Church of Chavenay
Yveline region of France
Pierre Poschadel
BꙆottɩ ᥱᥒtɾᥱ ʋɩɠᥒᥱ⳽ ᥱt ᥴoꙆꙆɩᥒᥱ⳽ ᑯoɾᥱ́ᥱ⳽, Cᖾᥲtᥱᥲᥙᑲᥙɾɠ ᥱ⳽t ᥙᥒ ʝoყᥲᥙ ᑯɩ⳽ᥴɾᥱt ᑯᥱ Ꙇ’Aɾᑯᥱ̀ᥴᖾᥱ, ᑲᥲɩɠᥒᥱ́ ᑯᥱ ⳽oꙆᥱɩꙆ ᥱt ᑯ’ᥲᥙtᖾᥱᥒtɩᥴɩtᥱ́. Sᥱ⳽ ɾᥙᥱꙆꙆᥱ⳽ ᥱ́tɾoɩtᥱ⳽ ⳽ᥱɾρᥱᥒtᥱᥒt ᥱᥒtɾᥱ Ꙇᥱ⳽ ʋɩᥱɩꙆꙆᥱ⳽ ρɩᥱɾɾᥱ⳽, ρᥲɾƒᥙຕᥱ́ᥱ⳽ ᑯᥱ Ꙇᥲʋᥲᥒᑯᥱ ᥱt ɾყtᖾຕᥱ́ᥱ⳽ ρᥲɾ Ꙇᥱ ᥴᖾᥲᥒt ᑯᥱ⳽ ᥴɩɠᥲꙆᥱ⳽. Iᥴɩ, Ꙇᥱ tᥱຕρ⳽ ɾᥲꙆᥱᥒtɩt, Ꙇᥱ⳽ ⳽oᥙɾɩɾᥱ⳽ ⳽oᥒt ⳽ɩᥒᥴᥱ̀ɾᥱ⳽, ᥱt Ꙇᥱ⳽ ᥴoᥙᥴᖾᥱɾ⳽ ᑯᥱ ⳽oꙆᥱɩꙆ ᥱຕᑲɾᥲ⳽ᥱᥒt Ꙇᥱ⳽ ᥴotᥱᥲᥙx. Uᥒ Ꙇɩᥱᥙ oᥙ̀ ᥴᖾᥲϙᥙᥱ ɩᥒ⳽tᥲᥒt ᥲ Ꙇᥱ ɠoᥙ̂t ᑯᥙ ʋɾᥲɩ, ᑯᥱ Ꙇᥲ tᥱɾɾᥱ ᥱt ᑯᥙ ⳽oꙆᥱɩꙆ.
Cᖾᥲ̂tᥱᥲᥙᑲᥙɾɠ / Fɾᥲᥒᥴᥱ 🇫🇷
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Old things are always in good repute, present things in disfavor. Tacitus
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