Alligatorintherain - Alligatorintherain

alligatorintherain - alligatorintherain
alligatorintherain - alligatorintherain
alligatorintherain - alligatorintherain

More Posts from Alligatorintherain and Others

2 years ago

Spider verse is my favorite movie

A note on the music of Spiderverse

Cool detail about this movie that I haven’t seen anyone else point out yet: Blonde Peter (RIPeter), Peter B. Parker, and Miles all have a very similar theme (the same melody, basically!) that varies in key details; mirroring their similarities and differences as a characters.

RIPeter has a very dramatic, modern-y theme. There are french horns and heavy drums and it sounds like it was made to be listened to in a cinema with some high-quality surround sound. It’s super heroic and also goes really hard, making it feel like a very action-packed theme, which fits his character. He’s in his prime, he’s in action. The track’s name is “The Amazing Spider-Man”, reflecting how he completely owns that title. He’s the perfect spiderman, as presented in the movie.

A Note On The Music Of Spiderverse

Peter B. Parker has a pretty darn similar theme to RIPeter, but there are differences. The drums and bass music isn’t as forceful, it sounds a little more tune-ful and a little more whimsical. It sounds like it’d be more at home in something like the OG spiderman trilogy than a modern action movie - which, of course, reflects both Peter B.’s age and experience, AND the fact that he’s very much based on that Tobey Maguire spiderman. His song is called “My Name is Peter B. Parker” - he’s not as embroiled in his identity as spiderman as RIPeter is (was), he’s more old and more tired and it plays as such. ALSO - his little melody is actually longer than the other two, also indicating his age.

A Note On The Music Of Spiderverse

Miles’ theme probably stand out the most, having that same tune but presenting it very differently. The track is a mix of hip-hop and orchestra, there’s a disk scratch at the beginning, it’s very clearly a different “style” from the other two, more traditional theme tunes. It’s tempo is slightly faster. It has some of the force of RIPeter’s, though not as much, but what’s so key about it is it’s ENERGY. The music is poppy, it inclines you to bop your head up and down to it as you listen. RIPeter’s theme makes you want to sit back and watch the explosions, Peter B’s theme makes you nostalgic for old times of super-heroing - Miles’ theme makes you want to get up and fight alongside him. HIS track is called “Miles Morales returns”, reflecting how he maybe doesn’t see himself as Spiderman yet, but he’s coming back (after being forced to stay behind by the others) and he’s going to do the best he can to live up to that mantle. It’s perfect.

A Note On The Music Of Spiderverse

(A final point; RIPeter’s variation and Miles’ variation literally play when they do the same move on the collider, just adding to that comparison between the two.

A Note On The Music Of Spiderverse

)

Anyways, this move and its score are both so far beyond phenomenal it’s unreal.


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2 years ago

Just an experiment. Reblog if you actually give a fuck about male victims of domestic violence and rape.

Of fucking course

What sick bastard doesn’t

2 years ago

Pop culture reduces It's a Wonderful Life to that last half hour, and thinks the whole thing is about this guy traveling to an alternate universe where he doesn't exist and a little girl saying, "Every time a bell rings, an angel gets its wings." A hokey, sugary fantasy. A light and fluffy story fit for Hallmark movies.

But this reading completely glosses over the fact that George Bailey is actively suicidal. He's not just standing there moping about, "My friends don't like me," like some characters do in shows that try to adapt this conceit to other settings. George's life has been destroyed. He's bankrupt and facing prison. The lifetime of struggle we've been watching for the last two hours has accomplished nothing but this crushing defeat, and he honestly believes that the best thing he can do is kill himself because he's worth more dead than alive. He would have thrown himself from a bridge had an actual angel from heaven not intervened at the last possible moment.

That's dark. The banker villain that pop culture reduces to a cartoon purposely drove a man to the brink of suicide, which only a miracle pulled him back from. And then George Bailey goes even deeper into despair. He not only believes that his future's not worth living, but that his past wasn't worth living. He thinks that every suffering he endured, every piece of good that he tried to do was not only pointless, but actively harmful, and he and the world would be better off if he had never existed at all.

This is the context that leads to the famed alternate universe of a million pastiches, and it's absolutely vital to understanding the world that George finds. It's there to specifically show him that his despondent views about his effect on the universe are wrong. His bum ear kept him from serving his country in the war--but the act that gave him that injury was what allowed his brother to grow up to become a war hero. His fight against Potter's domination of the town felt like useless tiny battles in a war that could never be won--but it turns out that even the act of fighting was enough to save the town from falling into hopeless slavery. He thought that if it weren't for him, his wife would have married Sam Wainwright and had a life of ease and luxury as a millionaire's wife, instead of suffering a painful life of penny-pinching with him. Finding out that she'd have been a spinster isn't, "Ha ha, she'd have been pathetic without you." It's showing him that she never loved Wainwright enough to marry him, and that George's existence didn't stop her from having a happier life, but saved her from having a sadder one. Everywhere he turns, he finds out that his existence wasn't a mistake, that his struggles and sufferings did accomplish something, that his painful existence wasn't a tragedy but a gift to the people around him.

Only when he realizes this does he get to come back home in wild joy over the gift of his existence. The scenes of hope and joy and love only exist because of the two hours of struggle and despair that came before. Even Zuzu's saccharine line about bells and angel wings exists, not as a sugary proverb, but as a climax to Clarence's story--showing that even George's despair had good effect, and that his newfound thankfulness for life causes not only earthly, but heavenly joy.

If this movie has light and hope, it's not because it exists in some fantasy world where everything is sunshine and rainbows, but because it fights tooth and nail to scrape every bit of hope it can from our all too dark and painful world. The light here exists, not because it ignores the dark, but because the dark makes light more precious and meaningful. The light exists in defiance of the dark, the hope in defiance of despair, and there is nothing saccharine about that. It's just about as realistic as it gets.


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2 years ago

These are the only three flaws I will concede, when it comes to the Jedi during the Prequels.

“They got lax/complacent.”

These Are The Only Three Flaws I Will Concede, When It Comes To The Jedi During The Prequels.

Yeah*. If you listen to the director’s commentary, George Lucas states the scene in AOTC with Jocasta Nu is there to indicate how unprepared the Jedi were before the Sith’s plan. They thought they were secure and ready but they were not and it turns out humble restaurant owners like Dex know things they don't.

*HOWEVER: Who wouldn’t be complacent, in times of peace?

The Sith were thought to be extinct and Dooku was once a Jedi, a revered one at that. Nobody could have suspected he’d betray the Order that raised him and loved him.

These Are The Only Three Flaws I Will Concede, When It Comes To The Jedi During The Prequels.

Nobody could've suspected that he'd abuse of their trust and delete a system from the Archives using the credentials of his best friend who he'd had assassinated. That's a verrrry specific scenario, and expecting them to be prepared for that is unreasonable.

"They should've sensed something!" Well, by this point in time, everything surrounding the Jedi was tainted by the Dark Side, which clouded everything. So on the one hand, this situation granted Sidious the gift of foresight and allowed them to always be one step ahead, and on the other, it caused the Jedi to be stuck trekking ahead in a fog, unsure of what the next move would be.

These Are The Only Three Flaws I Will Concede, When It Comes To The Jedi During The Prequels.
These Are The Only Three Flaws I Will Concede, When It Comes To The Jedi During The Prequels.
These Are The Only Three Flaws I Will Concede, When It Comes To The Jedi During The Prequels.

“They were politically-inept.”

Yes**. That’s how the Sith ran circles around the Jedi. They figured “there’s only two of us, if we march into the Temple we’ll get slaughtered, but wait, the Jedi serve the Senate and the Senate is run by politicians… what if we become the politicians? Then we can destroy the Jedi and the principles from the inside!”

**HOWEVER: The Jedi were politically-inept by choice.

These Are The Only Three Flaws I Will Concede, When It Comes To The Jedi During The Prequels.

After all, their function isn’t setting policy but carrying it out. They’re not politicians, they’re diplomats and as such they're not allowed to get involved in the political process.

But if they were... they still wouldn't. Because power corrupts, and if you let the space monks (who already have magical powers) have political power too, then that will lead to a very dark place.

The Jedi knew that if they tried to play politics, they’ll lose because they have neither the ruthlessness nor the status to do it well, so they make it a point of never going anywhere near it.

Unfortunately, that leaves them open to situations where the Senate or Palpatine corner them into doing something they really don’t wanna do.

It's how they were forced to expel Ahsoka, how they lost the favor of the citizens and it's how Dooku, then the Emperor, framed them as power-hungry sorcerers with his propaganda.

These Are The Only Three Flaws I Will Concede, When It Comes To The Jedi During The Prequels.
These Are The Only Three Flaws I Will Concede, When It Comes To The Jedi During The Prequels.
These Are The Only Three Flaws I Will Concede, When It Comes To The Jedi During The Prequels.
These Are The Only Three Flaws I Will Concede, When It Comes To The Jedi During The Prequels.

“The war made them hypocrites.”

Sure***. The Jedi were meant to be diplomats, not soldiers. By waging war instead of keeping the peace, they’ve compromised on their values.

***HOWEVER: The Jedi know this and they’re not happy about it at all.

These Are The Only Three Flaws I Will Concede, When It Comes To The Jedi During The Prequels.

Firstly, because they were forced into this situation by the Senate and Palpatine, who drafted them into service.

Secondly, because they know they’re essentially moving ahead blindly and playing right into the Sith Lord’s hand by fighting this war he orchestrated.

These Are The Only Three Flaws I Will Concede, When It Comes To The Jedi During The Prequels.

But finally, it’s that they know that not joining would’ve been worse. Sticking by their principles would’ve resulted in the enslavement and genocide of many populations. Sometimes, the spirit of the rules must be prioritized over the letter. Either do nothing and be true to your principles, or go against them but save lives.

It’s a bad choice to make, but not as bad as not making one.

These Are The Only Three Flaws I Will Concede, When It Comes To The Jedi During The Prequels.
These Are The Only Three Flaws I Will Concede, When It Comes To The Jedi During The Prequels.

It's a bad choice, but it's motivated by a desire to do some good and it did. They saved countless lives (sometimes at the cost of their own) and inspired countless more to form the Rebellion, later on.

These Are The Only Three Flaws I Will Concede, When It Comes To The Jedi During The Prequels.

So... three flaws.

But they all come with asterisks. There’s a reasonable (sometimes, even admirable) justification for each of them.

I’m pointing these out because a lot of people seem to conflate “the Jedi were flawed” with “the Jedi were at fault” when talking about their own demise. And the answer to that is:

No.

The Jedi were not at fault. Everybody else was.

The Senate was at fault for growing corrupt and self-serving.

Big Corp for their never ending greed.

The Separatists for being so blind and naive as to think Big Corp would tooootally value their principles and absolutely not commit war crimes every chance they get.

The Sith for being the mass-murdering egotistical assholes who started this whole mess.

And the citizens of the galaxy for not taking up arms in the face of blatant injustice.

These Are The Only Three Flaws I Will Concede, When It Comes To The Jedi During The Prequels.

Sometimes bad people win.

That doesn't always mean the good guys are at fault. Sometimes, the bad guys are just… better at the game. Mostly because they see it as a game, and the good guys don't.

Luckily, 20 years later, most of the above faults were rectified by the Rebellion, which was led by the best of the Senate, and composed of Separatist remnants and brave citizens of the galaxy.


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1 year ago
Very Brave Of Me To Make A Set Of Illustrations That's 90% Hands
Very Brave Of Me To Make A Set Of Illustrations That's 90% Hands
Very Brave Of Me To Make A Set Of Illustrations That's 90% Hands
Very Brave Of Me To Make A Set Of Illustrations That's 90% Hands
Very Brave Of Me To Make A Set Of Illustrations That's 90% Hands
Very Brave Of Me To Make A Set Of Illustrations That's 90% Hands
Very Brave Of Me To Make A Set Of Illustrations That's 90% Hands

Very brave of me to make a set of illustrations that's 90% hands

Anyway. This is about my personal theories/headcanons about the vision requirements

EDIT: I made a post elaborating on my theories/headcanons! Check it out if you wanna know a bit more :D

EDIT (again): Just so you know (bc ppl keep mentioning it in the tags), I am well aware Archons don't personally give out visions😅 The Archons' hands are supposed to be more symbolic, since it IS heavily implied they have a subconcious affect on who gets one, even if they don't actually have any active say in it

8 months ago
emo boy mosh gif with tumblr april fools boop paws edited over their fists, making them look like they're violently booping each other

war never changes

2 years ago
It’s a page-long comic focused on Rex from the Clone Wars. Going from top to bottom, the first row is divided into four panels. The first panel shows two hands holding onto a black hair clipper from a side view. The person’s skin is brown, and it’s dropped against a dark blue background. The second is a closeup of Rex’s face, where his roots are showing underneath blond dye. He is looking down, with only part of his face visible, the rest cut off by the borders of the panel. The third shows his reflection in a mirror over a sink, his eyes cut off by the top border of the panel. A pink scar is visible going over his chin and he has a five o’clock shadow growing in. The fourth, and final panel of the row shows Rex bringing the clipper to his hair to shave it all off. His face is not visible, only the top of his head and part of his hand. “One day” is written on the top of this panel.   The next row features 3 long panels—one on either side and then in the middle—with four smaller panels in between them. Hair is falling in the first long panel, and at the bottom, text reading “I’ll stop” is printed. The four short panels feature: Cody, Fives Hardcase, and Tup. All of them are smiling or laughing; they seem happy. The next panel is a long panel and it is a closeup of Rex shaving his hair from a side view. His face is not visible, but his ear, the clipper, some of his shirt, and some of his hair are. Next to it are four more panels featuring: Kix, Jesse, Dogma, and Denal. Kix, Jesse, and Denal are all smiling while Dogma looks stoic as ever. Next to it is the last long panel with text reading “seeing your face” printed at the top. The small panels are backdropped against yellow while the long ones have dark blue backgrounds.   Underneath this, Rex is standing with his hands on the sink and his gaze fixed on a mirror before him. Blond hair covers the floor around his feet. In the mirror, his reflection stares back at him with a faint outline of Jaig eyes above his head. Next to him, there is text that reads “in mine.”   Full transcription of text: “One day I’ll stop seeing your face in mine.”
It’s a page long comic of various characters from Star Wars. The first row of panels is a singular, long panel with the tip of a blaster (DC-15A) sideways in the middle. It’s firing a shot, which is blue, and at the bottom of the panel, there is text that reads “what Jedi”. The background is pink.   The row underneath shows seven small panels of Palpatine, all in black and white. It is styled like Hawkeye (2012) Page 3 of Issue 2 with each panel being a letter that Palpatine is saying. The letters read “Execute”, and his expression changes little throughput aside from his mouth. Part of his face is covered by his cloak.   The row beneath that is split into three panels with pink backgrounds (same pink as the first row). The first panel focuses on Jaro Tapal who is leaning over the ground. His head is turned to look at his Padawan, Cal, though only part of Cal’s robes are visible to the viewer. Jaro is a Lasat male with a beard and a braid. He is wearing a standard Jedi Chesplate, and a blaster hole is visible on the left side of his chest. Text in the top left corner reads “gave”. The next panel is of F’s Master. He is a brown-skinned man with mono lidded eyes and a wide nose. He wears white and dull blue robes with a brown cloak on top. He has a beard, and his hair is black. He is holding his lightsaber in front of him—the blade is a brilliant yellow, and his expression is determined. Text in the top left corner of the panel reads “their”. The last panel is of Depa Billaba, and it is a redraw from the Last Padawan comics. She has brown skin and black hair which is braided into loops on either side of her head. Her green lightsaber is activated, illuminating her brown cloak, and she has her lips pulled back in a grimace. On the top left of the panel, text reads “Life”.   The next row is similar to the second. Palpatine says “Order 66”.   Finally, the last row is split into three panels, all with blue backgrounds though the center panel has more detail. The first panel is Cal and Merrin hugging. Cal has black hair and brown skin, though his face is not visible to the viewer. Merrin is holding him tight with her arms wrapped around his torso. She seems relieved. Text in the top left corner reads “so that you”. The next panel is a redraw from the Village Bride. F kneels on the ground with her yellow lightsaber ignited in front of her. Her black hair is blowing to the side, partially covering her face, and her cape is fluttering behind her. She is backdropped against a blue sky with purple-tinged clouds, yellow mountains, and green trees. Text in the bottom left corner reads “might”. The last panel is of Kanan and Ezra. Ezra is holding onto his lightsaber (his first one) which is ignited, and the blade is green. He is looking at the blade in awe, and the green color illuminates him. Kanan stands behind him with a hand on his right shoulder. Kanan is smiling. Text in the top left corner reads “live”.   Full quote: “What Jedi gave their life so that you might live?”
It’s a drawing of Ahsoka Tano holding Luke in her left arm and Leia in her right. She is wearing her outfit from the siege of Mandalore which consists of a blue, sleeveless top with silver lines designed like a traditional Mandalorian chesplate. She is also wearing a metal belt. Luke and Leia are both depicted with brown skin and dark brown hair. They are newborns, swaddled in white cloth, and only their heads and legs are visible from the folds. Ahsoka’s head is tipped slightly to her right—she wears a sorrowful expression.
It’s a drawing of Anakin and Obi Wan. Anakin is depicted as a Black man brown skin and curly brown hair whereas Obi Wan is East Asian with fairer skin, monolids, and black hair. Obi Wan is clutching onto Anakin’s arms, and Anakin is doing the same to Obi Wan. They are both dressed in their regular robes and kneeling, facing one another. Flames curl out from Anakin’s back, burning his robes and obscuring part of his figure from the viewer. The harsh lighting of the fire illuminates Obi Wan’s face and chest, though the rest of him is cast in shadow. He is untouched by the fire, but there are tears running down his face anyway. Anakin is crying as well with his mouth ajar, as if he were calling out for help from his former Master.
It’s a drawing of Ahsoka Tano fighting Darth Vader on Malachor. Ahsoka is wearing a redesigned outfit that takes from the people who had an influence on her life. First is a one-sleeved dark brown shirt that is a similar color to Obi Wan’s base robes and styled similarly to Aayla Secura’s outfit. Over this, she wears a form-fitting top half to a tunic and a belt similar to Anakin’s around her waist. On her neck, there are beads similar to the necklace that the artist’s redesigned Aayla wears. A talon cover, similar to Plo Koon’s, is visible on Ahsoka’s left hand. Other than that, she wears dark brown pants and black boots. Both her lightsabers are ignited and her feet are against Vader’s chest, pushing him down while one of her lightsabers slashes across his face. Her mouth is open in an anguished expression and there are tears on her face.
It’s a drawing with two comic panels on top. The first panel shows a drawing of Anakin Skywalker. He’s a Black man with brown skin, freckles, a scar over his right eyebrow, and dark brown hair. He is looking at the viewer with a smile on his face. The panel next to him is of his son, Luke, who similarly has brown skin and freckles, though his curls are nearing black in color and sun bleached. Above the panels reads “you look” and below, written text says “so much like him.” Beneath the panels and text is a drawing of Ahsoka Tano and Luke. Ahsoka is grown and much taller than Luke, as she is leaning over him. She is holding his face in her hands with a sorrowful expression. She is wearing white robes and a brown headpiece. Luke is wearing his dark grey robes and a black cloak over it. One of his hands is reaching up to touch Ahsoka’s.

closing 2021 off with a collection of some of the emotionally devastating pieces I’ve done

[ID in Alt] | Click for better quality <3

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alligatorintherain - alligatorintherain
alligatorintherain

Please call me Rain. 19yo he/her I'm both a girl and a boy. I don't know what exactly that means but 👍. Talk with me if you like! I'm open to all conversations! If I'm not in the mood to talk at the moment I'll just tell you bluntly if I'm not in the mood so please don't be offended if I do so. I'll get back to you when I am so we can have a conversation! :)

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