The Art Of Helena Georgiou

Social Housing

I have received a lot of follow up questions and comments to my post about social housing and my opinion that vertical social housing is a dying typology including:

What is Vertical Social Housing? Google didn’t return anything obviously useful.

Hi, different anon, but what impact are you referring to when it comes to vertical social housing?

A dying typology? You are wrong

What is Social Housing? Social housing is affordable housing. A key function of social housing is to provide accommodation that is affordable to people on low incomes. Limits to rent increases set by law mean that rents are kept affordable. 

Vertical Social Housing brings up images of identical towers like the Pruitt–Igoe complex which was composed of 33 buildings of 11 stories each, located on St. Louis. Its demolition was one of the first demolitions of modernist architecture; postmodern architectural historian Charles Jencks called its destruction “the day Modern architecture died." Its failure is often seen as a direct indictment of the society-changing aspirations of the International school of architecture. [via]

In the United States, policies included "urban renewal” and building of large scale vertical social housing projects. Urban renewal demolished entire neighborhoods in many inner cities to accommodate these projects as a solution to the lack of affordable housing; but in many ways, it was a cause of urban decay rather than a remedy.

This type of architecture segregated and isolated its residents from the cities around them. Effectively trapping them in buildings that quickly deteriorated because of poor maintenance and overcrowding. Like in every typology you find some successful examples but many of these projects have been demolished to be replaced by low rise urban infill projects. The idea is to thread social housing into the tapestry of the city instead of creating isolated pockets.

You can read more on how cities have tried to redirect their efforts to provide affordable housing in books like Comeback Cities: A Blueprint for Urban Neighborhood Revival and American Project.

Architecture should not reinforce the old stigma of living in social housing, and architects should find the joy in tight budgets, limited briefs, and seemingly mundane programs.

Here are some recent successful examples of low-rise social housing: 

Le Lorrain – Brussels, Belgium

Honeycomb Apartments – Izola, Slovenia

Monterrey Housing – Nuevo León, Mexico

Vivazz, Mieres Social Housing – Asturias, Spain

Tête en l’air Social Housing – Paris, France

matizes

Lost Landscape

Brazilian architect Luiz Eduardo Lupatini created a visual musing about the nature of human use of building materials.

He placed his conceptual design “Lost Landscape” at the heart of a quarry which would inspire individuals to confront their preconceived ideas about consumption. There is a notable interplay with positive and negative space as well as the presence of both industrial and natural textures. Monolithic concrete walls and entrances would allow people to navigate the extraction site as if it were a system of naturally occurring caves. See more on the winning Carrara Thermal Baths Competition project here.

Images and text via

Architects for Animals: Giving Shelter

In an effort to raise money for FixNation, a non-profit charity that aims to reduce the homeless cat population in Los Angeles by spaying and neutering them, 12 architects and designers have created fun cat shelters for their recently held Architects for Animals: Giving Shelter benefit.

Images and text via + via

May Day – a potted history

In addition to the spring equinox (which is around 20 March in the northern hemisphere), 1 May was a traditional date for marking the arrival of spring. Across Europe there have been – and still are – many rich traditions representing fertility and (hopefully!) warmer weather.

The month of May is named after the Greek goddess Maia, depicted here with flower garlands and wreaths.

The Romans marked the start of May with the Floralia. They held a five-day festival to honour Flora, the Roman goddess of flowers, which was declared a holiday by Julius Caesar. People would dance, gather flowers and celebrate with public games, theatre and merrymaking to mark the arrival of longer days and the start of the farming season.

The Romans also used the Greek myth of Persephone (Roman: Proserpina) and Demeter (Roman: Ceres) to explain the changing seasons. 

In the UK, May Day has long been celebrated with a mix of Anglo-Saxon and Celtic traditions. The Celtic festival of Beltane takes place on 1 May. In Celtic tradition, the sun was held prisoner during winter months and was released each spring to rule the summer sky. Celtic peoples celebrated this with a huge feast, with great fires and dancing. You can find out more about Celtic festivals here.

Other UK May Day traditions include dancing round a maypole, as seen in this 19th-century print imagining life in Elizabethan England. Although maypole dancing clearly goes back centuries, and is prevalent in many European countries, there is no agreement on when it began, or why!

The eve of 1 May (the night of 30 April) has also been celebrated for centuries in Germanic countries as Walpurgisnacht. The 8th-century abbess St Walpurga is credited with bringing Christianity to Germany. In Germanic folklore Walpurgisnacht, also called Hexennacht (literally ‘Witches’ Night’), is believed to be the night of a witches’ meeting as they await the coming of spring. As Walpurga’s feast was held on 1 May, she became associated with this May Day folk tradition. The eve of May Day, traditionally celebrated with dancing, came to be known as Walpurgisnacht. 

In the late 19th century, a group of socialists and communists chose May Day as the date for International Workers’ Day. Although they fall on the same day, International Workers’ Day and the traditional May Day are essentially different celebrations.

‘May Day’ by Walter Crane. Watercolour and gold, 1874.

‘Maia. Mayus’, the goddess Maya on a cloud at centre, holding flower garlands and wreaths; the zodiacal sign of Gemini beyond. Print made by Jacobus Harrewyn. Engraving, 1698.

‘Flora, Goddess of Flowers’.  Mezzotint with some etching, 1800.

‘May day in the reign of Queen Elizabeth’ by James Henry Watt. Etching and engraving on chine collé, 1836.

‘The Triumph of Labour’ by Walter Crane. Inscribed in capitals along the lower border: ’ Designed to commemorate the International Labour Day May 1 1891 / and dedicated to the wage workers of all countries’. Woodcut, 1891.

Haari Tesla, illuminated (2013) 

"Macrocosm and microcosm is an ancient Greek Neo-Platonic schema of seeing the same patterns reproduced in all levels of the cosmos, from the largest scale (macrocosm or universe-level) all the way down to the smallest scale (microcosm or sub-sub-atomic or even metaphysical-level). In the system the midpoint is Man, who summarizes thecosmos."

" I was doing some researches  and I found experiment with miniatures of space so I decided to try my own. The result has been nebulae, galaxies and supernovae  transformed into microorganism.” - Artist’s Statement”

http://www.architecturelover.com/2013/03/casa-seta-by-martin-dulanto-arquitecto/ We are very interested in your suggestions - your work. http://www.architecturelover.com/submit-a-project/

Montaña Rusa del Amor.

Wannabe