Original Concept Wreck Looks Like He Is Going Through A Really Bad Divorce.

Heyo! Thank you for responding, I appreciate it when people do!

I should've pointed it out better but I am not saying light and dark are unable to coexist, I'm saying they exist, but on opposite sides. I'll use an example,

when you shine a flashlight at an object, the shadow appears opposite to the light. It cannot exist on the same side as the light, but opposite to it. But both need each other in order to exist.

Which is what I'm trying to say about SatoSugu, they need each other, yet they will exist on opposite ends like light and dark but still are, meaningless without each other.

I'm a Buddhist, although I'm not very religious. And I haven't read my texts in so long, JJK is genuinely making me want to get back to studying it again, I've forgotten almost all the prayers, gosh darn!

I do believe there will be differences however as JJK is mostly a combination of Shintoism and Buddhism, if I remember correctly. I'm a Theravada Buddhist.

Enlightenment, from my understanding, is breaking away from the Cycle of Suffering, and Nirvana can be summarised as nothingness. In our belief, as long as you have life, you will grow old, suffer and die. Which is three of the four major things Gautama Buddha saw before becoming Buddha, the fourth being monkhood.

When Buddha achieved enlightenment, it was after an attack from the demon, Mara. For Satoru's enlightenment…well I'm not exactly sure how to feel about it. I mean, Satoru oofed a man right after his "enlightenment" and killing is a HUGE no-no for Buddhism. It is actually one of the first things we have to avoid. We must not take a life. Killing is a straight ticket to hell.

If we're being completely accurate, few of the JJK cast would even end up in Heaven, they'd suffer in hell for years until they reincarnate into another life. Satoru killed, Toji killed, Sukuna is definitely suffering hundreds of years in hell for his atrocities, Maki would also have to suffer there for massacring her clan, it's just how karma works in Buddhism and it is NOT generous.

I'd have to begin reading books again to fully analyse Buddhism in JJK, but I think this would do for now. Looking forward to more discussions!

Akuji out! :)

live, laugh, love Satoru

AKUJI'S SATOSUGU ANALYSIS (PT.1)

!longassrant

In part one, I'll discuss a few things regarding symbolism and metaphors surrounding the two and how they complement each other. As much as I loathe Akutami, I do admire their symbolism surrounding the cast of JJK.

BLACK AND WHITE, LIGHT AND DARK

I feel like this is a prominent thing in the SatoSugu shippers to associate SatoSugu with black and white, myself included. Whenever I see black and white, I get SatoSugu PTSD. This is really what my life has come to, LOL.

Let's put Satoru as the Light and Suguru as the Dark. ( This is something I love because of how light and dark exist. One cannot be without the other, yet when light is present — dark cannot be. And when dark is present, light cannot be. Sound familiar? Yep, it's them.

We know they both probably wanted to be together but their ideals set them apart. Dark will always exist opposite to Light, and Light would always exist opposite to Dark. But they cannot be defined without each other.

And it does align with what they do become because Satoru became the Light of Jujutsu Society, they had hope because of him. When Satoru enters the scene to save the day, sorcerers are relieved, sorcerer feel safe. When he got sealed, everything fell apart, it just shows how much Jujutsu Society relied on him and trusted him to resolve everything. He taught the new generation of sorcerers, he guided them towards a new future, like a sort of guiding light.

Suguru on the other hand, he consumed the worst in the world, curses. He was confronted by the vile taste of curses every time he consumes one and after Riko Amanai's death, he was faced with the cruelty of the system, the darkness of the world. He despised the likes of people like Toji who are willing to assassinate an innocent teenage girl purely just for money. And, Toji didn't even need to kill Riko, he heard them talk, Riko wasn't even going to become Tengen's new vessel.

The whole experience with Toji changed the duo, but for Suguru, it hurt that he fought with everything he had to avenge Satoru but was left there barely living as a failure only to find his best friend completely changed to the point where he was going to kill all of the humans who were applauding them. Although he convinced Satoru they should be spared, I don't think Suguru himself thinks they deserve to live. The applauds haunted him, I'm sure he was utterly disgusted a room of adults were celebrating the death of an innocent, young girl.

The scene with depressed Suguru, we hear rain outside but if you listen carefully, they sound more like claps, like the ones he has heard back with the Cult. (also, it's funny to me that he started his own cult after being traumatised by one.)

Suguru genuinely wanted to create a world for the weak but after what happened, it's safe to say he stopped considering non-sorcerers as the weak. He already had a theory that sorcerers weren't the problem but non-sorcerers and that mindset drove Suguru mad, paired with the curses he consumes which are manifestations of the negative parts of humanity. The only way for Suguru to move forward with his life is to eradicate all non-sorcerers. He refused the other path because to him to choose non-sorcerers at this point would be to accept more people like Toji, the people in Star Religious Group and the people in the village who threatened Mimiko and Nanako.

Wow, there's a lot for Suguru's part, haha.

Black and White, Light and Dark— or whatever similar. They fit. I could compare them to Yin and Yang, but I don't fully understand its meaning so, I won't.

CURSED TECHNIQUES

I also love what their cursed techniques represent in each other. And how it ties into the story.

Suguru's cursed technique manipulates cursed spirits after consuming them. Consume, which is the first thing we see him doing in the opening of Hidden Inventory. He's a consumptive force, because he consumes the responsibility of protecting the weak.

Satoru on the other hand, repels. He's an outward force, extending out a physical barrier that creates distance between his body and the world. The Infinity and Reversal Red that repels and disconnects him from the people around him. Satoru repelled the idea of protecting the weak, actively discarding them during HI's basketball scene.

Can I point out how the scene after Star Religious group makes sense now? Blue attracts, it's a consumptive force, Suguru leaned into it. Red repels, Satoru stepped into red. It just really enhances their characters further…ah, remind me how much I love this animanga.

Satoru focused on becoming the Strongest and rejected everything else. Suguru consumed the negative emotions and trauma, leading him to go mad to the point killing all non-sorcerers could be the only way he could live with himself.

They're really meant to be together because consumption can only exist if there's a repellant force pushing back. They're not opposites, I will say. Both Satoru and Suguru contain parts of each other within each other. Sort of like Yin and Yang, but again I don't fully understand Yin and Yang enough to do a full analysis of them associating with Yin and Yang.

I think I will conclude the cursed technique analysis here because trying to understand cursed techniques in JJK…it burns my brain. Especially with those powerscalers.

"You're Late, ..."

This was done multiple time for them, and ugh it pains me.

Yup, this one right here, this motif foreshadows the tragedy of Satoru and Suguru's love story. 

We see Suguru running through the rain urgently. He so desperately needs an umbrella. Satoru? Well, you can see he's wasting time looking at a cat...he's not hurrying at all. But he has what Suguru needs, an umbrella. Well, Satoru didn't even need an umbrella.

Suguru is waiting impatiently in the rain, and he's not using his bag to cover up his head anymore. He knows Satoru is coming; that's why he's impatient.

Suguru needs him, but Satoru doesn’t pick up the pace.

By the time he finally shows up, the sun has come out. By then Suguru has accepted the fact that Satoru took too long. They can’t share the umbrella any more because they missed their chance to use it.

“You’re late, Satoru.”

And you all know what follows up...

Also a little bonus:

Those are osmanthuses.

The name Osmanthus comes from the Greek language, Osma(fragrant) and Anthos(flower), literally meaning Fragrant Flower. Osmanthus flowers are a symbol of love and romance, blooming for only a few days in the Spring, and are celebrated during wedding ceremonies and the Chinese Moon Festival in August

The animators shipped them, you cannot convince me otherwise.

This was supposed to be longer, and I do want to continue it but again, I'm tired to continue. Kind of lost motivation and my initial ideas poofed already.

Akuji out!

live, laugh, love Satoru

(tagging @everythingseasoning as she requested. Awaiting your response!)

all that remained were fields of dreamless solitude

only you can show me this

this is so funny.

STOP. STOP.

HAVE I NOT CRIED ENOUGH?

HOW MANY MORE TEARS MUST I SHED??

"In another universe" they say.

The pre-Christian Norse spiritual worldview is animistic, which means that it's informed by direct experiences and observations of nature, interpreted through the lens of human experience and feelings. You know how we watch snow swirl around think that it looks playful, or watch a wildfire and think that it looks angry? It involves that kind of thing.

But when most people think of pre-Christian religions, they tend to imagine later forms of Greek and Roman polytheism. The problem here is that these Greeks and Romans had begun to think of divinity in more abstract, transcendent ways, and had begun to imagine the gods as rulers of things rather than the spirits of things.

Loki isn't the lord of mischief, he's the spirit of mischief. He's in the little voice telling you make that shitpost and to stop caring about being "cringe." He's in your cat's impulse to knock something off the counter to watch it bounce or roll. Loki manifests in every accidental innuendo and hilarious typo, in every spilled cup of coffee, and every paperwork mix-up. (This is why he's a shapeshifter! He can be anything!)

So when media depicts a Loki riddled with repression and shame - say, for example, a Loki who sneers at modern media or the culture of the common folk - it's depicting a Loki who can't really Loki. That poor spirit has been bound and gagged.

Certain popular media has depicted Thor and Loki as some kinds of opposites, but when we consider the animist perspective we can see there is a serious problem with this. Loki and Thor being depicted as companions isn't some random whim; it's a reflection of the reality that thunderstorms bring chaos.

A Loki informed by Norse mythology shouldn't be complaining about Thor's "oafishness" or whatever, he should be encouraging him to wreak even more havoc. Loki shouldn't be here out of some real or imagined obligation, he should be here because he expects he's going to have a pretty good time, and because he hopes to make the situation as ridiculous as possible.

Loki being the spirit of mischief is also why depicting him as hostile to humanity isn't really in the spirit of the pre-Christian Norse worldview. Mischief and chaos are not anti-human; they're just realities of the world that humans inhabit. I get how it's easy to infer that Loki must have something against humans due to his oppositional role toward the Aesir in the Ragnarok story, but that's an extremely Christian reading of the narrative. The story is simply describing the collapse of civilization and end of the world as we know it through Norse animistic comprehension. Loki only has an issue with the Aesir, who bound him in a cave to be tortured with serpent venom. Humanity is neither here nor there for him.

Sirius isn't a manchild that only saw Harry as James. But there is a character in canon that is like that, and that character is Snape.

Welcome to my tumblr

☆゜・。。・゜゜・。。・゜★ ・✦✧◦✦◦✧✦ ・

Hey, you may call me Akuji or Atlas! Or, Nero, Percy, Magnus — if you will. I have many names.

I've created this account in about 2023, I've never really used it. I'm just using it more now, so don't expect me to be very active!

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Fandoms:

Jujutsu Kaisen

Arcane

Lego Ninjago

Percy Jackson/Heroes of Olympus

Devil May Cry

Power Rangers

Star Wars

Warriors (Warrior Cats)

Love and Deepspace

Avatar: The Last Airbender/Legends of Korra

To Be Hero X

Lazarus

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What you'll see here:

Some Character Analysis — which I'll do when I'm free

Fanfiction! If I'm motivated enough.

Artwork, most likely fanart or OC content

Reposts, so many reposts.

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Dni list / block list

homo/trans/queerphobes

darkshippers/proshippers

I'll probably block you if you ship smth I don't like js bc I'm petty

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Totally normal about Satoru Gojo...

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Cya, y'all. ^^

She looked alright to me during S8-S15, maybe because I'm used to it, IDK?

The new design feels a little odd. I will probably get used to it soon.

I have a small pet peeve with NDR and it's the fact P.I.X.A.L.'s eyes are WAAAAY too close it looks uncanny to me.

Please put some distance between the eyes, animators. Like you used to...

(also, why did some of her eyelashes disappear?)

MARRY ME.

gojo as leon kennedy