Akuji05 - KING AKUJI

I know I'm a bit late to saying this but frankly if I found out a secret society of magic-users were just playing nonsense sports and making up slurs for the rest of us instead of helping us out with famines or leukemia I think I'd apply for a job with my local witch hunters

i wonder if x is so different from everyone else in the hero industry is because he has 0 affiliation to any companies. i firmly believe this makes him have much more freedom than the rest, plus there's no manager on his ear yapping their gums out on this-and-that.

x's freedom is shown a lot of times in trailers, endings, and the opening by him being in his "citizen" persona – which we have seen no one have unlike him – a work life that is outside of his hero work that makes him have a separate identity as people there, possibly, only knows him as the 'chill guy who takes all the sugar in the office' than the cool omnipotent hero x.

that doesn't make him obviously free from his responsibilities. he has two jobs where one he can slip away when it's dusk, and the other one he has to work for almost 24/7 that has no time in or out unlike the office job he has. of course, there's other heroes but he's top 1. expectations still weigh on him.

he's enigmatic because no one owns him. think of him like an indie artist with no label company and with the freedom to do anything except they're also stuck in the same system with how the work can take over their lives and the audience views them.

i speak on this in my opinion and belief, how x does every move it's like art itself.

Heyo! Thank you for responding, I appreciate it when people do!

I should've pointed it out better but I am not saying light and dark are unable to coexist, I'm saying they exist, but on opposite sides. I'll use an example,

when you shine a flashlight at an object, the shadow appears opposite to the light. It cannot exist on the same side as the light, but opposite to it. But both need each other in order to exist.

Which is what I'm trying to say about SatoSugu, they need each other, yet they will exist on opposite ends like light and dark but still are, meaningless without each other.

I'm a Buddhist, although I'm not very religious. And I haven't read my texts in so long, JJK is genuinely making me want to get back to studying it again, I've forgotten almost all the prayers, gosh darn!

I do believe there will be differences however as JJK is mostly a combination of Shintoism and Buddhism, if I remember correctly. I'm a Theravada Buddhist.

Enlightenment, from my understanding, is breaking away from the Cycle of Suffering, and Nirvana can be summarised as nothingness. In our belief, as long as you have life, you will grow old, suffer and die. Which is three of the four major things Gautama Buddha saw before becoming Buddha, the fourth being monkhood.

When Buddha achieved enlightenment, it was after an attack from the demon, Mara. For Satoru's enlightenment…well I'm not exactly sure how to feel about it. I mean, Satoru oofed a man right after his "enlightenment" and killing is a HUGE no-no for Buddhism. It is actually one of the first things we have to avoid. We must not take a life. Killing is a straight ticket to hell.

If we're being completely accurate, few of the JJK cast would even end up in Heaven, they'd suffer in hell for years until they reincarnate into another life. Satoru killed, Toji killed, Sukuna is definitely suffering hundreds of years in hell for his atrocities, Maki would also have to suffer there for massacring her clan, it's just how karma works in Buddhism and it is NOT generous.

I'd have to begin reading books again to fully analyse Buddhism in JJK, but I think this would do for now. Looking forward to more discussions!

Akuji out! :)

live, laugh, love Satoru

AKUJI'S SATOSUGU ANALYSIS (PT.1)

!longassrant

In part one, I'll discuss a few things regarding symbolism and metaphors surrounding the two and how they complement each other. As much as I loathe Akutami, I do admire their symbolism surrounding the cast of JJK.

BLACK AND WHITE, LIGHT AND DARK

I feel like this is a prominent thing in the SatoSugu shippers to associate SatoSugu with black and white, myself included. Whenever I see black and white, I get SatoSugu PTSD. This is really what my life has come to, LOL.

Let's put Satoru as the Light and Suguru as the Dark. ( This is something I love because of how light and dark exist. One cannot be without the other, yet when light is present — dark cannot be. And when dark is present, light cannot be. Sound familiar? Yep, it's them.

We know they both probably wanted to be together but their ideals set them apart. Dark will always exist opposite to Light, and Light would always exist opposite to Dark. But they cannot be defined without each other.

And it does align with what they do become because Satoru became the Light of Jujutsu Society, they had hope because of him. When Satoru enters the scene to save the day, sorcerers are relieved, sorcerer feel safe. When he got sealed, everything fell apart, it just shows how much Jujutsu Society relied on him and trusted him to resolve everything. He taught the new generation of sorcerers, he guided them towards a new future, like a sort of guiding light.

Suguru on the other hand, he consumed the worst in the world, curses. He was confronted by the vile taste of curses every time he consumes one and after Riko Amanai's death, he was faced with the cruelty of the system, the darkness of the world. He despised the likes of people like Toji who are willing to assassinate an innocent teenage girl purely just for money. And, Toji didn't even need to kill Riko, he heard them talk, Riko wasn't even going to become Tengen's new vessel.

The whole experience with Toji changed the duo, but for Suguru, it hurt that he fought with everything he had to avenge Satoru but was left there barely living as a failure only to find his best friend completely changed to the point where he was going to kill all of the humans who were applauding them. Although he convinced Satoru they should be spared, I don't think Suguru himself thinks they deserve to live. The applauds haunted him, I'm sure he was utterly disgusted a room of adults were celebrating the death of an innocent, young girl.

The scene with depressed Suguru, we hear rain outside but if you listen carefully, they sound more like claps, like the ones he has heard back with the Cult. (also, it's funny to me that he started his own cult after being traumatised by one.)

Suguru genuinely wanted to create a world for the weak but after what happened, it's safe to say he stopped considering non-sorcerers as the weak. He already had a theory that sorcerers weren't the problem but non-sorcerers and that mindset drove Suguru mad, paired with the curses he consumes which are manifestations of the negative parts of humanity. The only way for Suguru to move forward with his life is to eradicate all non-sorcerers. He refused the other path because to him to choose non-sorcerers at this point would be to accept more people like Toji, the people in Star Religious Group and the people in the village who threatened Mimiko and Nanako.

Wow, there's a lot for Suguru's part, haha.

Black and White, Light and Dark— or whatever similar. They fit. I could compare them to Yin and Yang, but I don't fully understand its meaning so, I won't.

CURSED TECHNIQUES

I also love what their cursed techniques represent in each other. And how it ties into the story.

Suguru's cursed technique manipulates cursed spirits after consuming them. Consume, which is the first thing we see him doing in the opening of Hidden Inventory. He's a consumptive force, because he consumes the responsibility of protecting the weak.

Satoru on the other hand, repels. He's an outward force, extending out a physical barrier that creates distance between his body and the world. The Infinity and Reversal Red that repels and disconnects him from the people around him. Satoru repelled the idea of protecting the weak, actively discarding them during HI's basketball scene.

Can I point out how the scene after Star Religious group makes sense now? Blue attracts, it's a consumptive force, Suguru leaned into it. Red repels, Satoru stepped into red. It just really enhances their characters further…ah, remind me how much I love this animanga.

Satoru focused on becoming the Strongest and rejected everything else. Suguru consumed the negative emotions and trauma, leading him to go mad to the point killing all non-sorcerers could be the only way he could live with himself.

They're really meant to be together because consumption can only exist if there's a repellant force pushing back. They're not opposites, I will say. Both Satoru and Suguru contain parts of each other within each other. Sort of like Yin and Yang, but again I don't fully understand Yin and Yang enough to do a full analysis of them associating with Yin and Yang.

I think I will conclude the cursed technique analysis here because trying to understand cursed techniques in JJK…it burns my brain. Especially with those powerscalers.

"You're Late, ..."

This was done multiple time for them, and ugh it pains me.

Yup, this one right here, this motif foreshadows the tragedy of Satoru and Suguru's love story. 

We see Suguru running through the rain urgently. He so desperately needs an umbrella. Satoru? Well, you can see he's wasting time looking at a cat...he's not hurrying at all. But he has what Suguru needs, an umbrella. Well, Satoru didn't even need an umbrella.

Suguru is waiting impatiently in the rain, and he's not using his bag to cover up his head anymore. He knows Satoru is coming; that's why he's impatient.

Suguru needs him, but Satoru doesn’t pick up the pace.

By the time he finally shows up, the sun has come out. By then Suguru has accepted the fact that Satoru took too long. They can’t share the umbrella any more because they missed their chance to use it.

“You’re late, Satoru.”

And you all know what follows up...

Also a little bonus:

Those are osmanthuses.

The name Osmanthus comes from the Greek language, Osma(fragrant) and Anthos(flower), literally meaning Fragrant Flower. Osmanthus flowers are a symbol of love and romance, blooming for only a few days in the Spring, and are celebrated during wedding ceremonies and the Chinese Moon Festival in August

The animators shipped them, you cannot convince me otherwise.

This was supposed to be longer, and I do want to continue it but again, I'm tired to continue. Kind of lost motivation and my initial ideas poofed already.

Akuji out!

live, laugh, love Satoru

(tagging @everythingseasoning as she requested. Awaiting your response!)

For whatever reason, I found myself thinking about the theme of heritage/inheritance in Harry Potter and how it's, like, catastrophically broken in the text.

The villains in Harry Potter are almost unanimously racist and classist - they believe they are entitled to behave however they wish and live at the top of the social hierarchy because they were born to rich, pureblooded families, and anyone who wasn't is filth to be exploited and/or purged. That's the philosophy of evil in the book - "I deserve everything because I was born in the right family with the right genes and the right social standing. My heritage makes me better than you."

All the injustice and evil in the books is rooted in this belief in entitlement by way of heritage. People are abused and die because of it. Inherited wealth and status, and more specifically the unfair priveleges it affords, is the root of evil in Harry Potter.

So you'd think the protagonist would present some sort of strong contrast to it, right? That they'd be born poor, or mixed race, etc. But no, Harry is from a rich pureblood family, with the vast wealth and social status that affords.

Well, that's OK, we can still make a contrast. Maybe Harry differs in how he acts with wealth - perhaps, realizing his inheritance is an unfair privilege, he gives it away? Maybe he works to give the underprivileged their due? Again, no, not really. He sometimes buys stuff for his poor friend Ron, and defends his "mudblood" friend Hermione from racist criticism, but he sees no reason to change the system that dehumanizes them in the first place, and by the end of the tale is pleased to exploit his privilege for his own gain.

The whole house elf subplot illustrates this failing well - we have a race of slaves who are frequently shown to suffer from abuse. One of them, the property of a rich racist, risks his life to save Harry, and Harry frees him in return. Oh, nice, finally fighting the system, eh? Except no, not really - while Harry frees that specific slave, he's content to leave the others in bondage, especially when he inherits a slave of his own.

The contrast Harry Potter puts up against its rich, racist, privileged villains is "Hey, being rich and higher in the hierarchy is awesome and just, but you can't be a dick about it." That slaves belong in the dirt, but masters should be polite while putting them in their place.

Voldemort posits himself as the heir of Slytherin - claiming his inheritance is vital to his rise to power and villainy. And Harry opposes him by... also claiming inheritance from a rich old dead guy. Hell, the final battle comes down to who rightfully inherits a specific rare Wand!

The fact that Harry and Voldemort have shit in common is not a flaw on its own - villains and heroes are often foils for each other. But in this specific tale, the relationship the villain has with inherited power is so central to the conflict that the hero having the exact same relationship is a major failing. The story is just shy of saying "Voldemort was basically right, but he shouldn't have been rude about it." It's bad from both a moral and a writing skill perspective.

(The only inheritance Harry fully rejects is parseltongue, i.e. the ability to talk to snakes, which was accidentally given to him by Voldemort, and could be argued to be a symbol of trauma rather than inherited wealth. Also I'm still salty about how that series turned on snakes so cruelly, but that's a whole other rant.)

https://vt.tiktok.com/ZS6J19qTX/

SATOSUGU NATION RISE UP!!

"Koishiteru" is used for specifically romantic aspects because "Koi" is only used for romantic aspect!

"Koishiteru" which is the most rarest and deepest expression of love,much stronger than aishiteru

doodle of a scene from my fic!!

the fact that languages change over time is so funny to me. we have thousands of language that work perfectly well, but no that's not good enough, we need to keep fiddling with them. no not making them better, just making them different. why? well, humans enjoy making up words and phrases. for fun. enrichment activity

GOD THIS IS IS IMMACULATE

pick up the phone

private place