I don't agree. I've read both versions and Bolland's is a lot better. The story is dark and grounded. The 80's funky colours did not fit at all and made the story feel like a parody of itself. You can argue that it adds to the ridiculousness and madness of Joker as a character here, but I don't agree. This story is both chaos, but it's also grounded. It grounds the characters. That's why it's so emotional. Also Bolland's rendering and shading is gorgeous! It puts the art into another dimension! Thinking the the colouring of the comic is huge part of the story's success is silly. It was a successful, because because it was one of the first comics that showed people, that comics can be mature. That comes from a person who love bright colours a lot.
To the guy who misses the funky colouring of the 80's. There's still ton of artists who loves to colour brightly. You just gotta look for it π
wheatley is having a moment
[ID: an mspaint drawing of wheatley from portal 2. he is sitting on the floor of a white-paneled chamber. he is deflated like a beach ball and crying, a pool of tears coming from his optic and collecting around him. above him in black impact text is "UUAAGGUHUHGHHGAUAGHHUGUHG *SNNFFF* AUWAUGUHUUHUHUHUGA" and below him is "AUUGUUHHHHHGAGUUHHGG UAUUHG", both in all caps. end ID]
This happened to me many years ago. Heβs still my favorite character btw.
Two-Face #6 (May 2025) cover art by Baldemar Rivas
I love portal π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯π₯
So I forced my friend to play HL1
Totally me singing along to "The Point Of No Return The Phantom of the Opera Live at Royal Albert Hall/2011" at 2am instead of doing klauzury
me as fuck
your truth's not rigid, your rules aren't fair the dark's too vivid, the light's not there
Do y'all think this is how they argue in his head
Crazy frog in fact isn't my favourite song22
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