Aries: An exile. As close to a leader as anything. Decades of experiments. Inhuman flesh. A blank porcelain mask, inscribed with a single symbol. The only thing left untouched is her hair.
Taurus: The Knights Captain, daughter of the high priestess. A martyr. A township saved, burning like a star in the dry autumn heat. Blazing wings.
Gemini: The King Under The Ice. A stolen childhood. Small shoulders for an impossible burden. A desperate bargain to contain an ancient evil.
Cancer: The first queen. A woman more scars than flesh. Respect commanded by tooth and claw. Legend says even the beasts bowed their heads when she spoke.
Leo: The High Priestess, come to make good on an old covenant. Thunder on the mount. Eyes burned by sights from the land of the dead. A flash of thunder revealing the legions of ancestral dead, come to heed her call to arms.
Virgo: A young princess, currently being carried to safety in a backpack. She wraps her tiny hands around the shoulders of her bodyguard and tries to sleep.
Libra: A empress by title, an alchemist by desire. Long trips to the countryside spent foraging in swamps and mountain caves. Jars of exotic insects displayed proudly to less than excited diplomats.
Scorpio: A general. Born with an ancient and rare gift. A man who could speak to beasts. Said to be the first to harness the great wild things and drive them for war. Legends of an army of half-men, half-beasts.
Ophiuchus: A prince fallen prey to an old and terrible sickness. An inexplicable whistling cry that only he can hear, calling him to the mountains. There he sits, preserved in the abandoned aeries, decked in scales.
Sagittarius: The renegade prince. Palace finery and lavish parties forsaken for nights of adventure and intrigue in the city streets. Scandalous tales of cross-dressing and romance and baffled police.
Capricorn: A king of blood and stone. A menace to some, a savior to others. To carve out a space for his people against impossible odds and overwhelming enemies. Rites finally conducted in service of a god that was long thought to have abandoned their worshipers.
Aquarius: A queen burdened by loss. A pilgrimage to the ancestral mesa. She sits under the night sky. A low, droning tune on a horn carved from an old tree. The stars mourn with her.
Pisces: A queen of many eyes. Networks of spies that span the kingdom. A diplomatic party approaches, an assassin among them, unaware of her own assassin that already sits perched in the rafters above them.
1. Stop calling yourself an Autism Mom and making it all about you. 2. Meltdowns suck, but they’re harder on her than you. Work with her to figure out her triggers and don’t dismiss them. 3. Some types of behavioral therapy which focus on emotional regulation can be beneficial but anything that rigidly demands forced eye contact, forbids stimming, or aims to make her act “less autistic” is abusive. 4. Autism Speaks is garbage. 5. Vaccines don’t cause autism. 6. Focusing on causes and cures is both ableist and pointless. 7. Listen to and respect your kid as a valid human being. 8. Make whatever accommodations she needs to function optimally without making a big deal about it. 9. Be prepared to fight if school is unwilling to make accommodations. 10. Know your kid’s educational rights as a disabled person and make damn sure her school honors them 11. Don’t just rely on teachers and therapists to understand autism. Talk to actually autistic adults to gain a better sense of what to expect for your child’s future. Don’t know any? Follow blogs with the tag #actually autistic. And encourage your kid to do the same, especially as she gets older. 12. Your kid is capable of a lot more than you may think and she’s growing up. Stop infantilizing her and let her make mistakes.
Any and all constructive feedback from the #actuallyautistic community is welcome. I’m trying to continue to grow as a supportive parent.
Later...
😅 Yes to NOT showering for a week and stayed in my room...unfortunately.
So i’ve found this treasure on pinterest today
SLBP is totally worth it.
Hmm...as to the starting route...Yukimura is a good choice. :) Just don't do his act 2 yet. Other good choice is Masamune.
For ninjas, if ever, (after 1st route finish) Kyoichiro.
It also pays to read other's reviews when it comes to specific routes so you'll know what to expect (because SLBP likes variety ranging from good and less-than-good, plus throw in possible character deaths to make us cry 😫) but I suggest that, if you can, do ALL of them for the experience.
So. Ieyasu. Who I see is in the top five characters in Japan again. (There’s a psychological study in that, if anyone has the resources.) I finally finished his MS a few weeks ago, but have been putting off writing my overall impressions because, frankly, I haven’t wanted to.
I collected dozens of screenshots documenting how his character does and doesn’t change throughout the story, but the thought of going through them just to say the same things as before has been disheartening. Rather than talk about abuse and the romantic view it’s given here again, I’m going to start by talking about something I haven’t given much attention to yet: the non-Ieyasu characters.
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Suspense is one of the trickier parts of writing to manage effectively because, as the author, you can’t experience your story the way a reader does. If you don’t have enough suspense, it can be difficult to keep your readers interested. If you have too much, frustrated and stressed-out readers might throw your book against the wall. Too much suspense can even backfire - if you try to keep your readers constantly on edge, they can stop taking things seriously and the end result is as though you never included any suspense at all.
So how can you tell if you’ve reached the right balance? Unfortunately, I can’t answer that for you. Some things really do require feedback from honest and insightful readers. Once you have that feedback, however, there are easy tricks to adjusting the level of suspense without a drastic re-write. Here are my five favorite methods.
INCREASE SUSPENSE by promising something huge and then giving your reader something unexpected. To borrow an example from Buffy the Vampire Slayer, imagine a teenage boy and girl sneaking into an empty building. Everything from the costumes to the lighting is designed to make you uneasy about the girl’s safety but, in the end, she’s the vampire. Give the audience something sensational and they won’t be disappointed that you didn’t deliver on what you originally promised.
DECREASE SUSPENSE by promising less than you plan to deliver. For example, if you plan to kill off a character as they walk through a dark alley, let them worry about being mugged rather than murdered. Not only is it less suspenseful, the payoff is more shocking.
INCREASE SUSPENSE by shifting the focus to a character who’s more involved in the action or one who has more at stake. Even if you have a single POV character, another can come in and demand that character’s attention, along with the readers’.
DECREASE SUSPENSE by focusing on a character who’s more concerned with a secondary goal. Subplots are a fantastic way to give your readers some room to breathe.
INCREASE SUSPENSE by cutting back on the action. Suspense flourishes in the quiet moments when your characters have time to think and to anticipate what may be in store for them.
DECREASE SUSPENSE by giving your characters a big, exciting mess to deal with. Even when that mess causes more problems and puts more pressure on your characters in the long run, you’ve still created an oasis where both they and the readers are too distracted to worry about how the big picture will pan out.
INCREASE SUSPENSE by concentrating on the details of the setting. Horror movies are great at this - every creak of a door, every shadow across a wall keeps the audience immersed in the experience and tense with anticipation.
DECREASE SUSPENSE by breaking the “show, don’t tell” rule and allow exposition to help you move things along. You don’t need to take readers through every aspect of your story in excruciating detail. It’s okay to gloss over some things and it helps readers relax because they know you’re not going to be springing any surprises on them just yet.
INCREASE SUSPENSE by imposing a deadline that your characters struggle to meet. It’s one of the oldest and most obvious tricks in the book, but very effective.
DECREASE SUSPENSE by allowing your characters to believe that the deadline has been met or pushed back. If they (and the readers) believe that they’ve accomplished their goal or bought themselves more time, it relieves pressure and allows everyone to relax until the truth’s revealed.
By: Martini Fisher
Source: https://www.ancient-origins.net/history-ancient-traditions/honorable-death-samurai-and-suicide-feudal-japan-005822